Poetry by John Kaniecki

March 5th, 2013

 

A Rap for a Real Revolutionary

 

Bad news she softly said
Chairman Fred is dead
What was his crime?
What did he do wrong?
Being ahead of his time
And fighting too strong

The wind blows harsh in Chicago
Wailing woe
For the secrets it does know
We just wanted to be free
And live decently
She says between tears
As she hangs low her head
This is the worst of our fears
Chairman Fred is dead

Revolutionaries in truth cannot die
The question will persist
Why?

I insist
That we carry on
Though like so many others
Chairman Fred is gone

I salute you sisters, I salute you brothers
Let us not give up the fight
For one day darkness will be vanquished by light
That is the hope that is the dream
That is the motive supreme
Countless sorrows my heart has bled
Our martyrs’ blood like rivers flow
Oceans of agony is the pain we know
Chairman Fred is dead
We too must be willing to give our lives
That is how the struggle survives

 

 

Just a Share Cropper

 

I’m just a share cropper, dats my name
Many a title but we’re all de same
I work the soil seven days a weak
I labor and toil till I’m tired and week
I got to pay to fertilize.
I got to pay for seed
My integrity I compromise
To meet my family’s need
At the end of the season when harvest is done
I’m worse off then when I’ve begun
Da mastah he keep the book
Da mastah he won’t even let me take a look
If I dare to argue and fight
I’ll get a visit late at night
So I silently curse and deny my pride
And my anger and hatred I try to hide
See the mastah he got complete control
He got everything but a soul

 

 

Trotsky and the Revolution

 

Trotsky Slips on his pink ballerina slippers
Majestically performing Swan Lake
A comrade quippers
His shoes should have been red
That was his tragic mistake
Another shot back at his brother
To me, they should be
Blue and no other color
So back and forth went the debate
And the closest of friends fled in hate
I believe no man is above another
I believe capitalism and imperialism must cease
I believe the soviets should dictate to above
I believe in communal peace
I believe in common Love
I believe the pigs and dogs whom lust in greed
Should share with the masses who are in need
I believe in the failure of the partial solution
I believe in total revolution
And finally
I believe in totality
That Trotsky would agree with me
So let us not debate each minute detail
For if we do then we all shall fail

 

In Jail

 

Says the hood to the guard
“Aw man don’t you know life is hard?”
Said the guard to the hood
“Aw man it’s just that you ain’t no good!”
The prisoner clenches his fists on the cold steel bars
And gave the officer a serious stare
“Brother I don’t know who you are,
“But I certainly know that you don’t care!!”
The blue uniformed man’s face turned red
Confused if he felt anger or shame
Screaming, “Man your kind should all be dead,
“You ain’t got nobody but yourself to blame!!”
In the cage he sought to control his rage
The guard with nothing further to say
Simply walked away

Another criminal called from a distant cell
“Man don’t you know they gonna give you hell?”

The human being, God’s very own special creation
Replied stoically without hesitation
“If they give me hell that would be bliss
“Cause even hell is better than this.”

Share this:

3 comments on “Poetry by John Kaniecki”

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

The Sunday Poem

”Licorice Stick” by Russell Dupont


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Russell Dupont reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

Art by Martel Chapman
21 jazz poems on the 21st of May, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician.

Publisher’s Notes

Where I’ve Been…and a brief three-dot-update...News about an important life experience, and an update about what's going on at Jerry Jazz Musician

Feature

Jazz History Quiz #181...Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra. He would eventually become one of the leading voices on his instrument for almost 50 years. Who is he?

Short Fiction

Short Fiction Contest-winning story #68 — “Saharan Blues on the Seine,” by Aishatu Ado...Aminata, a displaced Malian living in Paris, is haunted by vivid memories of her homeland. Through a supernatural encounter with her grandmother, she realizes that preserving her musical heritage through performance is an act of resistance that can transform her grief into art rather than running from it.

Poetry

photo via Pickpik
“June Bugs and Berries” – a poem (for June) by Jerrice J. Baptiste...Jerrice's 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes June with a poem referencing the music of Antonio Carlos Jobim

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Short Fiction

“Steven and Mira: Paris May 1968” – a short story by Steven P. Unger...The story – a finalist in the recently concluded 68th Short Fiction Contest – is a semiautobiographical tale of a café-hopping tour of Paris in the revolutionary summer of 1968, and a romance cut short by the overwhelming realities of national strikes, police violence at home and abroad, and finally the assassination of Bobby Kennedy.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 13 - "Child Prodigies"...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 13th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose theme is child prodigies

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Short Fiction

“Every Night at Ten,” a short story by Dennis A. Blackledge...Smothering parents, heavy-handed school officials, and a dead President conspire to keep a close-knit group of smalltown junior high kids from breaking loose. But the discovery of a song on late-night radio — one supposedly loaded with dirty words — changes everything.

Feature

photo via NegativeSpace
Trading Fours, with Douglas Cole, No. 24: “Change of Luck”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, he writes two poems inspired by the music of Matt Wilson’s tune “Feel the Sway.”

Short Fiction

art by Marsha Hammel
“Stuck in the Groove” – a short story by David Rudd...The story – a short-listed entry in the recently concluded 68th Short Fiction Contest – is about a saxophonist who moves away from playing bebop to experimenting with free jazz, discovering its liberating potential and possible pitfalls along the way…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Interview

“The Fire Each Time” – an interview with New York Times best-selling author Frederick Joseph, by John Kendall Hawkins...A conversation with the two-time New York Times bestselling author of The Black Friend and Patriarchy Blues, who in 2023 was honored with the Malcolm X and Dr. Betty Shabazz Vanguard Award,. He has also been a member of The Root list of “100 Most Influential African Americans.”

Playlist

“Septets—Seven’s Heaven.” – a playlist by Bob Hecht...Bob's 26 song playlist features septets, and includes the likes of Wynton Marsalis, Jimmy Rowles (his 1959 album is pictured), Charles Mingus, Chick Corea, Art Farmer, and Cannonball Adderley.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers;, Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.