“Blind-Sighted” — poetry by Susandale

April 23rd, 2022

.

.

William J. Schroeder/via Wikimedia Commons

.

.

 

Blind-Sighted: Part One

While we were waiting in the wings___
tuning our instruments,

From clefs to choruses, ominous portents
reared their ugly heads.
We didn’t see them, though.
We were cowering in dark corners,
hiding from the apparition
screaming through the night.
Mutating as he dipped and flew ___ from cave-dweller
to bat, to vampire, to covid___
bringing death and anguish to untold millions

From the veined wings of the bat
to the wings behind the stage curtain
came the bugle’s command “Let’s go.”
The bass wonders, “How low?”
“All the way to the softness of absolute silence.”

And the snow that smiled to warm February’s chill
began to spit out winds that moaned, and the nails of ice
scratching across our windows.
‘Sparkly glass prisms’ we thought, ‘decorating our
landscape,’ until it iced over trees and roads.
We slid dangerously from side to side
And through Stop Signs.

But again, we were blind-sighted
The glare of ice was as heart-stopping
as the glare that Benny Goodman
fused on his swing band
when they swung up
higher than Benny’s baton.

.

 

Blind-Sighted: Part Two

Chechenia, Crimea and their fates,
Were but blips in Kremlin history.
But we twitched when we heard echoes
from far-away Siberia: all vaguely familiar …
the pounding, nailing, the red-hot steel being forged
for bombers, military planes
and jeeps, heavy with assault weapons.

Then it came to us
“It’s Putin, getting ready to overtake another county.”
“Yea, that’s it!”
“All too ominous for us. Look off, far off to Beijing where the torch is
being lit to be carried around the globe, but with a traveling
companion this time: covid.”

We journeyed by the sumptuous lights bursting from the
opening ceremony.

Giddy with excitement, our mouths fell open in delight.
Through the seamless clouds, the skiers shot.
Up one incline, down another___ to plunge rapidly
into the fluidity of space and sky.

Fused to their boards, they summer-salted in the air
or hung suspended with arms spread like wings.
No one could change courses as quickly or as effortlessly…
with the exception of Bird and his sax running rampant
up and down the scales: no notes in a no time frame.

Inside, we go to be amongst ice, sequins and skates.
Swirling and twirling, leaping and bending … until
the Russian girl took a tumble in the rink.
Rushing at her, groans and grumbles,
scolds, and many ‘boo-ings.’

She ran to her coach for comfort
but what she got was a harsh tongue lashing,

On the media, her tumble repeated again and again
And all in technicolor reality.
But what colors can replace silver, gold or bronze?
Music, maybe”
And may I humbly suggest jazz?
Soft and healing jazz
Try a little tenderness
Or a misty Misty
Or ….

.

Blind-Sighted: Part Three

But already it was too late;
the closing ceremony closed
and it took us awhile to arrive.
Wildfires flaming in Texas and Florida
Tornados in Louisiana,
And a Wynton Marsalis concert in Louisville;
Wynton played Ella Fitzgerald.
We stayed through the skitting and the scatting
But left halfway through Mack the Knife
to head over to Ukraine.
But we were blind-sighted
by clouds of black smoke destruction.

We had to drive slowly around the bodies lying in the road,
We circled the mass graves,
and the missle-launched, train-station lying in shambles
of 57 lifeless bodies,
The Ukraine, hopeless, helpless, hungry, and horrified by the horrendous despair,
we were blind-sighted and too late, so very, very late.

.

.

___

.

.

Susandale’s poems and fiction are on WestWard Quarterly, Mad Swirl, Penman Review, The Voices Project, and Jerry Jazz Musician. In 2007, she won the grand prize for poetry from Oneswan. The Spaces Among Spaces from languageandculture.org has been on the Internet. Bending the Spaces of Time from Barometric Pressure is on the Internet now. She was nominated for the 2022 Pushcart Prize by Jerry Jazz Musician for her poem “To Paul

.

.

Listen to the 1954 recording of Erroll Garner playing his composition “Misty” [Universal Music Group]

.

.

___

.

.

Click here  for information about how to submit your poetry to Jerry Jazz Musician

Click here  to learn how to subscribe to the Jerry Jazz Musician  newsletter

.

.

.

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

In This Issue

painting of Clifford Brown by Paul Lovering
A Collection of Jazz Poetry — Spring/Summer, 2024 Edition...In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

(featuring the art of Paul Lovering)

Publisher’s Notes

photo by Rhonda Dorsett
On turning 70, and contemplating the future of Jerry Jazz Musician...

The Sunday Poem

photo via NegativeSpace
“Why I Play Guitar” by C.J. Trotter...

Click here to read previous editions of The Sunday Poem

Feature

What we discover about Kamala Harris from an armful of record albums...Like her or not, readers of this site will enjoy learning that Vice President Kamala Harris is a fan of jazz music. Witness this recent clip (via Youtube) of her emerging from a record shop…

Poetry

“Revival” © Kent Ambler.
If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music...While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.” (with art by Kent Ambler)

Interview

The Marvelettes/via Wikimedia Commons
Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives and challenges many of the young Black women who made up the Girl Groups of the ‘60’s faced while performing during an era rife with racism, sexism, and music industry corruption. The authors discuss their book’s mission to provide the artists an opportunity to voice their experiences so crucial to the evolution of popular music.

In Memoriam

photo via Wikimedia Commons
A few words about Willie Mays...Thoughts about the impact Willie Mays had on baseball, and on my life.

Poetry

photo of Earl Hines by William Gottlieb/Library of Congress
Pianists and Poets – 13 poems devoted to the keys...From “Fatha” Hines to Brad Mehldau, poets open themselves up to their experiences with and reverence for great jazz pianists

Art

photo of Archie Shepp by Giovanni Piesco
The Photographs of Giovanni Piesco: Archie Shepp...photos of the legendary saxophonist (and his rhythm section for the evening), taken at Amsterdam's Bimhuis on May 13, 2001.

Feature

photo by William Gottlieb/Library of Congress
“Adrian Rollini Lives” – an appreciation, by Malcolm McCollum...Stating the creative genius of the multi-instrumentalist who played with the likes of Bix Beiderbecke, Benny Goodman, Red Nichols, Miff Mole, and Joe Venuti

Short Fiction

pickpik.com
Short Fiction Contest-winning story #65 — “Ballad” by Lúcia Leão...The author’s award-winning story is about the power of connections – between father and child, music and art, and the past, present and future.

Click here to read more short fiction published on Jerry Jazz Musician

Interview

photo of Louis Jordan by William Gottlieb/Library of Congress
Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960...Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan (pictured) and Big Jay McNeely played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”

Playlist

photo of Coleman Hawkins by William Gottlieb/Library of Congress
“The Naked Jazz Musician” – A playlist by Bob Hecht...As Sonny Rollins has said, “Jazz is about taking risks, pushing boundaries, and challenging the status quo.” Could there be anything riskier—or more boundary-pushing—than to stand naked and perform with nowhere to hide? Bob’s extensive playlist is comprised of such perilous undertakings by an array of notable woodwind and brass masters who have had the confidence and courage (some might say even the exhibitionism) to expose themselves so completely by playing….alone.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 3: “Louis Armstrong”...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this third edition featuring excerpts from his book, Rife writes about four novels/short fiction that include stories involving Louis Armstrong.

Trading Fours with Douglas Cole

The cover of Wayne Shorter's 2018 Blue Note album "Emanon"
Trading Fours, with Douglas Cole, No. 20: “Notes on Genius...This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to the music of Wayne Shorter.

Click here to read previous editions of Trading Fours with Douglas Cole

In Memoriam

Hans Bernhard (Schnobby), CC BY-SA 3.0, via Wikimedia Commons
“Remembering Joe Pass: Versatile Jazz Guitar Virtuoso” – by Kenneth Parsons...On the 30th anniversary of the guitarist Joe Pass’ death, Kenneth Parsons reminds readers of his brilliant career

Book Excerpt

Book excerpt from Jazz with a Beat: Small Group Swing 1940 – 1960, by Tad Richards

Click here to read more book excerpts published on Jerry Jazz Musician

Jazz History Quiz #173

photo of Louis Armstrong by William Gottlieb/Library of Congress
Described as a “Louis Armstrong sound-alike on both trumpet and vocals” whose recording of “On the Sunny Side of the Street” was so close to Armstrong’s live show that some listeners thought Armstrong was copying him, this trumpeter (along with Bobby Stark), was Chick Webb’s main trumpet soloist during the 1930’s. Who is he?

Community

photo via Picryl.com
.“Community Bookshelf, #2"...a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books. This edition includes information about books published within the last six months or so…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Larry Tye, author of The Jazzmen: How Duke Ellington, Louis Armstrong, and Count Basie Transformed America; an interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool; A new collection of jazz poetry; a collection of jazz haiku; a new Jazz History Quiz; short fiction; poetry; photography; interviews; playlists; and lots more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.

Site Archive