“Resolution” — a short story by N. Barry Carver

February 23rd, 2020

.

.

“Resolution,” by N. Barry Carver, was the winning story in the twenty-eighth Jerry Jazz Musician Short Fiction Contest, and was originally published on November 8, 2011.

.

 

.

___

.

 

.

 

photo CC0/Public Domain

.

Resolution

by

N. Barry Carver

.

_________

.

…..It’s a shame that, in the 21st century, there are still men of my age who do not know who fathered them.

…..Setting aside the moral issues, I need to know about my family medical history and bloodlines. What if, trough twisted fate, my one true love was revealed to be my half sister? Or to find out, while facing an ill-informed press, that I am the progeny of some great hero, or desperate criminal, and under the presumption of similar habits.  At forty-eight, I still don’t know if I should be honoring the birth of a savior, celebrating the miracle of lights, or dancing naked in the woods on the dark of the moon.

…..But morality has its part too. I never married. I have been very careful not to father a child… for, after all, what kind of man am I? In my cells and down in my secret soul, what am I destined to become? I have held the “nature versus nurture” debate my whole life and, I believe, I have been a good man. I am not deformed or handicapped. My brain functions at the level of my peers and my demeanor is such that I dare not speculate aloud that it is actually slightly superior. My development has been uneventful. I never had a stitch or broke a bone until I fell on my wrist two years ago.

…..So, what was so bad about me that… he didn’t want me?

…..Even my name, Devin Rhys Mann, is more a construct of chance than heredity. So I thought getting my DNA sequenced would clear up some of the questions – and it did to a great degree. I just didn’t know it would lead… here – to an “Extended Care Facility” next to the V. A. hospital in Los Angeles.

…..It’s clean enough I guess but, like all institutions of its kind, it is a hopeless place, full of pain and need.

…..In trying to remain true to the idea I have that I am a good man, I allowed my DNA report to be checked against the long lists of people waiting for transplants. Instantly it came back with a match – an exact match.

…..The request had come from a doctor in Santa Monica. An open request – meaning the anonymity of the recipient was not an issue. There, in crumpled letters on the faxed computer printout, was the name I never knew but that genetics guaranteed was my father. I only later found that it wasn’t really his name either.

…..“John Sierra” was the name he’d been given when he was found unconscious. It seems the police brought him to St. John’s on the 18th of December, and they name all unknowns sequentially – starting with “John Doe”, “John Echo” and so on. Having been brought in late in the year, they’d worked their way through the alphabet to the “S’s.” The most recent paperwork shows a correction and gives to him what I had come looking to get from him: my last name.

…..I called the hospice still in a state of shock but the urgent tone in his doctor’s voice convinced me to rush. Changing to larger planes at both Indianapolis and Denver, I arrived at LAX too late to do anything but find a room. I did not think myself overly excited or worried, but I did not sleep at all. As I’ve sat in the outer waiting room, I’ve had a chance, between the smells of disinfectants and the rising heartburn of an empty stomach, to think about what did keep me awake. It was anger.

…..How could he leave Mom and me to fend for ourselves without a word? She filed a police report only to be told that young actors here often change their names and disappear without a trace. She found it hard to imagine at first, but then rumor came back to her of his possible infidelities and her faith must have crumbled. As the years and hearsay went on, she finally accepted that he’d simply left us. We moved from Pico Rivera to the hills of Kentucky in 1959 – I was four years old.

…..A white-clad woman passed in front of me, to turn off another unimportant alarm, trailing a memory of seeing my mother in a similar costume. She never mentioned her time as a young “starlet” in Hollywood, and I’m surprised every time I recognize her in some Sunday afternoon movie filling time on the off-channels. I’m sure he must appear in a few as well. Perhaps they’d met during a TV series in the days of black-and-white.  It was her only recurring part, which I’d found a couple years ago in an internet search. That role, in broadcast’s puritanical days, must have ended when she began to show, while carrying me.

…..Did he even bother to check on us? Did he know that she died just three years later and I, having no traceable roots, was passed through two foster homes before settling in with a small horse rancher and his wife? They had cleared all the obstacles to my adoption – only to lose their own son just weeks before I arrived. He was all that I was not, but they did their best to make me feel I was more than the poor substitute – which is how I saw myself. After the accident that took Tommy, they were never going to let me get anywhere near a horse.  Both of them are gone now too and selling the ranch barely covered their final costs.

…..The doctor finally called me, and we sat in a tiny office just inside the main doors. A large window displayed an emergency room of sorts; curtain walls making room after room. No hospital scrubs here, just ordinary street clothes. The professionals couldn’t be detected from the visitors, if indeed there were any visitors. No one rushed. The emergencies they treated were half-hearted affairs where the outcome would, eventually, be the only ticket out of here that anyone ever gets.

…..Who was this man? Every image I have of the ‘50s is one, if not of innocence, then at least of respect for the status quo. Sure, trying to get acting work is stressful and destabilizing… but the jobs of husband and father are choices. Very few are ever really forced into these roles, and I just can’t imagine the cowardice it would take renege on those contracts.

…..How could he?

…..The doctor had been stammering about something while I was lost in thought – apparently the crisis had passed and my father was no longer in danger. I think, he was telling me that there was no reason to do anything more for him. He’d also said that he was not brought in on December 18th of this year, but I rejoined the conversation too late make any further heads or tails of it.

…..He stood up as if we had finished talking and showed me to one of the cubicles on the ward. I wasn’t really prepared when he opened the curtain.  All of my emotions attacked me at once – all except sympathy. There lay a man half my size and more than half the way toward becoming a mummy. His body was contorted, wrist and arms bent into the shape that only long illness produces.

…..His sunken eyes and uneven wisps of beard disguised his face but in the mix I could still see the foundations of my own countenance. I hated him.

…..How dare he disparage my mother, leave me to an unknown fate and then, after all that neglect, allow himself to be found here in this pitiful state? His predicament would have melted the resolve of most – but not mine.

…..“How long does he have left?” I asked without flinching, it was really the only question left.

…..“Hours.”

…..“Fine.” I turned from the bed and headed for the door. I would not get the satisfaction of telling this pathetic old man how much of my good life he’d missed and what a lousy human being he was for doing so.  Now that I’d thought so much on it, I guess this is really what I’d come all this way to say – and there was no one to hear it.

…..On the way out, they stopped me long enough to sign off on whatever they wanted to do with him next and gave me a discolored envelope bound with a string. I had already started the rental car when I decided to look inside.

…..As if holding its secret for too many years, the string snapped as I tried to untie it. Inside, on top of a bundle of papers, was just the insert from a wallet. It held two faded bus passes, eighty-eight cents in old coins… and a picture of Mom. I confess it stopped me. I didn’t expect to find an I.D. but to have no other picture but this fifty-year-old snapshot of the woman he left was shocking.

…..Amid the pile of medical notes that were the bulk of this packet, was a police report of the “John Doe” who had been brought in. The carbon copy was smudged illegible in many places – and the entire form was poorly hand written – but it told the story of a police chase following a bank robbery. Nothing impressive by today’s standards, but it ended with the gangsters’ car crashing through a crowd at a crosswalk at Lincoln and Colorado on December 17th, 1956.

…..An unattended infant was found in a stroller at the scene. The address on a script in the diaper bag led police to return the child home. A random woman, rushing for the bus, was killed in the crash. The police reasoned that, since the woman was a near neighbor, that the child was in her care when she was killed – though my mother, the report said, did not recognize the dead woman’s name or photo. This, I assumed, was another chapter of mistakes made by detectives more interested in clearing their caseload than match the facts to reality. An unrelated “John Sierra” wasn’t found until the next morning.

…..The impact had tossed him deep into pile of trash several feet from the corner. When sanitation workers found him, freezing, bleeding, twisted and discarded, it was a miracle he was still alive. If such a thing can be called a miracle.

…..Rifling through the old medical exams, I found it was true. The desiccated old man in there waiting to die had been first in the hospital, and then here, ever since.

…..His fits of consciousness never lasted more than a day or two in that first year. An emergency tracheotomy never allowed him to speak again, and although his right hand was crushed in the accident, the notes he had managed to write led doctors to the conclusion that his mind had been mutilated as well. He could not give his address or even his name. His left-handed scrawls, which he wordlessly demanded they read, only confirmed the diagnosis of mental incompetence.

…..Though none of those writings were included in the envelope, the Psych reports stated that, between incoherencies, he repeated a desire, a need, for finding the “divine.” Always misspelled, and gouged deep in the paper, he repeated it again and again, more demandingly each time, until he had to be sedated.  During one such incident, where he’d tried to strangle an orderly ignoring his pleas, his mind snapped under the stress and he never truly awoke again.

…..With my face full of tears I’d held back since I was four, I made my way back to his bedside, sat respectfully down and waited for his hour to come. He died peacefully at 6:04 p.m. on Christmas day.

…..You might think I lost something that day – that my quest for father and family was killed by a random act when I was still in diapers.

…..You’d be wrong. While I still don’t know whether my salvation is entrusted to churches or temples or just to me – I do know more than the doctors ever could.

…..You see, through pain and drugged delusion, an inability to communicate normally and barriers too many to count, he gave me reason to celebrate this day. With that shaking hand he did not demand, as the doctors believed, the “divine” be delivered to him – though seeing the ultimate truth does take a bit of faith. Miraculously, that is exactly the particular piece of faith I have left.

…..In my heart of hearts, I know beyond any doubt that he was the one pushing my stroller that day.

…..You see, my name is Devin.

…..What my father wanted was me.

.

.

_____

.

 

 

.

Barry Carver is an author, actor and disabled veteran. Grammarly says he’s a bit long-winded, but he’s a fairly unique word-stringer and occasionally hits the sweet spot of a sentence, paragraph, or story, that makes it worth all the crazy turns and clauses. He’s a father of two boys who are presently in their teens – so kind thoughts are welcome. He still wishes he’d been an astronaut, or a bit taller, but not both. We’re all still waiting to see what he grows up to be.

.

.

___

.

.

.

Short Fiction Contest Details

.

.

 

.

 

 

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

In This Issue

21 jazz poems on the 21st of October, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poems inspired by the late Chuck Mangione, several on other trumpeters, the blues, and nods to Monk, Ornette Coleman, Coltrane, and Sonny Rollins.

Poetry

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Publisher’s Notes

A dispatch from Portland, 2025 – and Boston, 1969...Peaceful protest is nothing new to America. It is happening every day in Portland, where I live. It is what makes our country great. And those of us who grew up in the 1960’s probably have a history of protest – some turning violent – ourselves. The poet Russell Dupont shares text and photos from his experience while photographing the October, 1969 March against the [Vietnam] War in Boston, when plainclothes Federal officers attempted to confiscate his camera.

The Sunday Poem

”Dance Naked with Your Poems and Howl at the Lilac Moon” by Namaya

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Namaya reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

"Swing Landscape" by Stuart Davis
“Swing Landscape” – a poem by Kenneth Boyd....Kenneth Boyd writes poetry based on jazz paintings. “Swing Landscape” is written for a Stuart Davis painting of the same name.

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Short Fiction

“Alas, for My Poor Heart” – a short story by Daryl Rothman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – concerns art and its truest meanings—where you just might have to look twice at what the shadow and light of a piece says about that within your soul.

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Short Fiction

“Heroics” – a short story by Michele Herman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about brothers coping with an angry father whose solution for dealing with a family crisis is to take them to a Howard Johnson’s for ice cream.

Feature

Jazz History Quiz #184...Maurice Ravel (pictured) acknowledged basing his Bolero on an improvisation of this clarinetist, who was also influential in the careers of Benny Goodman and Nat Cole, who made famous this musician’s theme song, “Sweet Lorraine.” Who is he?

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 26: “Bougainvillea Sutra”...An occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, his inspiration comes from the guitarist John Scofield’s 2013 EmArcy album Uberjam Deux, and specifically the track titled “Scotown.”

Short Fiction

photo via Wikimedia Commons
“Apparitions” – a short story by Salvatore Difalco...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a Sicilian immigrant with an interesting history in traditional string instruments and Sicilian puppet theater.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

William Gottlieb/Library of Congress
“Lester Young Cools a Village” – by Henry Blanke...On the origins of cool, and the influence (and greatness) of Lester Young.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

photo via pixabay
“Sensual Autumn” – a poem (for September) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes September with a poem of love that brings to mind the music of Joe Pass.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Playlist

“Look Ma, No Net!” – a playlist of nonets, by Bob Hecht...In this episode of our progressive instrumentation playlists, we add a ninth instrument to the mix to form a Nonet!

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works......  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.