New Short Fiction Contest-winning story #32: “The Valley of Ashes,” by Anna Dallara

March 8th, 2013

.

.

New Short Fiction Award

Three times a year, we award a writer who submits, in our opinion, the best original, previously unpublished work.

Anna Dallara of Chapel Hill, North Carolina is the winner of the 32nd Jerry Jazz Musician New Short Fiction Award, announced an published for the first time on March 8, 2013.

.

.

dallara

Anna Dallara

.

 

 

Anna Dallara is a high school senior.  She is a black belt, jazz flutist, and amateur book-binder.  She has won community writing events, but “The Valley of Ashes” is her first published story.

.

.

___

.

.

 

.

The Valley of Ashes

by

Anna Dallara

.

______

.

     She didn’t dance to the music; she danced with it. The melody wrapped his arms around her and the chords ran ivory fingers through her curls. Harmony whispered in her ear and she laughed at all his jokes. She twirled up and down scales with him, the hem of her skirt swirling a single syncopated beat behind her. Her form in her red dress was as curvaceous as the treble clef, and her quick smile flashed staccato at the other dancers and drinkers, lingering largo in the hearts of those who were gifted with the lively beats.

     Where she moved, others followed, enraptured by her dance, her smile. Most of them already knew her; indeed, it was hard not to know her. Her skirt fanned out to the very edges of a room, tickling the ankles of everyone who walked by.

     Just beyond the jagged borders of the crowd was another woman. She didn’t dance. She stared at the pattern on the carpet, afraid to meet melody’s gaze, afraid to let her feet tap or her hips swivel. She didn’t smile. She just stood, arms folded, heart folded. Her thick hair was too heavy for her face, like a small, pale window no bigger than a port-hole curtained off by brocaded drapes long enough to brush the floor.

     You stood somewhere between them, the bright dancer and the dark specter. You’ve seen them before, many times. Their faces were calendar months; you flipped the pages, wound the clock, but somehow, you always circled back to them. You’ve learned to recognize them in an instant, search for them in a crowd. But you don’t know who they are. Then again, you don’t know who you are either, do you? What are you doing here, seeing everything and nothing all at once, surrounded by familiar strangers?  You are a god, a ghost, a shadow creeping across the carpet or nestling in the hollows of cheekbones. You are déjà vu; you are the face in the mirror. You know everyone and no one. You are surrounded by people who are strangers; yet you know all their names. You are the truth behind the lie, the screaming silence of words unspoken, stories untold. Silence stretches between the two women, and you move to fill it. Something lurks behind the pale woman’s empty face and the bright woman’s smile. Something. A story, maybe? And who is that man approaching them? He’s a liar too, you can tell. There is a secret here. And you, you who have everyone’s eyes and ears, you are here to tell it.

.

********

.

     “You’re late,” the clock sneered. Its mocking tick lurked just underneath the screech of metal scraping against metal as clothes hangers slid across the rack like a train across its rails, pulling into the station. “You’re late.” Tick-tock, choo-choo, and the thump-thump in my chest. I yanked a black blouse off its hanger and held it up. Too dark, too dark again! Why do I only own boring clothing? I tossed it over my shoulder like a superstitious pinch of salt. It fluttered down to the sea of wrinkled cotton my pale feet splashed in; all black and dark gray clothes. Tick-tock. A blue sweater? I toss it to the waves, thinking, “Too bulky, I’ll look like I’m drowning.” I look like I’m drowning in this ever-growing ocean of not good enough. I took down a dark purple skirt, a gray sweater, a pair of black dress pants. I violently jerked a navy shirt off the rack. It ripped, buttons popped, the wire hanger fell to the floor, clatter muffled by the rising fabric tide. Tick-tock. A denim skirt, a deep green blouse, a brown skirt and matching blazer, a gray button-down, a black pullover…I was barely treading water, water, water stung my eyes…I ripped. Tears popped from my eyes like buttons from a sleeve. I fell like the wire hanger, muffled by the rustling garments. I floated on my back on the dark sea of all that has been rejected.

I don’t know how long I lay there, listening to gulls cry inside my head. “You’re pathetic. You’re plain. You’ll never be pretty like she is. You’ll never be good enough for him. You’re late. You’re too late.” I stuffed my ears with a fallen shirt. “Shut up! Shut up….” I muttered. “It’s not true…it’s not true.” I sat up. “It’s not true, not true, it’s not true.” I wadded the shirt into a ball. I threw it at the clock, which fell into the storm-tossed water. I rose from the ocean, eyes dripping salt water. “It’s not true!”

I swam into a black skirt and waded through the clothes until I found the tightest shirt I could find and slid it on over my head. I imagined how curvy my hips must look, and how narrow my waist. The skirt, I knew swirled around my ankles like a cloud from Van Gough’s Starry Night.  High heels made me tall, and a silver bracelet, sophisticated. I let my hair cascade down into shimmering waves down my back. I touched the ring on my finger and smiled, my teeth white rosebuds in a bridal bouquet. I was beautiful. I was sexy. I was gorgeous and curvaceous and confident and untouchable. I wiped the last tears off my face and reached for my purse. He wouldn’t be able to stop staring at me tonight. He would remember who I am and why he loves me. And he wouldn’t even glance at her. I took a deep breath and stepped out of my closet, emerging from the foam a beautiful Aphrodite. Tonight was mine.

I should have known better. The first person I saw at the party was Cathy. She danced in the center of the crowd, a brilliant sun, orbited by laughter and conversation. She wore a red dress that was daringly low cut; she didn’t even have that much to show off, she just acted like she did. She moved with the music, gracefully swaying from friend to friend, changing topics like changing keys, trilling small talk, deftly transposing awkward beats into clever syncopation. Her cool, improvised solos left everyone laughing.

I tried to step in, to talk to people, to join in that song that she conducted, maybe change the tempo. But a swirl of her red skirt cut me off at every turn. She narrowed her eyes at me and waltzed the conversation away from things I knew anything about. I tried to stand in the circle, tried to cast a shadow, but she moved in front of me, blocking me, leaving me stranded on the outside. I clenched my teeth.

She saw an old acquaintance enter the room somewhere in the crowd. She smiled, her grin disproportionably huge, but it was a strangely beautiful flaw, fascinating like a dash of Picasso’s paint on her face, surprisingly lovely and intriguing. She waved and stepped forward to greet the newcomer. The hem of her red skirt brushed my calf, and she “accidentally” bumped my shoulder. She didn’t apologize; she didn’t need to; after all, it’s not like anyone noticed.

“Alex! You’re here!” she laughed, wrapping her arms around him in a brief hug.  I tensed. Alex. My husband had arrived.

I wanted to move, but my legs were too stiff. I wanted to say something, but my mouth wouldn’t open. All I could do was watch as he grinned back at her, his smile as warm and familiar as hers was flashy and exotic. I knew that smile, or at least I used to. Alex. I used to be the only one he smiled at like that.

He leaned in to her, adding balance and calm to the whirling epicenter where she stood. He brushed a strand of her copper hair behind her ear and whispered to her. The music played, the people talked, the glasses clinked, and Alex whispered, “You look beautiful.”

He didn’t see me. He didn’t know I was there, standing at the edge of the crowd, her crowd. She knew I was there. She knew I’d heard. Her gaze slithered out of the corners of her eyes and found mine. Her smile widened.

I felt the emotion drain from my eyes like water down a sink. My face froze in a blank mask, my back straightened, and my arms crossed over my chest. I was shut down, and she was shut out. I was a wall. She couldn’t see my hurt.

She turned to speak to another partygoer and Alex looked up and saw me. “Sally!” He didn’t look even a little ashamed.

I didn’t flinch. I didn’t smile or wave back. I stayed straight and dignified. No one could ever read my poker face. I turned and walked away.

 

I could still hear the music and laughter from the party room blurring into a splotchy mess of colorful sound. I stood in front of the bathroom mirror, fighting to hold back the ocean behind my eyes. The gulls circled inside my head. You’re pathetic. You’re plain. You’ll never be pretty like she is. You’ll never be good enough for him. You’re late. You’re too late. I wasn’t beautiful. I wasn’t curvy, I was flat chested, and I wasn’t sexy, I was skeletal. My hair was frizzy, and my skirt hung in stiff folds around my gnawed chicken legs.

I wasn’t beautiful. Cathy was beautiful. You’re beautiful. Beautiful, horrible Cathy that Alex loved; he didn’t love me. You’re too late. I hated her. I hated her. My heartbeat pulsed in my shoulder where she had bumped into me. I clenched the edge of the sink and squeezed, the pressure bleaching my hands as white as the marble. I saw her smile behind my eyes, sexy and shimmering and loveable and everything I wasn’t.

I hated Cathy. I hated myself.

 

.

********

.

     It’s 4 o’clock in the morning, and she’s smiling at herself in the mirror. Her dress is lovely, her hair, her face, her eyes are lovely. This is what they all see, all those people laughing at her jokes and watching as she danced. This is all they see.

She puts a hand to her flat stomach. Hunger leaves her feeling thin as a sheet of newspaper, as if a single pinprick of a fork is enough to punch straight through her. She has lost eighteen pounds over the past few months. Her ribs are visible through her skin, flat and hard as xylophone keys. But she still feels fat, fleshy. Alex’s wife, skinny Sally was still so much thinner.

The skirt is long enough to hide the writing on her legs, the poetry written on her calves and thighs.  “For My Lover, Returning to His Wife,” by Anne Sexton; she hid the sad, sexy words under the restless red skirt.

“Let’s face it, I have been momentary

A luxury, a red sloop in the harbor…”

     This won’t last. This can’t last. Her stomach rumbles, asking her why. Why? Why is she doing this? Why does she care? Because she’s in love. She’s in love with a man who is in love with his wife. But he says he loves her too. He braided flowers in her hair in the spring, and they read poetry together straight through June.  Yet he goes home to her every night, and she only shares her bed with impossible daydreams and nightmares.

“She is so naked and singular

She is the sum of yourself and your dream

Climb her like a monument, step after step, she is solid.

As for me, I am a watercolor.

I wash off. “

     It’s four o’clock in the morning, and the Mistress smiles at herself in the mirror. Her smile splinters like shattered glass, beads of crystal cling to her eyelashes. A clock ticks. This can’t last. Tears leak from her eyes like water from a faucet, washing the lying grin off her face. As for me, I am a watercolor. She covers her eyes with her hands and cries while her smile washes away. I wash off.

.

.

*

.

.

Short Fiction Contest Details

 

.

.

 

 

Share this:

2 comments on “New Short Fiction Contest-winning story #32: “The Valley of Ashes,” by Anna Dallara”

    1. How amazing is this for a high school senior! The feelings exhumed are gut wrenching, the pain tangible, the tears tactile, and the doubts the protagonist has about herself are like the umbra of a Stygian waterfall pouring into the caverns of a roiling mind.

      Ms Dallara’s contrasts and comparisons explore the depths of the psyche. References to gulls, the tic tock of time, Van Gough’s Starry Night and the clothes she throws aside like estranged ideas and inadequate images of herself are priceless. Where will this young lady be in twenty years? One can only hope she’ll keep writing!

Leave a Reply to Russell MacClaren Cancel reply

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

Poetry

photo of Miles Davys by User:JPRoche, CC BY-SA 4.0 , via Wikimedia Commons/adapted by Rhonda R. Dorsett
“Thinking of Mr. Davis on the Fourth of July” – a poem by Juan Mobili

Poetry

21 jazz poems on the 21st of June, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician by poets sharing their relationship to the music, and with the musicians who perform it.

The Sunday Poem

”4tet at Fiesta” by Catherine Lee

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Catherine Lee reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

The passing of a poet: Alan Yount...Alan Yount, the Missouri native whose poems were published frequently on Jerry Jazz Musician, has passed away at the age of 77.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Publisher’s Notes

Where I’ve Been…and a brief three-dot-update...News about an important life experience, and an update about what's going on at Jerry Jazz Musician

Feature

Jimmy Baikovicius from Montevideo, Uruguay, CC BY-SA 2.0, via Wikimedia Commons
Trading Fours, with Douglas Cole, No. 25: “How I Hear Music: ‘Feel the Sway,’ A Song in Three Movements”...In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”

Feature

Jazz History Quiz #181...Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra. He would eventually become one of the leading voices on his instrument for almost 50 years. Who is he?

Short Fiction

Short Fiction Contest-winning story #68 — “Saharan Blues on the Seine,” by Aishatu Ado...Aminata, a displaced Malian living in Paris, is haunted by vivid memories of her homeland. Through a supernatural encounter with her grandmother, she realizes that preserving her musical heritage through performance is an act of resistance that can transform her grief into art rather than running from it.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 14 - "World War II and jazz"...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 14th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose theme is World War II and jazz

Poetry

“Summer Wind” – a poem (for July) by Jerrice J. Baptiste...Jerrice's 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Antonio Carlos Jobim, Hoagy Carmichael, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes July with a poem that conjurs up the great Frank Sinatra tune…

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Playlist

“Eight is Great!” – a playlist by Bob Hecht...The cover of the 1959 album The Greatest Trumpet of Them All by the Dizzy Gillespie Octet. A song from the album, “Just by Myself,” is featured on Bob Hecht’s new 28-song playlist – this one devoted to octets.

Short Fiction

“Steven and Mira: Paris May 1968” – a short story by Steven P. Unger...The story – a finalist in the recently concluded 68th Short Fiction Contest – is a semiautobiographical tale of a café-hopping tour of Paris in the revolutionary summer of 1968, and a romance cut short by the overwhelming realities of national strikes, police violence at home and abroad, and finally the assassination of Bobby Kennedy.

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Short Fiction

“Every Night at Ten,” a short story by Dennis A. Blackledge...Smothering parents, heavy-handed school officials, and a dead President conspire to keep a close-knit group of smalltown junior high kids from breaking loose. But the discovery of a song on late-night radio — one supposedly loaded with dirty words — changes everything.

Short Fiction

art by Marsha Hammel
“Stuck in the Groove” – a short story by David Rudd...The story – a short-listed entry in the recently concluded 68th Short Fiction Contest – is about a saxophonist who moves away from playing bebop to experimenting with free jazz, discovering its liberating potential and possible pitfalls along the way…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Interview

“The Fire Each Time” – an interview with New York Times best-selling author Frederick Joseph, by John Kendall Hawkins...A conversation with the two-time New York Times bestselling author of The Black Friend and Patriarchy Blues, who in 2023 was honored with the Malcolm X and Dr. Betty Shabazz Vanguard Award,. He has also been a member of The Root list of “100 Most Influential African Americans.”

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers.... An interview with Tad Richards, author of Listening to Prestige:  Chronicling Its Classic Jazz Recordings, 1949 - 1972...  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.