Three poems by Phyllis Wax

December 19th, 2018

.

.

.

 

Cool Blue

He leaned back, closed his eyes
and blew and knew
that next to him a string bass twirled,
was plucked and plinked, and the drum
was a follow-up man with a tin can
collecting coins from flat hands
meeting in the dark
to celebrate the soulful
sound of his breath

because the moon was full
and the night cool
and the music swirled
a witch’s brew in his head

Why else does a man blow
with his eyes closed and his head back
and his horn raised on a blue night
but to sob and moan in a rendezvous,
a sophisticated tryst,
with that orange glow
and its tidal tug
on his blood?

.

.

.

 

 

Dianne Reeves

Not water pipes
or organ pipes
not Meerschaum or
briar pipesCertainly not
bagpipes….We hold
our breath as her perfect
pipes float in the hall

Higher, purer, sweeter
than a solitary flute
in the Bolivian altiplano
peaking in the Andes
plunging
to the bass range

Hear her wail
hear her scat
with the beat, the beat
the rhythm and the heat
of her band, clap your hands
stamp your feet
start to move in your seat

Africa weds the Andes
and we’re nodding blessings
jiggling legs
bobbing heads
drumming rapid in our hearts

In our mouths
sweet wedding cake
till she shimmies
till she shimmies
off the stage

.

.

.

 

Blues Solo

I sleep alone

the sheets are cool
my feet cold

no body heat to blend with mine
to warm the bed, to heat these sheets
my man is gone

rolled in linens
like a mummy
still not warm

in my head
the clarinet sounds
its mellow moan

I squirm from side to side
lie prone and then supine

I sleep alone

.

.________

.

Phyllis Wax writes in Milwaukee on a bluff overlooking Lake Michigan. Among the anthologies and journals in which her poetry has appeared are:  The Widows’ Handbook, Birdsong, Spillway, Peacock Journal, Surreal Poetics, Naugatuck River Review, New Verse News, Portside, and Star 82 Review. A Best of the Net and Pushcart Prize nominee, she has read in coffee houses, bars, libraries and on the radio. Her work has been exhibited with art quilts and weavings in a variety of venues around the state of Wisconsin as part of four poet/fiber artist collaborations.

She can be reached at: [email protected]

.

.

 

Share this:

6 comments on “Three poems by Phyllis Wax”

  1. These are three fine, very musical, very imagistic poems that sweep this reader along into a world filled with jazz and feeling. Ms. Wax’s work is a lovely discovery, a Christmas present unexpected and delightful.

    1. Thank you so much, Michael! As a poet yourself, you know how infrequently we know whether anyone has actually read our work and how they felt about it. I appreciate your words!

  2. Hi! I really love your poems. I’m a poet myself! I’m amazed how you put so much emotion and feeling into your poems. How do you get the insparation?

    1. Thank you so much, Emane, for your thoughtful comments! I’m really glad you like my work! I hear music and sometimes images pop into my head. At the Dianne Reeves concert there was no way not to move to the music. I had to write what I saw and felt. It will happen for you, too. Keep writing!

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Poetry

21 jazz poems on the 21st of August, 2025...A monthly series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on John Coltrane and Billie Holiday, as well as nods to Bill Evans, Chet Baker, Archie Shepp and others…

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

The Sunday Poem

”The Artists of Dutch Alley” by Robert Alan Felt

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Robert Alan Felt reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

“Two Jazz Survivors” – a true jazz story by Bob Hecht...A remembrance of a personal friendship with the late Sheila Jordan, one of the most unique vocalists in jazz history.

Poetry

photo by Brian McMillen
“Portrait of Sheila Jordan” – a poem by George Kalamaras

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Short Fiction

photo by William Gottlieb/Library of Congress
“Strange Fruit” – a short story by Stephen Jackson...The story – a short-listed entry in the 69th Short Fiction Contest – explores the transformative power of authentic art through the eyes of a young white busboy from Mississippi who witnesses Billie Holiday’s historic first performance of “Strange Fruit” at Café Society in 1939.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

The passing of a poet: Alan Yount...Alan Yount, the Missouri native whose poems were published frequently on Jerry Jazz Musician, has passed away at the age of 77.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

“Blind Willie Johnson Leaves the Solar System,” by Henry Blanke...An appreciation for Blind Willie Johnson, whose landmark 1927 – 1930 recordings influenced generations of musicians, and whose song, “Dark is the Night, Cold is the Ground,” was included on the album sent into space a generation ago as a way for extraterrestrial beings to glean something important about human culture and life on Earth.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Feature

Jimmy Baikovicius from Montevideo, Uruguay, CC BY-SA 2.0, via Wikimedia Commons
Trading Fours, with Douglas Cole, No. 25: “How I Hear Music: ‘Feel the Sway,’ A Song in Three Movements”...In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”

Feature

Jazz History Quiz #182...He is best known for writing “(Get Your Kicks On) Route 66” — which Nat Cole (pictured) made famous in 1946 — but his earliest musical success came with the song “Daddy,” recorded in 1941 by Sammy Kaye and His Orchestra, which was the #1 record for eight weeks. He was also famous for being married to the glamorous singer Julie London. Who is he?

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 15: High Spirits-Dark Laughter-Absurdity...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 14th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose themes include High Spirits, Dark Laughter, and Absurdity

Poetry

“August Blues” – a poem (for August) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes August with a solemn poem punctuated by the bass of Stefan Redtenbacher.

Playlist

“Eight is Great!” – a playlist by Bob Hecht...The cover of the 1959 album The Greatest Trumpet of Them All by the Dizzy Gillespie Octet. A song from the album, “Just by Myself,” is featured on Bob Hecht’s new 28-song playlist – this one devoted to octets.

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Tad Richards, author of Listening to Prestige:  Chronicling Its Classic Jazz Recordings, 1949 - 1972...  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.