War. Remembrance. Walls.
The High Price of Authoritarianism – by editor/publisher Joe Maita

July 17th, 2025

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Dear Readers:

…..This essay was inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

…..A selection of photos by my companion, the photographer Rhonda R. Dorsett, is found at its conclusion.

Joe Maita
Editor/Publisher

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“We must rebel, we must show strength against the enemies of democracy.”

Former German president Christian Wulff, during his April 6, 2025 keynote speech in Weimar, Germany commemorating the 80th year of the liberation of the Buchenwald concentration camp

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photo by Rhonda R. Dorsett/April, 1945

The gate leading into the Buchenwald concentration camp in Weimar, Germany. 

The phrase on the gate, “Jedem das Seine,” means “to each his own,” or “to each what he deserves.”  The German Schutzstaffel (SS) used the motto to justify their actions, interpreting it as the “master race” deserving power and the ability to humiliate and destroy others. 

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War

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…..The story of my recent trip to The Netherlands, Germany and France begins with my meeting Rhonda R. Dorsett in October of 2023.  I swiped right, and there she was.  Soulful, inquisitive, creative, humorous, and gorgeous.  At the conclusion of a successful career in New York, ten years ago she chose to retire in Portland, where I’ve lived for 47 years.   She now focuses on projects that suit her brilliant creative eye.  As a professional photographer and adventurous traveler, she sees the world in ways I don’t, which helps me experience it on a surprisingly refreshing level.

…..Her story of the trip begins on April 11, 1945, in Nordhausen, Germany, in the state of Thuringia.  After landing in Normandy in June, 1944, her father, Private First Class Walter L. Dorsett, followed his army unit across France, The Netherlands, Belgium and into Germany, culminating in a role liberating the Boelcke-Kaserne Nazi concentration camp in Nordhausen.  Boelcke-Kaserne was a subcamp of the Dora-Mittelbau camp where religious, political and military prisoners supplied the Nazis the slave labor needed to manufacture their V-2 rocket and V-1 flying bombs in enormous tunnels dug deep in the Harz Mountains, safe from Allied bombings.  When inmates – treated with unimaginable brutality – were no longer physically able to work, they were often sent to the barracks of Boelcke-Kaserne to die.  If this weren’t awful enough, a week prior to its liberation the Royal Air Force bombed Nordhausen, killing 8,800 people, 1,000 of whom were prisoners in the barracks, which the British mistakenly thought housed Luftwaffe, the aerial warfare branch of Nazi Germany’s armed forces.

…..So, this was this scene the 24-year-old Dorsett walked into.  Rubble. Piles of human bodies.  The stench of murder.  A complicit citizenry.  America’s soldiers and military leaders who had spent years fighting and witnessing Nazi cruelty said they had never seen anything like it.

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photo by Walter L. Dorsett, April, 1945/Photo courtesy Rhonda R. Dorsett

 

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…..By all accounts Walter Dorsett had a normal childhood.  He enjoyed hunting and fishing in his hometown of Ashland, Illinois.  Family members recall that he was charming and shy, and a terrific baseball player.   Rhonda remembers him telling her that all he ever wanted to do was be a major league player.  He made it to the minors, but in 1943, at the age of 23, he was drafted and joined the United States Army.  When World War II concluded he returned home and, with wife Wilma, raised three daughters and lived a modest middle-class life as a carpenter.

…..But something wasn’t right.  Rhonda’s childhood involved being witness to and subjected to her father’s struggles with anger, something she has been puzzled about throughout her life.  It affected her relationship with him, and feelings for him.

…..When she found several photographs her father took during the liberation of Boelcke-Kaserne a few years ago, she became suspect about how this experience may have impacted him and contributed to their difficult relationship.  It opened the door to her realization that his wartime duties must have subjected him to a deep psychological trauma that he himself never understood or communicated during his life, and which complicated theirs.  This discovery created a newfound compassion for him – perhaps enough to help her inch towards finding a way to love him, 20 years after his passing.  It has even led her to the decision to write a memoir about it.

…..To this end, Rhonda has dug into Walter’s history with World War II –  especially with his experience assisting in the liberation of Boelcke-Kaserne.  It is difficult because many of the Army records of his service aren’t available, and those that are have large unknowns in them; so, like a detective she has pursued leads from any legitimate source.  Along the way she has made friends in America, but also in Germany.  One in particular – an archivist at Dora-Mittelbau – has been very helpful, and upon hearing that we would be on the European continent in the fall of 2024, invited us to visit the camp, where he would provide Rhonda with as much information as possible as well as give us a private tour of the camp’s notorious tunnels, barrack sites, and crematorium.  Rhonda accepted his offer, so in November, 2024 we traveled to Nordhausen in an effort for her to possibly understand Walter’s time spent there.  It was a deeply impactful experience that opened our eyes wider to the atrocities of the Nazi fascist regime, and the complicity of the local German population who failed to call out the existence of these camps in their own city.

…..As we left, we were informed about the 80th anniversary of the liberation of the notorious Buchenwald camp and its subcamps Dora-Mittelbau and Boelcke-Kaserne, and were invited to attend the events surrounding them.  It was felt that by being there Rhonda could be introduced to dignitaries, local residents, and others who, like her, had family members who played key roles in the camp liberations.  It was even possible that survivors of the camps would have stories that could provide clues for her. We put a return visit to Nordhausen in early April in our calendars.

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photo by Rhonda R. Dorsett

The crematorium at Dora-Mittelbau

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Remembrance

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…..The city of Nordhausen is the capital of the Nordhausen district in the state of Thuringia, located at the southern end of the Harz Mountains.  Like many cities in Germany, it was devastated during World War II, and its years spent within the grip of the Soviet Union meant that much of what was rebuilt was with concrete in the bare building, Brutalist style architecture.  If you’re looking for old-world European charm, Nordhausen is not the place to find it.

…..Because of its notorious World War II history due to Dora-Mittelbau and Boelcke-Kaserne, and its close proximity to Buchenwald and Bergen-Belsen, Nordhausen is a geographic center for remembrance.  Since the end of the war it has hosted many liberation commemorations, and the week of April 6, 2025 marked the 80th.

…..The invitation we accepted from the gracious German people became an unforgettable three-day experience.  Those who attended the ceremonies included citizens from all over Europe – Germany, especially, but also France, England, Russia, Ukraine, as well as a handful from the United States.  Local, national, and international dignitaries spoke, and we met citizens who carry with them stories from ancestors who witnessed the liberation of camps.  A dozen or so survivors of the camps attended, including 100-year-old Albrecht Weinberg, who endured the hell of three of them.

…..Over three days, Rhonda and I attended emotionally powerful events that focused on the importance of remembrance – of human struggle, of lives lost, and, most importantly, of an uncommon evil based on hatred of the “other” and on unfounded conspiracies that infiltrated a modern, civilized country.  One speaker after another declared that Germany, and the world, must never again allow fascism to take root.

…..Many citizens of the world see the policies and actions of the current American president creeping the country ever closer towards authoritarianism.  Germany has real history with this – one the Western world can learn from – and its mainstream political parties and populace are diligently toiling to fend off the right-wing extremists in the Alternative for Germany (AfD) party.  This is the party that in February Vice President J.D. Vance met with and endorsed as a political partner – a party disseminating many of the same populist anti-immigrant/anti-government messages the Nazi party used prior to World War II.  In his April 6 keynote address to the attendees of the Buchenwald ceremony held in the city of Weimar, former German president Christian Wulff rebutted that thinking, explaining that “the integration of right-wing extremists, in any form, does not disenchant them; rather, it strengthens them, because they use their power to undermine the liberal constitutional state and push through their anti-democratic agenda. Later, they mock democracy, claiming it granted them privileges to abolish it.”

…..So, there is currently a lot at stake for the German people – and the rest of the world,  There was also much for me to learn, and to experience on a personal level.   Two events especially stood out for me.

…..The first took place during the commemoration at the Dora-Mittelbau camp, which was held on a gently sloped hillside and adjacent to the camp’s crematorium.  It is a somber place at the foot of the Harz Mountains that housed the enormous tunnels in which young men like Albrecht Weinberg worked, and where many of his fellow slave laborers died.

…..A crowd of several hundred people were gathered quietly, and speakers rose to share their thoughts.  One was a young woman from Ukraine whose grandfather was subjected to Nazi persecution and survived three concentration camps, only to be killed during a Russian airstrike in Kharkiv in 2022.  She gave a brief, emotionally powerful speech about the personal sadness of losing family members and friends to war, and living in a country under relentless siege, attacked by a foe hellbent on overturning their democracy. After the speakers concluded, the crowd walked slowly among the many wreaths of flowers, taking photographs and quietly mingling.  In the distance, I noticed Albrecht being transported by wheelchair slowly up the hill leading into the crematorium.

…..The idea of entering a concentration camp crematorium is not something I’ve had on my vacation bucket list – and in fact, during my first trip to Dora-Mittelbau in November I was so overwhelmed with emotion upon entering it that I turned around and walked rapidly back to the entrance of the memorial.  This time, however, I was determined to see Albrecht’s experience within it.  I followed him inside, where a handful of people were gathered in silence.  It is a large concrete room, and its centerpiece is a horizontally shaped oven.  It is a shocking sight.  Unimaginable.  Horrific.  But getting through this shock and allowing myself to be there offered me an opportunity to witness a remarkable human moment.

…..After being inside for a short time, Albrecht asked to be wheeled to a wall beside the oven.  On it were plaques commemorating prisoners who died in Dora-Mittelbau, their bodies among the many disposed of in the oven.  Those of us inside remained silent as he began to rap with his hand and talk aloud to it.  While it was difficult to understand all he said, in a resolute, powerful voice, he directed his speech to people he knew during the time he was imprisoned.  He was animated, passionate, at times even humorous, and his message – spoken in English – echoed throughout the space; “I am still here!  I am still here!”

…..And, indeed he was.  Still here for his stories to continue to be seen and heard.  Still here to be a reminder to those who pretend the evil of Nazi fascism didn’t exist, or that it can’t happen again.  And still here to mock the spirits of those who inhumanely incarcerated him as a young man, and who manned this oven.  It was a deeply profound experience for me, as was meeting him personally the following morning.

…..The second special event took place at the cemetery in Nordhausen.  I hesitate to refer to it as a “cemetery” because it really is a mass grave where the prisoners who died at Boelcke-Kaserne are buried.  I learned that they found their final resting place in this flat and unremarkable place after soldiers like Walter L. Dorsett walked into the camp’s horrors and, after talking to local residents who claimed to know nothing of the camp’s existence, forced those very citizens to bury the thousands of victims who died at the hands of the Nazis.  At the conclusion of the official ceremony, I was handed a white rose to place anywhere on the mass grave in remembrance of one of the victims, Josef Ichtorek.  I took a moment to reflect on who Josef may have been, what he must have endured, and the life he lost before finding an appropriate place on which to place the rose.  I felt deeply honored to do so.

…..Attending these commemorations was challenging emotionally, but they re-acquainted Rhonda and me with the horrors of the past while introducing us to the grace of those present who gathered for the purpose of remembering the victims of Nazi atrocities. Rhonda was able to meet people who connected her closer to her father’s story, and who may possibly help with her continuing research.  And, since we were among only a handful of Americans present, we felt an important responsibility in representing our country, as well as a significant sense of pride on being reminded that our parents’ generation played such a positive role in freeing Western Europe from fascism.

 

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photo by Rhonda R. Dorsett

A portion of the remains of the Berlin Wall

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Walls

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…..If you are fortunate enough to get to age 71 – which I am – you will have enjoyed and been challenged by major personal events that can be reflected on and learned from.  For me, these major events involve education, career, marriage, the raising of children, the death of parents, retirement, divorce, and, thankfully, rejuvenation, the stage I am now in.  There are also the major events that our country and world experienced together that we expect our leaders (and those who elect them) to learn from.  A list for fellow boomers would include the  assassinations of political and civil rights leaders, the Vietnam war, Watergate, and September 11 and America’s response to it.

…..After this trip I’ve concluded that the Cold War and particularly the fall of the Berlin Wall in 1989 is the most consequential event of my lifetime, and one vitally important to learn from.  It was built in 1961 by an authoritarian state for the purpose of fencing freedom and human dignity out, which meant enormous risk was taken by people attempting to escape from East to West.  There are monuments all over Berlin devoted to these attempts, and to those who lost their lives.  (There are, of course, other monuments throughout Europe devoted to those who succumbed to a different authoritarian.  Evidence of Hitler’s narcissism and regime of hate is everywhere – on the 75,000 bronze “stumbling stones” outside the homes of Jewish families who were kidnapped and sent to the gas chambers of Auschwitz;  cemeteries filled with Dutch resistance fighters; mass murder sites of the Maquis and innocent civilians on the hillsides of Beyssanac, France; the thousands of monuments in major cities and small villages honoring the World War I and World War II war dead; and, of course, the countless holocaust memorials all over the continent).

…..But when the Berlin Wall came down, hope emerged.  Countries with complex historic interactions formed alliances.  Travel and trade became easier.  Economies grew. People were united with families, and  for many, freedom was experienced for the very first time.    We now tend to take these freedoms for granted, but on occasion there are reminders of how different the world is in 2025 compared to 1989. For example, one night in a small Nordhausen club, while Rhonda and I sat with a classic German lager four feet from a sensational jazz quartet playing American jazz standards, I couldn’t help but think that, other than the occasional U.S. State Department- sponsored tours of jazz musicians, the only interaction the average person living behind the Iron Curtain could have had with jazz was with records smuggled in from Western countries.  That’s pretty much it.

…..So, this notion of a wall and the inhumanity and human suffering it can represent has stuck with me since returning from my trip in late May.  Because walls – whether physical or metaphorical, and built by authoritarians and their sycophantic politicians and citizenry whose dreadful legacies litter the whole of Europe – incarcerate innocent people like Albrecht Weinberg and eventually require soldiers like Walter L. Dorsett to liberate them.  The human cost paid by everyone – including those in succeeding generations like Walter’s daughter Rhonda – is enormous.

…..With this in mind, I’ve added another “event” of significance that has occurred during my lifetime that we will hopefully immediately learn from – an event that my trip helped me see clearer – and that is America’s current political turmoil, which began with Donald Trump’s classic populist and authoritarian proclamation to “build a wall” in order to keep migrants from Central America out of the United States. You don’t hear much from him about the need for a physical wall anymore – instead, he revels at the notion of threatening individual citizens and foreign students in the country legally who cross him politically with deportation.  And, he simply employs members of his own government who complicitly muscle people he deems unworthy out of the country, often without due process and more often with the encouragement of an uncomfortable number of fellow Americans – and the courts.

…..SSo, make no mistake, Trump is building a wall, and this time it is much more sinister than a physical barrier because it is being built grievance-by-grievance, all the while separating us from the truth and our personal freedoms while pitting country against country, state against state, American institution against American institution, people against people.

…..Building walls like this one is what authoritarians do, and they often do so with the consent of politicians, citizens, and institutions who want to solve what appear to be unsolvable issues – many of which are fabricated – and do so by circumventing democracy.  But those cheering on the construction of Trump’s menacing new wall may want to be reminded that, as the likes of Albrecht Weinberg, PFC Walter L. Dorsett, and the entire country of Germany learned, they are mighty difficult to bring down.

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Joe Maita

Editor/Publisher

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Postscript

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When the 3rd Armored Division entered Nordhausen on April 11 ,1945, they discovered unimaginable horrors – countless dead and dying.  In Stephen Ambrose’s World War II history Citizen Soldiers, he writes that General [Joseph Lawton] Collins “ordered that every civilian in Nordhausen had to work around the clock until the bodies were buried.”  This photo of the mass grave, by PFC Walter L. Dorsett, is of that work.

Ambrose reported that one of the soldiers entering Nordhausen was Lt. Hugh Carey, who would eventually became governor of New York in the 1980’s.  Its impact on Carey was dramatic.  Thirty years after the war, he wrote; “I stood with other American soldiers before Nordhausen.  I inhaled the stench of death, and the barbaric, calculated cruelty.  I made a vow as I stood there that as long as I live, I will fight for peace, for the rights of mankind and against any form of hate, bias and prejudice.”

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May we hope our own Nordhausen experience won’t be required before all Americans make that vow.

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A Photo Essay

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The following photos are moments from our personal journey, and were taken in the fall of 2024 and the spring of 2025.  I publish them as a reminder of the human and civilizational cost of authoritarianism and fascism.   They represent but a small portion of the thousands of World War II memorials in Europe.

Brief captions of these people and places accompany the photos.  Interested readers can of course get more complete information on Wikipedia or via a web search.

 

Unless otherwise noted, all of the following photos are ©Rhonda R. Dorsett

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Dutch resistance fighter Jannetje Johanna (Jo) Schaft became known as “the girl with the red hair.”   Within the Resistance she was known as “Hannie.”  She did a variety of courageous work, including stealing ID cards for Jewish residents, and attacking, sabotaging and assassinating Germans, Dutch Nazis, collaborators and traitors.  Before facing her targets, Schaft put on makeup – including lipstick and mascara – and styled her hair.  “I’ll die clean and beautiful,” she said.

She was eventually arrested at a military checkpoint in Haarlem on March 21, 1945 while transporting secret documentation for the Resistance, and executed by Dutch Nazi officials on April 17, 1945, three weeks before the end of the war.  She is buried in the dunes of Overveen at Bloemendaal Cemetary, near where she was murdered at the age of 25. (1)

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The Hannie Schaft monument in Haarlem, Netherlands, was created by the sculptor, painter, and Hannie’s fellow resistance fighter Truus Menger-Oversteegen.  The statue,  unveiled in 1982,  depicts Hannie in a posture of defiance.   

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The Dutch Honorary Cemetery in Bloemendaal, where Hannie is buried. Members of the Dutch government and royal family attended her November, 1945 funeral, including Queen Wilhelmina, who called her “the symbol of the Resistance.”

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A photo taken from near the spot of where Hannie rests now.  The cross on the hill marks the place where over 100 bodies of resistance fighters were found buried by the Nazis.  Hannie was the only female.

 

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Walk just about anywhere in Europe and you will encounter brass plates known as “stumbling stones” (a.k.a. “Stolperstein”) that are installed in the pavement in front of the last voluntarily chosen place of residence of victims of the Nazi regime.  They serve as a memorial and a reminder of their stories, and of the atrocities carried about by fascists.

The plaques detail their year of birth, the date they were taken from their home, and their destination.

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Amsterdam

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Berlin

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Monuments honoring victims of the Nazis are deeply moving and offer repeated reminders of the cruelty of fascism, and the enormity of it.

 

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This bronze sculpture commemorating the Kindertransport rescue mission from Nazi Germany is outside the Dammtor railway station in Hamburg, Germany.  Between December, 1938 and the start of the war on September 1, 1939,  thousands of Jewish children were sent from Germany to the United Kingdom and other countries on rescue transports, including around 1,000 Jewish children from Hamburg. In many cases, the children were the only members of their family to survive. (2)

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The Memorial to the Martyrs of the Deportation in Paris is dedicated to the 200,000 people who were deported from Vichy France to the Nazi concentration camps – often with the assistance of French citizens themselves – and was inaugurated by French president Charles de Gaulle in 1962.

The memorial features excerpts of works by  Louis Aragon,  French poet  and  French Resistance  member  Robert  Desnos,  Antoine de Saint-Exupéry  and  Jean-Paul Sartre.  Fragments of two poems by Desnos, himself a deportee, are inscribed on the walls. The first consists of the last stanza of a poem written pseudonymously by Desnos and published “underground” in Paris on Bastille Day, 1942

“The Heart that Hated War”

I have dreamt so very much of you,
I have walked so much,
Loved your shadow so much,
That nothing more is left to me of you.
All that remains to me is to be the shadow among shadows
To be a hundred times more of a shadow than the shadow
To be the shadow that will come and come again into
your sunny life. (3)

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A plaque listing only a handful of Jewish residents of France who were taken from their homes by the Nazis by train to the Pithiviers internment camp, 37 kilometers outside of the city of Orleans. Most of the inmates of the camp were sent to Auschwitz concentration camp, where they were murdered. (4)

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On February 16, 1944, this Papeterie mill near Beyssanac, France was home to around 50 Compulsory Work Service (STO), young French men who were avoiding being drafted by the Germans, and who had no choice but to go into hiding. After having been discovered by a German platoon, 34 of them were executed at this site, 13 were deported (seven escaped), and three survived the attack. All these young men were waiting to form the Bataillon Violette, a resistance battalion which was formed in June 1944.  The mill is now a place of remembrance, and home to an extensive outdoor exhibition recounting the heroic (and horrific) events. (5)

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We came upon this sacred place while driving north toward Orleans, just outside the village of Salogne, a center of French resistance.  Many of those buried here died during  skirmishes with the Nazis.  Most were teenagers, outnumbered by the Germans 10 to 1. (6)

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There are countless French Resistance museums throughout the country, including this extensive one in Toulouse, a glorious city with a history of political and military resistance.

The French Resistance was made up of a collection of groups that fought the Nazi occupation and the collaborationist Vichy regime.  The Resistance cells were small groups of armed men and women (the Maquis)  who conducted guerrilla warfare and published underground newspapers. They also provided first-hand intelligence information, and escape networks that helped Allied soldiers and airmen trapped behind German lines. They rescued and saved many Air Force pilots and paratroopers, guiding them across the treacherous mountains into Spain.  The Resistance’s men and women came from many parts of French society, including émigrés, academics, students, aristocrats, and members of virtually every religious group.  The proportion of French people who participated in organized resistance has been estimated at from one to three percent of the total population. (7)  Their participation was invaluable to the Allied war efforts.

 

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The Memorial to the Murdered Jews of Europe, also known as the Holocaust Memorial, in Berlin.  It is made up of 2,711 concrete slabs (stelae) of many heights, and arranged in a grid pattern on a sloping field.

According to the architect Peter Eisenman’s project text, the stelae are designed to “produce an uneasy, confusing atmosphere, and the whole sculpture aims to represent a supposedly ordered system that has lost touch with human reason.”  We wandered among the monument for an hour, struck by the design and the hold it had over us.  It is a somber experience, and its sheer mass can’t help but make reflective visitors feel the enormity of man’s cruelty to his fellow man, and the suffering of the six million Jews murdered during World War II.  A museum of major importance is below the monument.

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In virtually every village in France, monuments like this one in Vézac were erected (mostly after World War I) honoring the fallen of both world wars.  “Mort Pour La France” (“Died for France”) is a constant reminder of the suffering, as are the names of the soldiers.  In many cases, family names were represented multiple times – brothers and cousins, all dying while defending France.

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Anne Frank is the name we associate with the holocaust.  I was inspired to re-read her story during my journey, and we found many landmarks, monuments, and gardens honoring her memory.

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The wall at the holocaust memorial in Amsterdam, where Anne lived in hiding from the Nazis.

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The monument at the Bergen-Belsen concentration camp, southwest of the town of Bergen, where she was murdered.

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The symbolic grave marker of Anne and sister Margot at Bergen-Belsen.  She is buried among thousands in one of the many mass graves within the camp.  Walking among them, it is impossible not to feel all of the lost lives, and the depravity of fascism.

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At the foot of Anne’s grave – rocks, a candle, and a photo…

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Scenes from Dora-Mittelbau in Nordhausen, one of over 40,000 Nazi concentration camps in Europe during World War II

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A memorial square was constructed in front of the crematorium in the early 1950s. This sculpture – a group of five figures bound at the hands – is by the sculptor Jürgen von Woyski, and has occupied the center of this space since 1964.

After 1990, three commemorative signs were added to the square. Two stone slabs are respectively dedicated to Jewish victims and Sinti and Roma victims of the concentration camp. Another stone slab lists all the nations of origin of the inmates of Mittelbau-Dora concentration camp and is dedicated to all the victims.  (8)

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A rail car within the camp representative of those used to transport innocent people to the camp.

 

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photo by Joe Maita

 

Rhonda with our guide, inside one of the tunnels where the V-2 rocket and V-1 flying bombs were built.

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Thousands of inmates at a time worked within the massive tunnel system of Dora-Mittelbau.  They worked under armed guard and often without sleep, and with very little food and water.  Their toilets were rough cut steel barrels.

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A wall of plaques inside the camp’s crematorium, dedicated to just some of those who didn’t make it out.

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Our experience during the commemoration events at Buchenwald (and following)

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Located on the outskirts of Weimar, Germany, Buchenwald was one of the first and the largest of the concentration camps within the Old Reich territories. Many actual or suspected communists were among the first internees.

Prisoners came from all over Europe and the Soviet Union, and included Jews, Poles, and other Slavs, the mentally ill, and physically disabled, political prisoners, Roma, Freemasons, and prisoners of war. There were also ordinary criminals and those perceived as sexual deviants by the Nazi regime. All prisoners worked primarily as forced labor in local armaments factories. The insufficient food and poor conditions, as well as deliberate executions, led to 56,545 deaths at Buchenwald of the 280,000 prisoners who passed through the camp and its 139 subcamps.  It was liberated by the U.S. Army in April, 1945. (9)

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Countries from all over the world were represented in the form of dignitaries, private citizens, and symbolically by wreaths of flowers laid on the ground.

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There were a smattering of Americans (and this wreath) among the attendees.  Several speakers took the stage – mostly local dignitaries – and their messages always centered on freedom and the importance of preserving democracy and fighting the spread of fascism.

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An unforgettable life experience was having the privilege of meeting 100-year-old Albrecht Weinberg, survivor of three World War II concentration camps.  Incredibly smart and filled with kindness and an exuberance for life.  You can read about his life in his book, Damit die Erinnerung nicht verblasst wie die Nummer auf meinem Arm (So That the Memory Does Not Fade Like the Number on My Arm)

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Rhonda and myself…with Albrecht, who I will always remember.

And, I hope this essay, and these photos, help remind us to learn from our history, and to be on the right side of it.

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Show strength against the enemies of democracy.

 

 

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Watch a video of Albrecht Weinberg enjoying a brief piano piece

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Footnotes

(1) Wikipedia
(2) Memorials in Hamburg
(3) Wikipedia
(4) Wikipedia
(5) Le Pont Lasveyras
(6) Wikipedia
(7) Wikipedia
(8) Mittelbau-Dora Memorial
(9) Wikipedia

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A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Poetry

photo of Miles Davys by User:JPRoche, CC BY-SA 4.0 , via Wikimedia Commons/adapted by Rhonda R. Dorsett
“Thinking of Mr. Davis on the Fourth of July” – a poem by Juan Mobili

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Poetry

21 jazz poems on the 21st of June, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician by poets sharing their relationship to the music, and with the musicians who perform it.

The Sunday Poem

”The Subtle Art of Dinner Music” by Fred Shaw

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Fred Shaw reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

The passing of a poet: Alan Yount...Alan Yount, the Missouri native whose poems were published frequently on Jerry Jazz Musician, has passed away at the age of 77.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Publisher’s Notes

Where I’ve Been…and a brief three-dot-update...News about an important life experience, and an update about what's going on at Jerry Jazz Musician

Feature

Jimmy Baikovicius from Montevideo, Uruguay, CC BY-SA 2.0, via Wikimedia Commons
Trading Fours, with Douglas Cole, No. 25: “How I Hear Music: ‘Feel the Sway,’ A Song in Three Movements”...In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”

Feature

Jazz History Quiz #181...Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra. He would eventually become one of the leading voices on his instrument for almost 50 years. Who is he?

Short Fiction

Short Fiction Contest-winning story #68 — “Saharan Blues on the Seine,” by Aishatu Ado...Aminata, a displaced Malian living in Paris, is haunted by vivid memories of her homeland. Through a supernatural encounter with her grandmother, she realizes that preserving her musical heritage through performance is an act of resistance that can transform her grief into art rather than running from it.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 14 - "World War II and jazz"...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 14th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose theme is World War II and jazz

Poetry

“Summer Wind” – a poem (for July) by Jerrice J. Baptiste...Jerrice's 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Antonio Carlos Jobim, Hoagy Carmichael, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes July with a poem that conjurs up the great Frank Sinatra tune…

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Playlist

“Eight is Great!” – a playlist by Bob Hecht...The cover of the 1959 album The Greatest Trumpet of Them All by the Dizzy Gillespie Octet. A song from the album, “Just by Myself,” is featured on Bob Hecht’s new 28-song playlist – this one devoted to octets.

Short Fiction

“Steven and Mira: Paris May 1968” – a short story by Steven P. Unger...The story – a finalist in the recently concluded 68th Short Fiction Contest – is a semiautobiographical tale of a café-hopping tour of Paris in the revolutionary summer of 1968, and a romance cut short by the overwhelming realities of national strikes, police violence at home and abroad, and finally the assassination of Bobby Kennedy.

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Short Fiction

“Every Night at Ten,” a short story by Dennis A. Blackledge...Smothering parents, heavy-handed school officials, and a dead President conspire to keep a close-knit group of smalltown junior high kids from breaking loose. But the discovery of a song on late-night radio — one supposedly loaded with dirty words — changes everything.

Short Fiction

art by Marsha Hammel
“Stuck in the Groove” – a short story by David Rudd...The story – a short-listed entry in the recently concluded 68th Short Fiction Contest – is about a saxophonist who moves away from playing bebop to experimenting with free jazz, discovering its liberating potential and possible pitfalls along the way…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Interview

“The Fire Each Time” – an interview with New York Times best-selling author Frederick Joseph, by John Kendall Hawkins...A conversation with the two-time New York Times bestselling author of The Black Friend and Patriarchy Blues, who in 2023 was honored with the Malcolm X and Dr. Betty Shabazz Vanguard Award,. He has also been a member of The Root list of “100 Most Influential African Americans.”

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Listening to Prestige:  Chronicling Its Classic Jazz Recordings, 1949 - 1972...  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.