Poetry by John B. Lambremont, Sr.

April 20th, 2009

 

 

 

 

A big mind

 

 

 

 

Think of One with rare flat-fingered technique,
Hat and Beard gave you a distinct mystique;
Evidence early of genius unique,
Let’s Cool One while your sweet glissandos peak.
Off Minor keys pressed with heavy-hand passion,
Nutty tunes composed in bright, Skippy fashion;
I Mean You can’t help but feel Bemsha Swing
under the influence of Rhythm-n-ing;
Suburban Eyes shine in Epistrophy.

Misterioso of space so sublime,
only you knew ’twas a matter of time;
Nellie in crepuscule first saw the light,
knew we’d catch on to you ‘Round About Midnight.

 

 

 

 

 

 

A big star

 

 

 

 

Classic example of heroin’s waste,
Hollywood handsome turned withered prune-face;
embrochure crushed in a ‘Frisco street fight,
tumbled to death from a Dutch window flight.

Bird from his yard said that you’d be the one
able to give Miles and Dizzy a run;
king of cool, yes, but a warm crooner, too,
even when your luck was finally through,
really was no one that could out-play you.

 

 

 

 

 

 

A big pioneer

 

 

 

 

Joyful proclaimer of pure love supreme,
oh! how you burned like none had ever dreamed;
Heaven reclaimed you; you passed the baton:
no giant steps taken once you were gone.

Chimney sweep tune from a new movie score,
only you transformed it and made it soar;
lengthy, bold phrases of mystic oration;
train colored blue made you the new sensation.
Rivers of Africa murmur your name,
Ascension glory beyond mortal aim;
never will sheets of sound be heard again;
eternal blazer, forever you reign.

 

 

 

 

 

 

A big iconoclast

 

 

 

 

Mute man so hoarse with such change in his chords,
in final years, a recluse of few words;
legacy in making music sound different;
electric move made him stadium riches,
steadily sipped he the brew of new bitches.

Dizzy successor in high-fly bird school,
ably he gave birth to the style called cool;
varying modes, his bands found blue in green;
imitate? never, no question mark, clean,
So What if acid was his last new scene.

 

 

 

 

 

 

A big lady

 

 

 

 

Blues were born into your plaintive voice box,
infinite time in the school of hard knocks;
loving the easy living you knew best,
Lady Day, named by the tenor men’s Prez;
interesting way they arranged your strange fruit,
exquisite style that in our hearts took root.

Home life you longed after time and again,
only to ride wild on trains with jazz men;
limited range but such depth of emotion,
in solitude you earned our true devotion;
devils tormented you from East to West,
and while you died a well-chaperoned death,
yes, it’s still you we hear above the rest.

 

 

 

 

 

 

A big clown

 

 

 

 

Clown sweating upright on many a stage,
hog callin’ blues put you into a rage;
although there were those that said you were strange,
revered by all for the way you’d arrange
love chants and folk forms you sought to attain;
ecclusiastics you wrought from your pain;
sorrowful ecstasy, your voice not plain.

Mercurial leader of your small big bands,
intricate runs from your rough, callused hands;
Nogales to New York was a quick trip,
growling brown bear of such sardonic quip;
until this day we have never have seen
such a big thumper with long lines so clean.

 

 

 

 

 

 

A big vision

 

 

 

 

Wonder child, you single-handedly preserved a genre;
you deserve all of the recognition thrust upon you.
Never has a jazz man yet received such great acclaim;
trumpeter, you’re fast approaching Louis Armstrong’s fame.
Only generation left before pure jazz was through;
no one knew it better than did you at twenty-two.

Messenger of music, you direct with style and pace;
Art Blakey could see it, so he put you in his place.
Red blood on the fields you wrote of got us all to thinking;
slave songs from the Center in Manhattan named for Lincoln ;
all around you spread J Mood, your Citi Movements honed;
listen to Noo ‘Awlins callin’ with Levee Low Moans;
it’s time again you and your brothers made the Jazz Fest scene,
Steepie says he’ll treat you to Bayona’s on Dauphine …

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In This Issue

photo by William Gottlieb/design by Rhonda R. Dorsett
21 jazz poems on the 21st of November, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poems communicating the emotional appeal of jazz music, as well as nods to the likes of Miles Davis, Regina Carter, Maynard Ferguson, Ornette Coleman, and Max Roach.

The Sunday Poem

”Christmas for Bachelors” by Erren Geraud Kelly

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Erren Geraud Kelly reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

photo via Freerange/CCO
Short Fiction Contest-winning story #70 – “The Sound of Becoming,” by J.C. Michaels...The story explores the inner life of a young Southeast Asian man as he navigates the tension between Eastern tradition and Western modernity.

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Community

Letter from the Editor: “A Jerry Jazz Musician Experience”...Sharing a bit of what I’ve been up to of late, and make you aware of a new endeavor of mine…

Poetry

National Archives of Norway, CC BY 4.0 , via Wikimedia Commons
“Wonderful World” – a poem by Dan Thompson

Feature

Press Release for “The Weary Blues: Celebrating The Harlem Renaissance and Langston Hughes...I recently wrote about a new endeavor of mine – producing a show in Portland celebrating the poetry of Langston Hughes and the Harlem Renaissance. What follows is the complete press release for the February 7 performance at the Alberta Abbey in Portland, Oregon.

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Feature

Memorable Quotes: Horace Greeley, on character...“Fame is a vapor, popularity an accident, and riches..."

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

"Swing Landscape" by Stuart Davis
“Swing Landscape” – a poem by Kenneth Boyd....Kenneth Boyd writes poetry based on jazz paintings. “Swing Landscape” is written for a Stuart Davis painting of the same name.

Playlist

“A Perfect 10” – a playlist of tentets by Bob Hecht...Bob adds another instrument to his progressive playlist feature, and shares what a variety of arrangers have been able to accomplish writing for a tentet.

Jazz History Quiz

Jazz History Quiz #185...This posthumously-awarded Grammy winning musician/composer was the pianist and arranger for the vocal group The Hi-Lo’s (pictured) in the late 1950’s, and after working with Donald Byrd and Dizzy Gillespie became known for his Latin and bossa nova recordings in the 1960’s. He was also frequently cited by Herbie Hancock as a “major influence.” Who is he?

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Short Fiction

“Alas, for My Poor Heart” – a short story by Daryl Rothman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – concerns art and its truest meanings—where you just might have to look twice at what the shadow and light of a piece says about that within your soul.

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Short Fiction

publicdomainpictures.net
“Corkscrew” – a short story by Mike Wilson...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a night when everything goes wrong and everyone is annoying, an unexpected turn of events teaches a sarcastic lawyer that the old adage is true – a cynic is just a disappointed romantic.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 27: “California Suite”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.

Short Fiction

photo by Simon Webster
“Smoke Rings and Minor Things” – a short story by Jane McCarthy...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is a meditation on missed chances, minor keys, and the music that outlives the room it was played in.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.