“December’s Music” — Commentary by Paul Brophy

December 11th, 2020

.

.

The editor’s copy of Decca’s 1947 album Merry Christmas, which featured Irving Berlin’s “White Christmas”

.

___

.

 

December’s Music

by Paul  Brophy

.

 

 

 

…..It’s December and that music is here again.

…..In late November we celebrate Thanksgiving, pausing to express our gratitude for all that we have.  Then comes December and we get back to normal—we want more again. Kids want Santa to bring them toys and goodies.  Adults want chestnuts roasting on an open fire, jingle bells, silver bells, sleigh bells, and a holly jolly Christmas.

…..And then there’s the ultimate December wish—a white Christmas.

…..Irving Berlin was in Los Angeles in 1940 and longing for the North when he wrote “White Christmas.”  He knew he had something special, but even he didn’t understand the depth and breadth of it. Bing Crosby recorded it in 1942 and it became a big hit—a partnership between the era’s most prolific and popular songwriter and its biggest star.

…..The song grabbed at the hearts of GIs during WWII—the sailors, soldiers, nurses and others far away from home.  Maybe less so guys like my WWII veteran friend Jack, who, while stationed in the snowy Aleutian Islands, threw his boot at the radio playing the song, or the poor souls fighting the Battle of the Bulge—their bloody white Christmas. And it still undoubtedly tugs the hearts of GIs in Iraq and Afghanistan and elsewhere around the globe.

…..Bing’s recording of “White Christmas” is the biggest selling single of all time…over 50 million copies. The song endures because it’s our secular hymn about times past.

…..It is nostalgia for what once was, and what we imagine might have been, once upon a time. Maybe longing for what never was is the sweetest form of nostalgia.

…..December captures the wish for a sweet past, real and imagined.

…..The year grandpa gave you a puppy and, because she ate half of your sister’s hand-crafted gingerbread house, you named her Ginger.

…..That Christmas on the farm when your daughter, on her first birthday, walked across the living room all by herself to the cheers of Aunt Harriet and Uncle Will.

…..That December walk in Central Park when he said, “I love you,” and you said, “I love you, too.”  You knew your life had changed forever.

…..That Chanukah in your tiny apartment when you and David were lighting your first Menorah, and you put his hand on your tummy to tell him you were pregnant.  And, after a brief blank stare, he smiled and said, “I hope it’s a girl and that she’s as beautiful as you.”

…..That day when you and your new love walked home with your first Christmas tree on a sled, decorated it, and drank hot chocolate before a fire, listened to Nat Cole’s “The Christmas Song,” and you felt the deepest coziness of your life.

…..All of these wished-for pasts: a little drummer boy, a silent night, angels singing to shepherds, “Glory to God in the Highest and Peace to All on Earth,” a “White Christmas.”

…..Berlin has captured the primeval gift that December brings to us in its winter darkness, when we yearn for simpler times, more beautiful, more sacred than we can possibly experience in the here and now.  We’re not just dreaming of a “White Christmas,” we’re dreaming of better yesterdays.

.

.

___

.

.

 

Paul Brophy is a Baltimore-based writer with a soft spot in his heart for World War II-era music. 

.

.

.

While Crosby’s version of “White Christmas” has sold over 50 million copies around the world, other versions have also proved to be very popular.  It is estimated that all versions of this song have sold over 100 million copies.

One of the earliest versions was by Gordon Jenkins and his Orchestra, which reached #16 on the Billboard pop singles chart in 1942.  You can listen to it here.

 

.

 

.

.

.

 

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

The Sunday Poem

photo via NegativeSpace
“Why I Play Guitar” by C.J. Trotter...

Click here to read previous editions of The Sunday Poem

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

In Memoriam

photo via Wikimedia Commons
A few words about Willie Mays...Thoughts about the impact Willie Mays had on baseball, and on my life.

Poetry

photo of Earl Hines by William Gottlieb/Library of Congress
Pianists and Poets – 13 poems devoted to the keys...From “Fatha” Hines to Brad Mehldau, poets open themselves up to their experiences with and reverence for great jazz pianists

Art

photo of Archie Shepp by Giovanni Piesco
The Photographs of Giovanni Piesco: Archie Shepp...photos of the legendary saxophonist (and his rhythm section for the evening), taken at Amsterdam's Bimhuis on May 13, 2001.

Feature

photo by William Gottlieb/Library of Congress
“Adrian Rollini Lives” – an appreciation, by Malcolm McCollum...Stating the creative genius of the multi-instrumentalist who played with the likes of Bix Beiderbecke, Benny Goodman, Red Nichols, Miff Mole, and Joe Venuti

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

photo of Coleman Hawkins by William Gottlieb/Library of Congress
“The Naked Jazz Musician” – A playlist by Bob Hecht...As Sonny Rollins has said, “Jazz is about taking risks, pushing boundaries, and challenging the status quo.” Could there be anything riskier—or more boundary-pushing—than to stand naked and perform with nowhere to hide? Bob’s extensive playlist is comprised of such perilous undertakings by an array of notable woodwind and brass masters who have had the confidence and courage (some might say even the exhibitionism) to expose themselves so completely by playing….alone.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 3: “Louis Armstrong”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this third edition featuring excerpts from his book, Rife writes about four novels/short fiction that include stories involving Louis Armstrong.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #173

photo of Louis Armstrong by William Gottlieb/Library of Congress
Described as a “Louis Armstrong sound-alike on both trumpet and vocals” whose recording of “On the Sunny Side of the Street” was so close to Armstrong’s live show that some listeners thought Armstrong was copying him, this trumpeter (along with Bobby Stark), was Chick Webb’s main trumpet soloist during the 1930’s. Who is he?

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive