The Sunday Poem: “Piano Hands, My Uncle Says” by Bradley Samore
as if it were a standard you could scat
at a jam session and any cat with a horn
could blow over the changes,
but as he continues to boast
about his friend’s playing,
May 24th, 2025
as if it were a standard you could scat
at a jam session and any cat with a horn
could blow over the changes,
but as he continues to boast
about his friend’s playing,
May 24th, 2025
In this 2020 interview, the late jazz scholar Dan Morgenstern and pianist Christian Sands engage in a lively discussion that reminds readers of the brilliance of Erroll Garner
...December 16th, 2024
From a third floor window I imagine
I can almost see the cracked black
& white tile welcoming Penn Avenue
to the long-closed Kappel’s Jewelers.
September 17th, 2023
I rise, change the sheets on the bed
that used to be in Mother’s basement.
I step into her body or she into mine,
attempt to line the blanket and spread
evenly, to tuck in the ends the “military”
square-corner-way and then, I remember
Mother doing chores to jazz, blues
August 12th, 2022
In a July 27, 2020 conversation with Jerry Jazz Musician editor/publisher Joe Maita, the historian and most eminent jazz writer of his generation Dan Morgenstern and pianist Christian Sands – the Creative Ambassador of the Erroll Garner Jazz Project – discuss Garner’s historic legacy.
...October 1st, 2020
The legendary pianist Erroll Garner’s most famous composition, “Misty,” was written as an instrumental in 1954 for his 1955 album Contrasts. Lyrics were added in 1959 by Johnny Burke and it became the signature song of Johnny Mathis, and was subsequently recorded by Sinatra, Sarah Vaughan, Etta James, and countless others. Garner’s version was inducted into the Grammy Hall of Fame in 1991.
In this excerpt from an interview with the drummer Art Taylor, Garner describes how he wrote “Misty:”
...November 16th, 2017

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”Snowfall” by Bernard Saint
The Sunday Poem is published weekly, and strives to include the poet reading their work....
Bernard Saint reads his poem at its conclusion
Click here to read previous editions of The Sunday Poem





































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