“Piano Hands” — a short story by Charis Shin

April 28th, 2018

“Piano Hands,” a story by Charis Shin, was a finalist in our recently concluded 47th Short Fiction Contest.  It is published with the permission of the author.

 

 

 

Piano Hands

by Charis Shin

 

He had beautiful hands — hands with long, slender fingers meant to caress ivory piano keys. Knuckles, she knew, were never the most flattering part of anyone’s body — gnarled and raisin-like skin stretched over delicate bones. And yet, there was a certain beauty in the way his knuckles bent and flexed over the piano, so she protested bitterly when he became a mechanic to make ends meet.

“We’ve got bills to pay,” he said with a matter-of-fact shrug, “And I can always play at home.” From that day on, he woke up every morning with the sun. She could never rouse her own body early enough, rising only to give him a groggy kiss before her drowsiness pulled her back under. But she would wake up later, with the rising guilt in the pit of her stomach keeping her from eating breakfast.

She would sit at her office desk, tracing her finger in the thin layer of dust blanketing it as she stared at the blinking cursor on her laptop. She had thought, once, that it was the laptop that was the problem, and had bought a beautiful leather-bound notebook on a whim. But just a few days later, she spilled coffee on its thick, cream colored pages, and was filled with such inexplicable anger that she tried to tear the book to shreds. Its leather had refused to yield, and she sat and cried in the middle of the linoleum kitchen floor until he came home from work.

He knelt down next to her, pulling her close to his heart, and its gentle beating soothed her until she could feel the pieces of herself clicking back together. She clasped his hand in hers, and she saw how motor oil and grease had made permanent homes underneath his nails, how his palms were rough and weathered. Her distress must’ve shown on her face, because he laughed and lifted up her chin so she would meet his eyes.

“Just write, my dear.” And then she understood that he had quit performing for her, so that she could sleep in on the mornings when gravity seemed stronger than normal and dragged her mood down, so that she could stay home and write like she had dreamed of doing since childhood, while he tinkered with cars even though he had always been more of a bike person.

But there was a clamp around her creativity that tightened whenever she sat down to write, and that tightness would spread to her throat, preventing her from speaking her mind. At first, she blamed the pills that she took every morning– blamed them for the hollowness that would blanket her thoughts. And yet, she knew that she could not stop taking them. She remembered, one day, how she had watched a documentary about victims of severe hypothermia, how, when it got cold enough, the blood in their bodies would rush away from the extremities to the vital organs. Perhaps, she mused, that was what was happening to her. All of the energy backing her creativity was being sapped so that she could muster the strength to wake up on the days that the world had a bleak gray tint.

And so she could not write, no matter how hard she tried.

On one particular morning, she managed to get up as he did. He made her breakfast, as she fiddled with the coffee pot and tried to figure out where the bottle of creamer was, and then she waved him out the door with a promise that she would see him in a few hours. Her heart lightened when, as he pulled out of the driveway, he rolled down the window and blew her kiss, and she spent the next few hours watching blinking cursors and empty pages, waiting for him to come home. The stifling silence seemed to magnify with the ticking of the clock’s second hand, as the light outside faded into a startling darkness.

But just as her impatience and confusion began to give way to panic, the phone’s tinny ringing filled the empty house, and she felt so reassured by the sounds of something, anything, that she almost just let it ring through. Eventually, she picked it up, but once she heard the words of the stiff, formal voice on the other end, her hands began to tremble and the phone clattered back onto the receiver.

He never came home.

Two months after that day, she pulled out the same leather notebook for the first time in what seemed like years. Her hands shook as she flipped through its warped, coffee-stained pages, and almost without thinking, she reached for the pen resting on her nightstand. “Write for me.” She could almost feel him whisper over her shoulder, could almost feel his piano hands wrap around hers, guiding the pen to meet the paper. “Write for me,” he whispered again, as the cloudiness in her consciousness slowly washed away. “Write for me,” he said a final time, shaking loose the stopper on her creativity.

And so she wrote.

 

_____

Charis Shin is currently a high school junior attending a public magnet school with a concentration in business and finance. Although she has had a lifelong love for books, only recently has she begun to create stories of her own. She hopes to continue this pursuit in the future. 

Share this:

2 comments on ““Piano Hands” — a short story by Charis Shin”

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo of Sidney Bechet by William Gottlieb
21 jazz poems on the 21st of July, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician.

The Sunday Poem

photo by Kelly Ritta/via Pexels

The Sunday Poem: “Seasonal Rain Reveries,” by Mary K O’Melveny

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Mary K O’Melveny reads her poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Performance

The performance poet Emmett Wheatfall
A Letter from the Editor…On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”A brief recap and photos of the February 7, 2026 Jerry Jazz Musician-produced performance of “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”

Short Fiction

photo by Daniel's Richard/via Pexels.com
Short Fiction Contest-winning story #72 – “La Fontaine,” by Ashlee Trahan...A broken familial relationship in post-WWII France finds a semblance of closure in a crumbling countryside estate.

Community

photo by Rhonda R. Dorsett
In Memoriam: Michael L. Newell, 1945 – 2026...News regarding the passing of the poet Michael L. Newell, whose work has been published on Jerry Jazz Musician since 2015.

Poetry

“Dreaming in a Spacecraft” – A prose poem inspired by the voyage of Artemis II, by Robert Alan Felt...

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Poetry

photo by Nathan J. Hilton/via Pexels
“Pax Vobiscum” – a poem by Michael L. Newell

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Short Fiction

“The Cartographer” – a short story by Timothy Collyer...The story – a finalist in the recently concluded 71st Short Fiction Contest – is a work of speculative fiction about the gentrification of memory. It follows a recovering alcoholic who is building a guerrilla augmented-reality map of Philadelphia’s lost jazz history—specifically the “Blue Note” era of the 1960s—while battling a corporate developer who wants to sanitize the data for tourists.

Feature

Allen Ginsberg in 1979; photo by Michiel Hendryckx, CC BY-SA 3.0, via Wikimedia Commons
Memorable Quotes: Allen Ginsberg

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Photo by Mario Spencer/via Pexels
“The Busker” – a poem by Robert Nisbet

Short Fiction

collage by Judith Beth Cohen
“The Eating Club” – a short story by Judith Beth Cohen...The story – a short-listed entry in the recently concluded 71st Short Fiction Contest – centers on an affair two writers share around gourmet meals.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

kaboompics.com/via Pexels
“The title is not included in the word count…” – a short story by Scott Cash...In this story – a finalist in the 71st Short Fiction Contest – self-ordained genius Kevin feels that life has been against him. But he thinks he has discovered a loophole and can exceed the 3,000 word limit for a writing contest by utilizing the title. When this is thwarted, he instead lands upon footnotes as a way to exceed the limit. This story is a celebration of writers and the act of writing.

Jazz History Quiz

Besides being one of the first to be influenced by Charlie Christian (pictured), in 1944 this electric guitarist employed Charlie Parker on his first recording date and eventually led an R&B-oriented group “The Rockin’ Highlanders” that featured the saxophonist Red Prysock. Who is he?

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.