On turning 70, and contemplating the future of Jerry Jazz Musician

June 18th, 2024

.

 

.

photo by Rhonda Dorsett

The Nisqually National Wildlife Refuge in  Olympia, Washington

February, 2024

.

___

.

 

“Aging is not ‘lost youth’ but a new stage of opportunity and strength.”

– Betty Friedan

 

.

.

Dear Readers:

…..I had an outpouring of thoughts and emotions during the recent 50-day car trip adventure I took to mark my 70th birthday.  Fortunately, few were of the dreadful and dark variety that one may expect at this stage of life.  I chalk this somewhat surprising lack of anxiety up to the many role models who came to this age before me.  Here are three, along with “resolutions” gleaned from their examples:

…..-My grandparents, who lived into their 80’s and whose joy for life they openly displayed during their 70’s was an antidote to the consternation they could have otherwise displayed.  The sound of their laughter and the loving expression they wore when greeting me at their door remains a constant presence for good in my life.

With their example, I am determined to show this same goodness to others, to display courage and grace in the face of age, and to be a role model for younger people.

.

 …..-My father. Working until age 80, he had boundless determination and a strength of purpose connected to his family and business, and an ability to find and enjoy success through hard, honest work, and respecting those who helped him achieve it.

With his example, I’d like to stay vital by doing what I love, and to honor and respect the people who contribute to whatever success and happiness I come by.

.

…..-The many elder writers contributing to Jerry Jazz Musician – some of whom I have known for ten years now (and some who have gone silent in the last year or two).  The wisdom that shows up in their language and the joy they display when their work is chosen to be shared with this community is evidence of an ongoing spirit and a humble contentment.

With their example, I hope to maintain my own creative spirit for as long as my energy and passion for life lasts, and to have an appreciation for what I achieve.

.

…..And, maintaining my creative spirit is critical if my desire to continue editing and publishing Jerry Jazz Musician – which I have done since 1999, when I was 45 – lasts well into my 70’s.

…..There are challenges, of course, beyond maintaining a creative spirit, not the least of which is the reality that what this website has become is in opposition to what the dot-com world is today – an environment of spam, pop-ups, chatbots, porn, unseemly advertisements, clickbait, political garbage, false information, and sinister scams and personalities.  And that’s just in the dot.com world!  Meanwhile, social media has trained users to spread falsehoods without consequence (leading to our post-truth world), and our restless, impatient brains have forced content providers – forever chasing “likes” that can be monetized –  to create material that is consumed in seconds.  As a result, a dearth of meaningful content and even less depth of soul is found online.  It won’t get better anytime soon – it is projected that by 2026, 90% of the content available on the Internet will be created by artificial intelligence, so unremarkable content will be incessantly generated, ads to support it will be relentless, and misinformation (and misinformers) will divide us further.

…..MMy vision for Jerry Jazz Musician to publish human-generated, soulful, original content that celebrates a rich, historic culture – and to do so without being a repository for advertising – flies in the face of such a gloomy environment.  I am determined to remain a noise-free island for creative expression, and to keep the experience of visiting this website rewarding and hassle-free. But I am also left trying to understand how a content-heavy site can survive when users of the Internet have been trained to scroll and troll rather than enrich and inspirit.  It can be done with determination and effort, but that isn’t enough without revenue to support it.

…..The good news is that the number of people visiting Jerry Jazz Musician is up 25% over last year.   Thousands of people are landing on this website every month.  The challenging news is that the cost of publishing the content is up in terms of personal time, energy and expense – not a good recipe for publishing a website that doesn’t generate advertising revenue.

…..So, before I appeal for your support, I want to share a little more about my vision for Jerry Jazz Musician over the short and long term.

…..I am proud to report that I have entered into an agreement with the Portland, Oregon-based book publisher Unsolicited Press, and our initial venture will be the creation of an anthology of previously unpublished jazz poetry, which will be available sometime late 2024/early 2025.  This will provide me with an opportunity to take what has been successful on jerryjazzmusician.com into the printed book world, creating a potential revenue source as well as new avenues of reach for the poets and writers published within it.  (You can learn the details about how to submit your work at the conclusion of this post).  Several other poetry anthologies are also being imagined and planned, and there may come a time for other options as well (i.e. short fiction collections, interviews, etc.)  The only impact this will have on the website is that following the publication of the Summer 2024 poetry collection, the large jazz poetry collections that have been published three times a year since 2019 will only be available in printed book form.  Individual poems and smaller poetry collections will continue to be published on this website.  They will remain robust and appear often, leaving ample opportunity for poets to share their work.

…..In the long run, my desire is to find a path where Jerry Jazz Musician can survive me.  This site is not a “blog” that depends on one person to write the content – it is a publication made up of a publisher, editor, and contributing writers (in the neighborhood of 500 at last count).  While I created the website and fostered an environment in which this community can thrive, I also just happen to be the editor and publisher at this stage of its existence – one who is willing to make investments in time, energy and money.  With proper guidance and initiative and quality of spirit and vision, a (paid) editor succeeding me can provide inspiration for the many talented writers – of this and subsequent generations – wishing to share this corner of their creative lives on this platform.  And, importantly, an inspired editor with a knowledge of how to build a bigger audience and also generate revenue (without becoming another ad-filled website) can give Jerry Jazz Musician a chance at long term survival.

…..So, I appeal to readers to help me get there.  In the short term, I wish to raise enough revenue in order to publish the website so the cost of doing so won’t negatively impact the quality of my life during my 70’s, and in the long term to raise enough money to inspire and pay qualified people to carry on with this work beyond my days.   My health is good, my energy and enthusiasm is high, and, in the words of Ms. Friedan, I will embrace this new time of my life as a “stage of opportunity and strength.”  With that energy – and reader support – there is a real possibility that I can turn this vision into reality.

…..I wish to thank the many readers who have already contributed (in many cases more than once) hard-earned money toward the mission of Jerry Jazz Musician.  To those who would also like to, please click here for details on how to do so.

Onward!

.

 

Joe Maita

Editor/Publisher

.

photo by Rhonda Dorsett

Celebrating my 70th in St. Helena, California.  March, 2024

.

.

Listen to the 1957 recording of Nat “King” Cole performing the Sigmund Romberg/Oscar Hammerstein II composition “When I Grow Too Old to Dream,” with Cole (piano, vocals); Stuff Smith (violin); John Collins (guitar); Charlie Harris (bass); and Lee Young (drums).  [Universal Music Group]

 

.

.

___

.

.

Click here for information about the Jerry Jazz Musician poetry anthology to be published by Unsolicited Press

Click here to read  The Sunday Poem

Click here to read “A Collection of Jazz Poetry – Winter, 2024 Edition”

Click here to read “Ballad,” Lúcia Leão’s winning story in the 65th Jerry Jazz Musician Short Fiction Contest

Click here for information about how to submit your poetry or short fiction

Click here to subscribe to the (free) Jerry Jazz Musician quarterly newsletter

Click here to help support the ongoing publication of Jerry Jazz Musician, and to keep it commercial-free (thank you!)

.

___

.

.

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

8 comments on “On turning 70, and contemplating the future of Jerry Jazz Musician

  1. Joe, happy belated 70th–nice thoughts on aging and keeping Jerry Jazz going strong. On a personal note, Jerry Jazz has been an oasis in the everyday, many times crazy world of writing, submitting and negotiating the publishing world. It can be a rat race and what Jerry Jazz provides is an outlet for my work that makes me feel accomplishment and reminds me of the love of jazz and expression that got me started on this path to begin with. So hang in there there and viva JJM!!

    1. Thanks very much for writing this, Dan. If Jerry Jazz Musician inspires your creativity and reminds you of your love of jazz in the ways you describe, then I have accomplished what I set out to do. Keep your wonderful poetry coming!

      Joe

  2. You are a poet in your own right Joe! You have a poet’s heart and a terrific vision! I appreciate your thoughtfulness about JJM that has become “home” to so many poets. Carry on my friend. 70 ain’t that old and with your family dNA you’ll outlive many of us who you’ve given so much to. Gratitude for your endeavors and love of jazz!

    1. Many thanks for your heartfelt comment, Judith. Being in contact with and surrounded by writers and poets and musicians is a great way to spend “elder” age!

  3. Hey Joe,

    Music keeps you young.

    I’m 10 years ahead of you
    and still enjoy jazz and other good music
    as much as ever.

    Art Abrams is more than 10 years ahead of me
    and shows no signs of slowing down.

    Glad you’re celebrating. Every birthday is worth celebrating.
    Keep up the good work for as many years as you can,
    and thanks or helping us all enjoy every one.

  4. Hi,
    Thank you for that glimpse into your life and magazine. I have just discovered you, and will (hopefully) contribute some work at some point. I am sixty five and just had my first book published. I guess,to the external eye, and by the calender, I am also an elder, but I don’t feel it creatively, in fact I feel I have finally returned to the correct path in life, after many other wanderings along different ways and byways, perhaps a bit like a jazz interpretation of a life journey.

Leave a Reply to Joe Maita Cancel reply

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Poetry

It's a Bird, by Martel Chapman
21 jazz poems on the 21st of July, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features a handful poets new to this publication, and in addition to a general reverence for the music, readers will find poems on the likes of Monk, Lester Young, Miles, and Oscar Peterson.

The Sunday Poem

”Down in the Attic” by Kristofer Collins

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Kristofer Collins reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“Two Jazz Survivors” – a true jazz story by Bob Hecht...A remembrance of a personal friendship with the late Sheila Jordan, one of the most unique vocalists in jazz history.

Poetry

photo by Brian McMillen
“Portrait of Sheila Jordan” – a poem by George Kalamaras

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Poetry

photo of Miles Davys by User:JPRoche, CC BY-SA 4.0 , via Wikimedia Commons/adapted by Rhonda R. Dorsett
“Thinking of Mr. Davis on the Fourth of July” – a poem by Juan Mobili

Community

The passing of a poet: Alan Yount...Alan Yount, the Missouri native whose poems were published frequently on Jerry Jazz Musician, has passed away at the age of 77.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

“Blind Willie Johnson Leaves the Solar System,” by Henry Blanke...An appreciation for Blind Willie Johnson, whose landmark 1927 – 1930 recordings influenced generations of musicians, and whose song, “Dark is the Night, Cold is the Ground,” was included on the album sent into space a generation ago as a way for extraterrestrial beings to glean something important about human culture and life on Earth.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Feature

Jimmy Baikovicius from Montevideo, Uruguay, CC BY-SA 2.0, via Wikimedia Commons
Trading Fours, with Douglas Cole, No. 25: “How I Hear Music: ‘Feel the Sway,’ A Song in Three Movements”...In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”

Feature

Jazz History Quiz #182...He is best known for writing “(Get Your Kicks On) Route 66” — which Nat Cole (pictured) made famous in 1946 — but his earliest musical success came with the song “Daddy,” recorded in 1941 by Sammy Kaye and His Orchestra, which was the #1 record for eight weeks. He was also famous for being married to the glamorous singer Julie London. Who is he?

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 14 - "World War II and jazz"...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 14th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose theme is World War II and jazz

Poetry

“August Blues” – a poem (for August) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes August with a solemn poem punctuated by the bass of Stefan Redtenbacher.

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Playlist

“Eight is Great!” – a playlist by Bob Hecht...The cover of the 1959 album The Greatest Trumpet of Them All by the Dizzy Gillespie Octet. A song from the album, “Just by Myself,” is featured on Bob Hecht’s new 28-song playlist – this one devoted to octets.

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Short Fiction

“Every Night at Ten,” a short story by Dennis A. Blackledge...Smothering parents, heavy-handed school officials, and a dead President conspire to keep a close-knit group of smalltown junior high kids from breaking loose. But the discovery of a song on late-night radio — one supposedly loaded with dirty words — changes everything.

Short Fiction

art by Marsha Hammel
“Stuck in the Groove” – a short story by David Rudd...The story – a short-listed entry in the recently concluded 68th Short Fiction Contest – is about a saxophonist who moves away from playing bebop to experimenting with free jazz, discovering its liberating potential and possible pitfalls along the way…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Interview

“The Fire Each Time” – an interview with New York Times best-selling author Frederick Joseph, by John Kendall Hawkins...A conversation with the two-time New York Times bestselling author of The Black Friend and Patriarchy Blues, who in 2023 was honored with the Malcolm X and Dr. Betty Shabazz Vanguard Award,. He has also been a member of The Root list of “100 Most Influential African Americans.”

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Listening to Prestige:  Chronicling Its Classic Jazz Recordings, 1949 - 1972...  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.