Poetry by Charles Brice

April 12th, 2009

 

 

 

 

 

 

Flash Cards

Someone’s gonna be in trouble.

Some kid’s Spanish flash cards
strewn along Maple Avenue
blown down the sidewalk,
lodged in ivy ground cover,
stuck under decrepit concrete
of disintegrating sidewalk
like a schoolboy’s T-shirt caught
in the grasp of a detention teacher.

¿Como se secribe, big fuck up, en espanol?
(How do you write … in Spanish?)

How did they get there?

Blown haphazardly out of
an errant backpack pocket?
Thrown out a bus window
by the fat older kid? A new torture
for the quiet one with glasses?
(Will he explode a dirty bomb
in a football stadium
when he grows up?)

¿Puedo usar el saqcapuntas?
(Can I use the pencil sharpener?)

Or a petulant toss and a curse –
who needs this shit?
Studying Spanish is un-American.
Mexicans are un-American.

Preguntale a otro estudiante.
(Call on another student)

They’re everywhere: Major League Baseball,
sitcoms, movies, rock bands,
doctors, lawyers, writers
and restaurant owners.
Even the ATM offers a Spanish option.

Maybe gray Governor
Jan Brewer, supercharged
from her victory in Arizona,
relaxing in Pittsburgh,
where there are few Latinos,
grabbed those flash cards and
threw them across Maple Avenue.

Not in my America,
she might have yelled.
We want our country back!
Give us our country back!

¡Cierra los libros!
(Close your books!)

 

 

 

What Shirley Sherrod Didn’t Know

 

was that somewhere in the eighties the Liberal Movement
rode its horse off Free Speech Cliff and landed in Mud Bath Gulch.
Militant Moralists threw them a rope called Political Correctness
on which they hung themselves. Instead of pulling themselves up,
they swung into Joe McCarthy Ravine,
where they were attacked, by the armies of The Offended
and The Feeling Abused. Defending themselves

with The 24 Hour News Cycle, they embraced the mire.
The first to fall on the field of fanaticism was Humor:
people were fired for telling jokes, good natured
kidding was seen as insensitive culture bashing.
Lives were ruined by offhand remarks,
by saying things in moments of anger,
or thoughtlessness, what used to be called

“mistakes.” Certain words became forbidden
causing The Repressed to go underground where,
as usual, it became virulent instead of ventilated.
Hatred sprang out everywhere, “empowering” (perhaps
the worst of the sanctioned words) The Left
with the exquisite pleasure of Schadenfreude,
heretofore a sacrament of The Right. Shirley Sherrod

thought she was wearing a white hat, riding a white horse.
She thought she might tell of overcoming disdain for
poor whites whose ancestors, with historical regularity,
lost the distinction between lunchtime and lynchtime;
a good way to connect with the neighbors
was to hang and burn a black person
(she’d seen the photographs, those toothless, smiling,
white faces standing around the charred

remains). Instead, she rode her horse into Father
Coughlin Canyon where Coughlin’s avatar, Andrew Breitbart,
blogged three minutes of her thirty minute speech on the net.
Hanity, O’Reilley, all the right wing hate mongers,
swarmed over her like red ants on a ladybug,
joined by liberals hanging at the end of their PC rope,
The NAACP and Obama’s administration fell
all over themselves condemning her. They didn’t need

the entire tape, they didn’t need the facts, they knew
all they needed to know. Talking about her reluctance
to help a poor white farmer was politically incorrect.
Oh the assonance between fascism and fanaticism felt
fierce. All fanatics have everything in common.

 

 

About Charles Brice

Charles Brice is a retired psychoanalyst and freelance writer in Pittsburgh, Pennsylvania. His poetry has appeared in “The Paterson Literary Review,” the “Front Weekly,” the “Barbaric Yawp,” and “The Erie Peace Voice.”

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

”Never Again (Working Poems for JD Allen)” by Sean Howard

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Sean Howard introduces and reads his poem


Click here to read previous editions of The Sunday Poem

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo of Red Allen by William Gottlieb/Library of Congress
21 jazz poems on the 21st of February, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poets – several new to readers of this website – writing about their appreciation for the music, how it shows up in their daily lives, and displaying their reverence for the likes of Billy Strayhorn, Joe Henderson, Ernestine Anderson, Miles Davis, Louis Armstrong and Red Garland.

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Poetry

photo by Lorie Shaull/CC BY 4.0
“Poetry written in the midst of our time” – Vol. 2...Poets within this community of writers are feeling this moment in time, and writing about it...

Poetry

photo via Wikimedia Commons
“Empire State of GRIME” – a poem by Camille R.E....The author’s free-verse poem is written as an informal letter to tourists from a native New Yorker, (and sparing no bitter opinion).

Short Fiction

photo via Freerange/CCO
Short Fiction Contest-winning story #70 – “The Sound of Becoming,” by J.C. Michaels...The story explores the inner life of a young Southeast Asian man as he navigates the tension between Eastern tradition and Western modernity.

Poetry

art by Martel Chapman
"Ancestral Suite" - A 3-Poem Collection by Connie Johnson...The poet pays homage to three giants of mid-century post-bop jazz – Booker Ervin, Lou Donaldson, and Little Jimmy Scott

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

photo via NOAA
“Taking The Littlenecks” – a prose poem by Robert Alan Felt...Expressing the joy and sorrow of life at age 71 with grace, wisdom, and appreciation.

Short Fiction

photo by Iryna Olar/pexels.com 
“The Fading” – a short story by Noah Wilson...The story – a finalist in the recently concluded 70th Short Fiction Contest – examines the impact of genetic illness on a family of musicians and artists.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Davidmitcha, CC BY-SA 3.0 , via Wikimedia Commons
“Blue Monday” – a short story by Ashlee Trahan...The story – a finalist in the recently concluded 70th Short Fiction Contest – is an imagining of a day in the life of the author’s grandfather’s friendship with the legendary Fats Domino.

Poetry

National Archives of Norway, CC BY 4.0 , via Wikimedia Commons
“Wonderful World” – a poem by Dan Thompson

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Jazz History Quiz

photo by Mel Levine/pinelife, CC BY 2.0, via Wikimedia Commons
Jazz History Quiz #186...While he had a long career in jazz, including stints with, among others, Coleman Hawkins, Roy Eldridge, Sonny Stitt and Stan Getz, he will always be remembered primarily as the pianist in Charlie Parker’s classic 1947 quintet. Who is he?

Playlist

“Darn! All These Dreams!” – a playlist by Bob Hecht...In this edition, the jazz aficionado Bob Hecht’s 13-song playlist centers on one tune, the great Jimmy Van Heusen/Eddie DeLange standard, “Darn That Dream,” with the first song being a solo musician recording and each successive version adding an instrument.

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

“The Mysterious Axeman’s Jazz” – a story by Ruth Knafo Setton...Upon returning from the horrors of World War II to post-war New Orleans, a trumpeter learns of a dark secret that reveals how his family fought their own evil, and uses jazz to bury the ghosts of war and reclaim the light through music.

Feature

photo via Wikimedia Commons
Memorable Quotes – Lawrence Ferlinghetti, on a pitiable nation

Short Fiction

photo by Bowen Liu
“Going” – a short story by D.O. Moore...A short-listed entry in the recently concluded 70th Jerry Jazz Musician Short Fiction Contest, “Going” tells of a traumatic flight experience that breaks a woman out of her self-imposed confines and into an acceptance that she has no control of her destiny.

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.