Creatives – “This is our time!…A Letter from the Publisher

March 7th, 2025

.

.

photo by Inayat Ullah via Pexels.com

 

.

.

 

“Creativity takes courage.”

-Henri Matisse

.

___

 

.

Dear Readers:

…..This isn’t intended to be a political piece, rather it is meant to engender a response to America’s current politics.  However, I can’t help but begin with these thoughts; I find what is occurring in this country to be startling – the dismantling of social and governmental institutions Americans have worked for generations to create and maintain is dark and disturbing.  The outright lies and boorish behavior coming from the White House, and the hate, the ignorance, the petty retribution, the hypocritical sycophants, the needless dismantling of relationships with foreign countries in need of our aid and with democratic countries – (our allies!) – fighting for survival, and the sheer chaos that comes from all of this is enough to profoundly concern anyone holding democratic ideals.  Given all of this negative energy, it is easy to retreat from the fight, and from the world.

…..As awful as all of this feels, I am aware that we can’t consume ourselves with events that are out of our control.  That is what our elected representatives are hired to do, and they must be held accountable for being so.  Our system of self-governance offers us a solution when they abandon their duties or abuse them – voting them out of office.  So, for now I have taken on the attitude of being appropriately informed enough to know when it is time to mobilize politically.

…..I understand the risk of being vocal about America’s current situation, including the potential of alienating readers, but being appropriately engaged  is required now from all who care about preserving democratic principles and institutions, and to do so in our most effective ways.

…..Because so many visitors to Jerry Jazz Musician are “creatives,” this message is written in hopes that it will especially connect with you.  As we know, times like these can open the door for personal creative energy to flow more freely, and that energy is needed now to combat the sinister and the ominous, and to, in the words of the honored journalist Bill Moyers, help fellow citizens “pierce the mundane to find the marvelous.”

…..For my part, I have become inspired to host salons in my home in Portland, Oregon that bring together musicians, artists, and devotees for the purpose of building community and deepening friendships, and to be reminded of the beauty and spirit residing within the people living in our own neighborhoods.  And, I will be doing more in the way of inviting writers, poets and artists to submit their work to Jerry Jazz Musician – another major collection of jazz poetry, for example, as well as an ekphrastic poetry challenge.  Other ideas are formulating.  (Stay tuned for more on that).

…..Of course, mine is a very small contribution toward building the creative energy necessary to help change people’s perspective of their world.  But it’s my way of doing so.  To confront these extraordinarily challenging times, I humbly offer these suggestions for concerned creatives to consider activating:

…..-If you are a musician, compose what you are feeling and find a “street corner” on which to share it with us – even if it feels like no one is listening.  (Many are).

…..-If you are a writer, join a writer’s group and hold readings.  Test yourself.  Examine where your writing is taking you in the face of this chaos, and discover new publications to submit to and new audiences to share your work with.  Wherever possible, be public with your endeavors – regularly share news of your efforts with family, friends, and on social media.

…..-If you are an artist, when the opportunity arises take your canvas to the public square so we can be witness to and better appreciate your creative process and soul.

…..-If you are a poet, find a community of poets in your neighborhood to meet and read with.  Encourage coffee houses and bars to hold regular poetry readings.  Read it alongside musicians if you can.  And, through your work, show journals who publish poetry you understand that, in Salman Rushdie’s words, “A poet’s work is to name the unnamable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.”

…..-If you are a fan of the arts and have room in your home or business, invite creative artists and neighbors into them as a way to build community through common interests.  Buy a painting, a framed photograph, a sculpture – and be certain they were created by a living, breathing human.

…..-Support venues in your community that host live music, theater and other community events, and take someone who can’t afford the ticket with you.  Become a member of the local arts organization whose mission you believe in.

…..-Use your local public library.

…..-Support and subscribe to publications that have journalistic integrity and whose mission is to report (and expose) the truth.  Buy a subscription to your local newspaper.

…..-Help keep the publishing and recording industries alive (flawed as they may be).  Buy books at your local bookstore and packaged recorded media from the record shop in town.  Doing so will help keep local creative businesses solvent while also generating some actual revenue for writers and musicians.

…..-Support the small local merchant who can supply our life needs with a human touch while also providing employment for your neighbor, and be mindful that the product selection and décor is an extension of the merchant’s own creative spirit and personal integrity.  (Try finding that at some dot-com merchant).

…..-If you can afford to do so, travel and mingle with creatives outside your neighborhood.  While traveling, go to museums, theater, and clubs that present music of any kind.  And leave a coin or two in the busker’s hat along your evening stroll.

.

…..I get it.  There’s a lot here.  And while these actions can be important everywhere, they would be especially so in Florida and Texas and Tennessee and Ohio and Pennsylvania.  In the Carolinas and Michigan and Missouri and Wisconsin and Arizona.

…..My hope is that you will consider putting yourself out there.  Expose your art to those who may not yet comprehend its power.  Use your creativity to be a voice opposing arrogance, corruption, and hate, and to remind those around you of the complexity of this world, and the beauty within it.

…..Creatives: the voices, actions and courage of people like those who read and contribute to this publication are needed.

…..This is our time!

,

Joe Maita

Editor/Publisher

.

.

photo by Rhonda R. Dorsett

.

.

___

.

.

Listen to the 1964 of Art Blakey and the Jazz Messengers perform trumpeter Freddie Hubbard’s composition “The Core,” from the Blue Note album  Free For All,  with Hubbard (trumpet); Blakey (drums); Cedar Walton (piano); Wayne Shorter (tenor saxophone); Curtis Fuller (trombone); and Reggie Workman (bass).  [Universal Music Group]

Hubbard dedicated the song to CORE  (Congress of Racial Equality) and according the Nat Hentoff’s album liner notes, “Hubbard’s admiration of that organization’s persistence and resourcefulness in its work for total, meaningful equality.”  Hubbard explains that “they’re getting at the core, at the center of the kinds of change that have to take place before this society is really open to everyone. And more than any other group, CORE is getting to youth, and that’s where the center of change is.” The piece was called that way also because Hubbard thought that the musicians “got at some of the core of jazz – the basic feelings and rhythms that are at the foundation of music.” 

 

.

.

___

.

.

Click for:

The Sunday Poem

More poetry on Jerry Jazz Musician

Bluesette,” Salvatore Difalco’s winning story in the 67th Jerry Jazz Musician Short Fiction Contest

Information about how to submit your poetry or short fiction

Subscribe to the (free) Jerry Jazz Musician quarterly newsletter

Helping to support the ongoing publication of Jerry Jazz Musician, and to keep it commercial-free (thank you!)

.

___

.

.

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

One comments on “Creatives – “This is our time!…A Letter from the Publisher”

  1. This reminds me of how much words matter–also that art, poetry, and music matters
    and that democratic Americans won’t just take the Maga movement sitting down.
    Very nicely worded, Joe.

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In This Issue

photo by William Gottlieb/design by Rhonda R. Dorsett
21 jazz poems on the 21st of November, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poems communicating the emotional appeal of jazz music, as well as nods to the likes of Miles Davis, Regina Carter, Maynard Ferguson, Ornette Coleman, and Max Roach.

The Sunday Poem

A miniature by Barbara Anna Gaiardoni

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Barbara Anna Gaiardoni reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

Poetry

“Prayer” – a poem by Jianqing Zheng (after a photo by William Ferris)

Essay

"Grace" by Erik Enstrom
Letter from the Editor/Happy Thanksgiving (a redux)...Connecting an old photograph owned since the 1970’s to gratitude for friends, family, artists, creators, website readers and contributors – (a redux)

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Publisher’s Notes

A dispatch from Portland, 2025 – and Boston, 1969...Peaceful protest is nothing new to America. It is happening every day in Portland, where I live. It is what makes our country great. And those of us who grew up in the 1960’s probably have a history of protest – some turning violent – ourselves. The poet Russell Dupont shares text and photos from his experience while photographing the October, 1969 March against the [Vietnam] War in Boston, when plainclothes Federal officers attempted to confiscate his camera.

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

"Swing Landscape" by Stuart Davis
“Swing Landscape” – a poem by Kenneth Boyd....Kenneth Boyd writes poetry based on jazz paintings. “Swing Landscape” is written for a Stuart Davis painting of the same name.

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Short Fiction

“Alas, for My Poor Heart” – a short story by Daryl Rothman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – concerns art and its truest meanings—where you just might have to look twice at what the shadow and light of a piece says about that within your soul.

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Short Fiction

publicdomainpictures.net
“Corkscrew” – a short story by Mike Wilson...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a night when everything goes wrong and everyone is annoying, an unexpected turn of events teaches a sarcastic lawyer that the old adage is true – a cynic is just a disappointed romantic.

Feature

Jazz History Quiz #184...Maurice Ravel (pictured) acknowledged basing his Bolero on an improvisation of this clarinetist, who was also influential in the careers of Benny Goodman and Nat Cole, who made famous this musician’s theme song, “Sweet Lorraine.” Who is he?

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 27: “California Suite”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.

Short Fiction

photo by Simon Webster
“Smoke Rings and Minor Things” – a short story by Jane McCarthy...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is a meditation on missed chances, minor keys, and the music that outlives the room it was played in.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Playlist

“Look Ma, No Net!” – a playlist of nonets, by Bob Hecht...In this episode of our progressive instrumentation playlists, we add a ninth instrument to the mix to form a Nonet!

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works......  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.