“Born With It” — a story by Rod Martinez

April 24th, 2017

“Born With It” was an entrant in a recent Jerry Jazz Musician Short Fiction Contest.  While it was not chosen as the winning story, I was heartened by it and kept it in a file.  I ran into it today and was reminded by how much I like it.  It is a story of a young man touched by the power of love, family, and music.  I hope you like it as much as I do.

Thank you to Rod Martinez for allowing me to publish it.

 

 

__________

 

 

 

 

 

 

BORN WITH IT

by Rod Martinez

 

 

Do you remember growing up and always running into that one kid that just could do it all? Or at least did something better than you that you just wished you could do? It could have been art, sports, holding his breath under water – whatever it was it seemed it was a natural gift for him, like he was born with it. Who didn’t wish he or she was “born with it”?

During my childhood, I was always told I was special. Sure we all hear that growing up, and each one of us believes it. No one could make a bed as well as you, no one could prepare that tuna sandwich quite like you. I heard it a lot and I never quite got what the special thing was that they kept talking about; as far as I was concerned I was just a regular geeky kid who was smitten in comic books and Hanna-Barbera cartoons on Saturday mornings. I was raised by my paternal grandparents. My parents died when I was two. I spent more time with older people as a kid than I did with people my own age.  I don’t know – for some reason I just felt a kindred spirit to my great-grandparents and uncles and aunts than I did with cousins and school friends.

One of my earliest memories was sitting with my great-grandfather, Jacinto Benitez, and watching him play the guitar. Papá (Pop-AH)– as we used to call him – was born in Puerto Rico in the late 1800’s and played old folk songs from Puerto Rico. He was a jibaro – what we Americans usually refer to as a hillbilly. But I recall going to his house several times in my childhood and asking “Papá, tocame la guitarra.” (Papá, play the guitar for me), and he would grab that old nylon string and break into a song in a heartbeat.

Later I learned from “Mom” (my grandma) that my biological grandfather also played an instrument. When she was young she fell for a musician on the island named Julio. It was the early 40’s and he played a standup bass in a salsa band in Puerto Rico. He was a ladies man and that’s how he and Mom hooked up. I have one picture of him – only one, and as you see it’s of him and his bass guitar. That marriage didn’t last, you see, he and Mom were soon proud parents of their only child, my father, and he skipped four years later.

Although he was gone long before I could even walk, my father left a forever impression on me through pictures and stories. Though I don’t remember him, his memory was kept fresh and it was like I knew him all of my life. The one story I heard a lot, and it was repeated by many people, was that he had a smooth singing voice and sang lead in a local

doo-wop group in the late 50’s early 60’s of friends that went to high school together. I wish I could hear this awesome voice I had heard so much about, but no recordings exist. When he enlisted in the army, he played in a rock band. Turns out that he was a multi-instrumentalist. He played guitar, bass, piano, and drums. I thought that was impressive. Growing up, the only people I ever heard of that could do that were Paul McCartney and Prince. 

Then, while in school in seventh grade, I was introduced to the guitar. Mind you I didn’t even think I’d learn to play. It was a semester class they started and I discovered that I was signed into it. First thing was, I needed a guitar. I went home, “Mom they signed me up for a guitar class in school, I need a guitar.” Right away Mom and my aunt rushed me to a music store and bought me a small student nylon string. I should have been excited, I wasn’t. This was going to infringe on my comic book reading and drawing. But I learned a few chords and I enjoyed the class. The next semester came and I put the guitar away and never messed with it again.

Or at least that was my intention. One thing interrupted that train of thought years later – high school. I started to get this urge to write – songs. I didn’t even know how to play an instrument, yet I wanted to write songs. I had discovered rock and roll and I wanted to emulate the songs I’d hear on the radio. So I pulled out a notebook and would write lyrics and then sing them to myself and tape record myself singing them and then trying to hum a guitar riff or bass line. Then the inevitable happened. I was seventeen, I was sitting in my room and “Hotel California” was on the radio. I sat up, listened to it, was humming the bass line and I said to myself “I bet I could play that bass line”.

I reached over and grabbed my guitar (I had always kept it tuned but never played it) and started playing. My fingers stumbled for a few seconds, then… Booom, bo bo boom, booom, do dit a bom, booom, bo bo boom… booom, do dit a boom. If you know “Hotel California” you know the bass line… I freaked out.

“Oh my God, I’m a musician!” I said. I’ll never forget that day. I ran to the kitchen. “Mom I can play – I can play!” Soon guitar chords were coming out of nowhere, lead solo ideas were forming, keyboard chords happened… and I talked my pastor into buying a drum set for the church because “we need a drum-set in here and I’m going to play them.”

“Yeah ok” he said.

“No seriously Pastor, you have to buy them.”  (My parents refused to buy me one so I went over their heads).

“Son, have you ever played drums before?”

“No, but I know I can play them, I just know I can.”

He relented and by Sunday we had a drum set in the church and to everyone’s (and my) amazement, I sat and I played them like I had been trained or something.

They say some people are born with it, I guess I can testify to that. That – of course – was years ago. I grew up, played in bands, recorded some music… then started a family and let it all go.

Then I had a son.

My son is into cars, TV and gaming. But when he was in fifth grade an acquaintance of mine gave me an old sax. I never learned to play saxophone. It stayed in the house for months then I decided to Craigslist it. When my son found out, he fought me on it. He wanted to keep it.

“Ok I’ll keep it, if you learn to play it.”

That year he signed up in band.

He’s twenty now, graduated from high school, going to college and has been playing the sax since fifth grade ’til graduation. He’s good. I’m proud. I guess he was born with it. Mind you, now in my 50’s, the bug bit again. My son has grown, and I was invited to join a local band. So – call it a “turn around.” I’m back onstage thumping bass lines to many classic rock songs I (and you) grew up listening to and wanting to emulate. In fact the one song we always get an ovation on – believe it or not – is “Hotel California”.

 

_____

 

 

Rod Martinez was born and raised in Tampa, Florida and was attracted to words at an early age. His first book The Boy Who Liked To Read was created in grade school.  His teacher kept it. Eventually he discovered comic books, but his high school English teacher told him to try short story writing. He wrote middle grade adventure The Juniors that was picked up by a publisher, and the rest, as they say, is history.      Visit his website by clicking here.

Share this:

4 comments on ““Born With It” — a story by Rod Martinez”

  1. I can see why this story stuck in your mind, to be recalled for later publication. It speaks of the stuff of history and heritage that creates us and follows us through our lifetime.

Leave a Reply to Susanne Hookahi Cancel reply

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Poetry

photo of Miles Davys by User:JPRoche, CC BY-SA 4.0 , via Wikimedia Commons/adapted by Rhonda R. Dorsett
“Thinking of Mr. Davis on the Fourth of July” – a poem by Juan Mobili

Poetry

21 jazz poems on the 21st of June, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician by poets sharing their relationship to the music, and with the musicians who perform it.

The Sunday Poem

”4tet at Fiesta” by Catherine Lee

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Catherine Lee reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

The passing of a poet: Alan Yount...Alan Yount, the Missouri native whose poems were published frequently on Jerry Jazz Musician, has passed away at the age of 77.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Publisher’s Notes

Where I’ve Been…and a brief three-dot-update...News about an important life experience, and an update about what's going on at Jerry Jazz Musician

Feature

Jimmy Baikovicius from Montevideo, Uruguay, CC BY-SA 2.0, via Wikimedia Commons
Trading Fours, with Douglas Cole, No. 25: “How I Hear Music: ‘Feel the Sway,’ A Song in Three Movements”...In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”

Feature

Jazz History Quiz #181...Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra. He would eventually become one of the leading voices on his instrument for almost 50 years. Who is he?

Short Fiction

Short Fiction Contest-winning story #68 — “Saharan Blues on the Seine,” by Aishatu Ado...Aminata, a displaced Malian living in Paris, is haunted by vivid memories of her homeland. Through a supernatural encounter with her grandmother, she realizes that preserving her musical heritage through performance is an act of resistance that can transform her grief into art rather than running from it.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 14 - "World War II and jazz"...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 14th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose theme is World War II and jazz

Poetry

“Summer Wind” – a poem (for July) by Jerrice J. Baptiste...Jerrice's 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Antonio Carlos Jobim, Hoagy Carmichael, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes July with a poem that conjurs up the great Frank Sinatra tune…

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Playlist

“Eight is Great!” – a playlist by Bob Hecht...The cover of the 1959 album The Greatest Trumpet of Them All by the Dizzy Gillespie Octet. A song from the album, “Just by Myself,” is featured on Bob Hecht’s new 28-song playlist – this one devoted to octets.

Short Fiction

“Steven and Mira: Paris May 1968” – a short story by Steven P. Unger...The story – a finalist in the recently concluded 68th Short Fiction Contest – is a semiautobiographical tale of a café-hopping tour of Paris in the revolutionary summer of 1968, and a romance cut short by the overwhelming realities of national strikes, police violence at home and abroad, and finally the assassination of Bobby Kennedy.

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Short Fiction

“Every Night at Ten,” a short story by Dennis A. Blackledge...Smothering parents, heavy-handed school officials, and a dead President conspire to keep a close-knit group of smalltown junior high kids from breaking loose. But the discovery of a song on late-night radio — one supposedly loaded with dirty words — changes everything.

Short Fiction

art by Marsha Hammel
“Stuck in the Groove” – a short story by David Rudd...The story – a short-listed entry in the recently concluded 68th Short Fiction Contest – is about a saxophonist who moves away from playing bebop to experimenting with free jazz, discovering its liberating potential and possible pitfalls along the way…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Interview

“The Fire Each Time” – an interview with New York Times best-selling author Frederick Joseph, by John Kendall Hawkins...A conversation with the two-time New York Times bestselling author of The Black Friend and Patriarchy Blues, who in 2023 was honored with the Malcolm X and Dr. Betty Shabazz Vanguard Award,. He has also been a member of The Root list of “100 Most Influential African Americans.”

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers.... An interview with Tad Richards, author of Listening to Prestige:  Chronicling Its Classic Jazz Recordings, 1949 - 1972...  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.