“Born With It” — a story by Rod Martinez

April 24th, 2017

“Born With It” was an entrant in a recent Jerry Jazz Musician Short Fiction Contest.  While it was not chosen as the winning story, I was heartened by it and kept it in a file.  I ran into it today and was reminded by how much I like it.  It is a story of a young man touched by the power of love, family, and music.  I hope you like it as much as I do.

Thank you to Rod Martinez for allowing me to publish it.

 

 

__________

 

 

 

 

 

 

BORN WITH IT

by Rod Martinez

 

 

Do you remember growing up and always running into that one kid that just could do it all? Or at least did something better than you that you just wished you could do? It could have been art, sports, holding his breath under water – whatever it was it seemed it was a natural gift for him, like he was born with it. Who didn’t wish he or she was “born with it”?

During my childhood, I was always told I was special. Sure we all hear that growing up, and each one of us believes it. No one could make a bed as well as you, no one could prepare that tuna sandwich quite like you. I heard it a lot and I never quite got what the special thing was that they kept talking about; as far as I was concerned I was just a regular geeky kid who was smitten in comic books and Hanna-Barbera cartoons on Saturday mornings. I was raised by my paternal grandparents. My parents died when I was two. I spent more time with older people as a kid than I did with people my own age.  I don’t know – for some reason I just felt a kindred spirit to my great-grandparents and uncles and aunts than I did with cousins and school friends.

One of my earliest memories was sitting with my great-grandfather, Jacinto Benitez, and watching him play the guitar. Papá (Pop-AH)– as we used to call him – was born in Puerto Rico in the late 1800’s and played old folk songs from Puerto Rico. He was a jibaro – what we Americans usually refer to as a hillbilly. But I recall going to his house several times in my childhood and asking “Papá, tocame la guitarra.” (Papá, play the guitar for me), and he would grab that old nylon string and break into a song in a heartbeat.

Later I learned from “Mom” (my grandma) that my biological grandfather also played an instrument. When she was young she fell for a musician on the island named Julio. It was the early 40’s and he played a standup bass in a salsa band in Puerto Rico. He was a ladies man and that’s how he and Mom hooked up. I have one picture of him – only one, and as you see it’s of him and his bass guitar. That marriage didn’t last, you see, he and Mom were soon proud parents of their only child, my father, and he skipped four years later.

Although he was gone long before I could even walk, my father left a forever impression on me through pictures and stories. Though I don’t remember him, his memory was kept fresh and it was like I knew him all of my life. The one story I heard a lot, and it was repeated by many people, was that he had a smooth singing voice and sang lead in a local

doo-wop group in the late 50’s early 60’s of friends that went to high school together. I wish I could hear this awesome voice I had heard so much about, but no recordings exist. When he enlisted in the army, he played in a rock band. Turns out that he was a multi-instrumentalist. He played guitar, bass, piano, and drums. I thought that was impressive. Growing up, the only people I ever heard of that could do that were Paul McCartney and Prince. 

Then, while in school in seventh grade, I was introduced to the guitar. Mind you I didn’t even think I’d learn to play. It was a semester class they started and I discovered that I was signed into it. First thing was, I needed a guitar. I went home, “Mom they signed me up for a guitar class in school, I need a guitar.” Right away Mom and my aunt rushed me to a music store and bought me a small student nylon string. I should have been excited, I wasn’t. This was going to infringe on my comic book reading and drawing. But I learned a few chords and I enjoyed the class. The next semester came and I put the guitar away and never messed with it again.

Or at least that was my intention. One thing interrupted that train of thought years later – high school. I started to get this urge to write – songs. I didn’t even know how to play an instrument, yet I wanted to write songs. I had discovered rock and roll and I wanted to emulate the songs I’d hear on the radio. So I pulled out a notebook and would write lyrics and then sing them to myself and tape record myself singing them and then trying to hum a guitar riff or bass line. Then the inevitable happened. I was seventeen, I was sitting in my room and “Hotel California” was on the radio. I sat up, listened to it, was humming the bass line and I said to myself “I bet I could play that bass line”.

I reached over and grabbed my guitar (I had always kept it tuned but never played it) and started playing. My fingers stumbled for a few seconds, then… Booom, bo bo boom, booom, do dit a bom, booom, bo bo boom… booom, do dit a boom. If you know “Hotel California” you know the bass line… I freaked out.

“Oh my God, I’m a musician!” I said. I’ll never forget that day. I ran to the kitchen. “Mom I can play – I can play!” Soon guitar chords were coming out of nowhere, lead solo ideas were forming, keyboard chords happened… and I talked my pastor into buying a drum set for the church because “we need a drum-set in here and I’m going to play them.”

“Yeah ok” he said.

“No seriously Pastor, you have to buy them.”  (My parents refused to buy me one so I went over their heads).

“Son, have you ever played drums before?”

“No, but I know I can play them, I just know I can.”

He relented and by Sunday we had a drum set in the church and to everyone’s (and my) amazement, I sat and I played them like I had been trained or something.

They say some people are born with it, I guess I can testify to that. That – of course – was years ago. I grew up, played in bands, recorded some music… then started a family and let it all go.

Then I had a son.

My son is into cars, TV and gaming. But when he was in fifth grade an acquaintance of mine gave me an old sax. I never learned to play saxophone. It stayed in the house for months then I decided to Craigslist it. When my son found out, he fought me on it. He wanted to keep it.

“Ok I’ll keep it, if you learn to play it.”

That year he signed up in band.

He’s twenty now, graduated from high school, going to college and has been playing the sax since fifth grade ’til graduation. He’s good. I’m proud. I guess he was born with it. Mind you, now in my 50’s, the bug bit again. My son has grown, and I was invited to join a local band. So – call it a “turn around.” I’m back onstage thumping bass lines to many classic rock songs I (and you) grew up listening to and wanting to emulate. In fact the one song we always get an ovation on – believe it or not – is “Hotel California”.

 

_____

 

 

Rod Martinez was born and raised in Tampa, Florida and was attracted to words at an early age. His first book The Boy Who Liked To Read was created in grade school.  His teacher kept it. Eventually he discovered comic books, but his high school English teacher told him to try short story writing. He wrote middle grade adventure The Juniors that was picked up by a publisher, and the rest, as they say, is history.      Visit his website by clicking here.

Share this:

4 comments on ““Born With It” — a story by Rod Martinez”

  1. I can see why this story stuck in your mind, to be recalled for later publication. It speaks of the stuff of history and heritage that creates us and follows us through our lifetime.

Leave a Reply to Susanne Hookahi Cancel reply

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Publisher’s Notes

A dispatch from Portland, 2025 – and Boston, 1969...Peaceful protest is nothing new to America. It is happening every day in Portland, where I live. It is what makes our country great. And those of us who grew up in the 1960’s probably have a history of protest – some turning violent – ourselves. The poet Russell Dupont shares text and photos from his experience while photographing the October, 1969 March against the [Vietnam] War in Boston, when plainclothes Federal officers attempted to confiscate his camera.

The Sunday Poem

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Poetry Collection

photo of Dave Tough by William Gottlieb/Library of Congress
21 jazz poems on the 21st of September, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on the blues, a nod to West Coast Jazz, as well as reverence for the likes of Thelonious Monk, Bill Evans, and Pat Metheny.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Feature

“Two Jazz Survivors” – a true jazz story by Bob Hecht...A remembrance of a personal friendship with the late Sheila Jordan, one of the most unique vocalists in jazz history.

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Poetry

OhWeh, CC BY-SA 2.5 , via Wikimedia Commons
“Jazz Child” – a poem and a personal remembrance of Sheila Jordan, by Namaya

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Short Fiction

“Heroics” – a short story by Michele Herman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about brothers coping with an angry father whose solution for dealing with a family crisis is to take them to a Howard Johnson’s for ice cream.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 26: “Bougainvillea Sutra”...An occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, his inspiration comes from the guitarist John Scofield’s 2013 EmArcy album Uberjam Deux, and specifically the track titled “Scotown.”

Short Fiction

photo via Wikimedia Commons
“Apparitions” – a short story by Salvatore Difalco...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a Sicilian immigrant with an interesting history in traditional string instruments and Sicilian puppet theater.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Interview

photo by Francis Wolff/couresy Mosaic Images
From the Interview Archive: Ornette Coleman biographer Maria Golia...In this April, 2020 interview, Ms. Golia discusses her book and the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

William Gottlieb/Library of Congress
“Lester Young Cools a Village” – by Henry Blanke...On the origins of cool, and the influence (and greatness) of Lester Young.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

photo via pixabay
“Sensual Autumn” – a poem (for September) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes September with a poem of love that brings to mind the music of Joe Pass.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Feature

ntoper, CC BY 2.0 , via Wikimedia Commons
Jazz History Quiz #183...Long admired by the likes of Tom Waits (pictured), John Mayall, and the Rolling Stones, and having had his songs recorded by Bonnie Raitt, Leon Russell, and The Who, this pianist/vocalist has long suffered from a “category” problem, once even saying; “There’s a lot of places I don’t work because they’re confused about what I do.” Who is he?

Playlist

“Look Ma, No Net!” – a playlist of nonets, by Bob Hecht...In this episode of our progressive instrumentation playlists, we add a ninth instrument to the mix to form a Nonet!

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works......  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.