Short Fiction Contest-winner #23: “Bumps Out Then Bumps Back,” by Trudy Carpenter

March 10th, 2010

 

.

.

New Short Fiction Award

Three times a year, we award a writer who submits, in our opinion, the best original, previously unpublished work.

     Trudy Carpenter of Northport, Michigan is the winner of the twenty-third Jerry Jazz Musician New Short Fiction Award, announced and published for the first time on March 10, 2010.

.

 

Trudy Carpenter

.

*

.

Trudy Gordon Carpenter retired from community college teaching in 2005 and began a new career in fiction. To date, she has published three pieces in the North Atlantic Review, and one piece in Survivors. She has also completed the 954th draft of her first novel, A Lesser Fault.

.

*

.

 

 

.

Bumps Out Then Bumps Back

by

Trudy Carpenter

.

_________

.

…..One black leather pump hides under the sofa; the other skidded behind the front door, keeled over in shock. Stockings lie limp on the carpet, slim legs broken, and shrunken feet awry at the heels, pale rungs shred up the thigh, as jagged and useless as fear. A gold chain lies coiled like a snake, broken beyond repair, not sparkling, just stunned.

…..In the bathroom, water gushes wild and wide from the metal spigot, creeps up the sides of steep white porcelain an inch at a time, swirls with thick steam and current from the source, a dank basement room, a mystery pumping system, a light hum in the pipes and a bill at the end of the month. She squeezes her lashes then twists the tap shut. Leg poised, she dips a foot until it reddens, inhales a moan and jerks back, exhales and steadies herself as best she can on a floor she waxed. Tiny drops like beads of mercury slip off her foot and pool together, seep toward low molding at the wallpapered wall. She waits and remembers to breathe, pulls it in, blows it out. If she forgets, it will stop.

…..The second foot creates an eddy in the tub, rings wider and wider, rebounding at the sides, careening back. She drops the other leg from above and tips her head down at the neck, watches the surface slice her calves clean, under the knee and wavering, paler and wider below than above. She lowers her bulk to a slippery seat, grasping the rim with both hands and sloshing the liquid close to the edge. She stretches her legs and stares at the toes, so far away and huddled, maybe not even hers. Her body seems foreign. She knows it from somewhere, but where? A tinge of pink rises at her lap, swirls up and around, as impossible as smoke, as careless as crime.

…..When she leans back, the bulb above stares her down; its bright eye burns ‘til she blinks. Arms shrink to her sides, and hairs spring up like coils. The walls slide away. Just in time, she remembers to breathe.

…..She sees the white blouse, now missing some buttons, and her new blue wool skirt in a pile where she peeled them, like a snake sheds old skin. She will cart them arms-length to the trash bin under the kitchen sink, bury them under wet coffee grounds and wilted lettuce, strangle the bag with a metal twist-tie, and hurl it outside. But now she touches her neck, feels the burn where the chain jerked away. She presses her throat with her palm. A sob threatens up, but she swallows.

…..She cradles Pears soap, first nestled in its cardboard box, fresh from an emerald isle she’s never seen. Its amber luxury, almost opaque, oval and smooth as an egg, too bulky for one hand when new, now slivered by use to thick glass. She lifts it to her eyes and looks at the shower head high above, its holes staring down like black eyes, flat as tar, cruel as pain. When she closes her lids, the image remains.

…..The doorbell rang and she answered. That was her sin. Not even original. She shudders and squeezes her fists at her sides. Glycerin gives and moulds to her grasp.

…..She glides the silk bar around her mouth, and again, over lips, tasting its smell, high sweet tang of citrus in the sun, then slopes it up her cheeks, across her forehead, behind her neck. Up her right arm, swirling tiny hairs. Then up the left, a matching limb. Toes, one at a time, between thumb and forefinger. Soles of both feet, up the arch, to the ankle that aches from the fall. Each hand ministers to the other side, tidy bilateral arms, legs, shoulders, feet, hands. She shudders. Did she lock the door?

…..And then she sinks back, sloshing recline, her belly rounded and soft, smooth and still. Her hand crosses the line from brown to white, tanned souvenir from before-this summer days in the garden. After-this will never be the same. Her breasts lie flat as dead fish with one eye. And then she washes the thighs, up and down and back and forth, the suds skimming foam. Then. There. There. She lurches once, and bitter bile skids to the floor.

…..The Pears escapes and bobs, skitters here, now there, back near, set free. Pale fingers chase, touch and miss, touch and miss, melting more of its sum with each run.

…..She sighs and slides her head under. Hair floats like algae around submerged rock, waves back and forth, near and far, like memory. Silence always echoes in a watery grave. She holds her breath and listens. Did she lock the front door?

…..Surfacing, she blinks. Then, closing her eyes, she sinks, waits in her dark for the water to cool to no-feeling, the high window to lighten to dawn. Pears floats by her leg and sideswipes the tub, bumps out then bumps back.

.

*

.

Short Fiction Contest Details

.

.

 

 

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In This Issue

photo by William Gottlieb/design by Rhonda R. Dorsett
21 jazz poems on the 21st of November, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poems communicating the emotional appeal of jazz music, as well as nods to the likes of Miles Davis, Regina Carter, Maynard Ferguson, Ornette Coleman, and Max Roach.

The Sunday Poem

A miniature by Barbara Anna Gaiardoni

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Barbara Anna Gaiardoni reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

Poetry

“Prayer” – a poem by Jianqing Zheng (after a photo by William Ferris)

Essay

"Grace" by Erik Enstrom
Letter from the Editor/Happy Thanksgiving (a redux)...Connecting an old photograph owned since the 1970’s to gratitude for friends, family, artists, creators, website readers and contributors – (a redux)

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Publisher’s Notes

A dispatch from Portland, 2025 – and Boston, 1969...Peaceful protest is nothing new to America. It is happening every day in Portland, where I live. It is what makes our country great. And those of us who grew up in the 1960’s probably have a history of protest – some turning violent – ourselves. The poet Russell Dupont shares text and photos from his experience while photographing the October, 1969 March against the [Vietnam] War in Boston, when plainclothes Federal officers attempted to confiscate his camera.

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

"Swing Landscape" by Stuart Davis
“Swing Landscape” – a poem by Kenneth Boyd....Kenneth Boyd writes poetry based on jazz paintings. “Swing Landscape” is written for a Stuart Davis painting of the same name.

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Short Fiction

“Alas, for My Poor Heart” – a short story by Daryl Rothman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – concerns art and its truest meanings—where you just might have to look twice at what the shadow and light of a piece says about that within your soul.

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Short Fiction

publicdomainpictures.net
“Corkscrew” – a short story by Mike Wilson...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a night when everything goes wrong and everyone is annoying, an unexpected turn of events teaches a sarcastic lawyer that the old adage is true – a cynic is just a disappointed romantic.

Feature

Jazz History Quiz #184...Maurice Ravel (pictured) acknowledged basing his Bolero on an improvisation of this clarinetist, who was also influential in the careers of Benny Goodman and Nat Cole, who made famous this musician’s theme song, “Sweet Lorraine.” Who is he?

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 26: “Bougainvillea Sutra”...An occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, his inspiration comes from the guitarist John Scofield’s 2013 EmArcy album Uberjam Deux, and specifically the track titled “Scotown.”

Short Fiction

photo by Simon Webster
“Smoke Rings and Minor Things” – a short story by Jane McCarthy...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is a meditation on missed chances, minor keys, and the music that outlives the room it was played in.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

“November Affair” – a poem (for November) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes November with a sensual, romantic poem that inspires a listening to Andre Previn and Doris Day’s 1962 recording of “My One and Only Love.”

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Playlist

“Look Ma, No Net!” – a playlist of nonets, by Bob Hecht...In this episode of our progressive instrumentation playlists, we add a ninth instrument to the mix to form a Nonet!

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works......  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.