Short Fiction Contest-winning story #64 — “The Old Casino” by J.B. Marlow

December 18th, 2023

.

.

New Short Fiction Award

Three times a year, we award a writer who submits, in our opinion, the best original, previously unpublished work.

J.B. Marlow, a resident of Providence, Rhode Island, is the winner of the 64th Jerry Jazz Musician New Short Fiction Award, announced and published for the first time on December 18, 2023.

.

.

___

.

.

 

Christerajet, CC BY-SA 4.0, via Wikimedia Commons

.

.

The Old Casino

by J.B. Marlow

.

 

The old casino would burn. He’d always known it. He didn’t want it to burn, he didn’t want it destroyed. The idea that the crusty red building would disappear actually made him quite sad, but still, he knew it was destined for ashes in the way he knew he wouldn’t live to be older than one-hundred-and-something.

…..The casino stood on the edge of the bay, suspended atop a forest of spindly pilings. Each stilt was black with mussel growth, speckled barnacle grey here and there, aging yet not ancient. Muck sucked at the wood when the tide was dead low. It bubbled and coughed, a living mass of fermenting seaweed and dying, long-buried rock crabs. All this murk was hidden.

…..The deck was wide. It faced the bay in three directions. South, the curving hook of the city peninsula; east, the scattered summer islands; north, white caps and cool, creeping breezes. The walls were brown. The roof was red.

…..Henri first encountered the casino as a boy. Red-haired and soft-cheeked, he followed his parents down the pier, towards the yellow glow. They tittered and grumbled to each other in tones both too low and too boring to understand.

…..“What’s a casino?” he said.

…..Neither parent heard him, so he tugged on Papa’s elbow.

…..“What’s a casino, Papa?”

…..Papa grinned at him.

…..“A party.”

…..Mama laughed.

…..She took Henri’s hand.

…..“If it gets too fun, let me know.”

…..“No such thing as too fun,” said Papa.

…..“No such thing,” said Henri.

…..Mama laughed again. Her broad shoulders shook, thick muscles alive beneath her skin. She reached low and took Henri’s hand, squeezing hard enough to ache.

…..“If I have too much fun, I’ll come outside. If I look lonely, come, and visit.”

…..“We’ll keep you company,” said Henri.

…..“That’s right. Don’t worry, Mama,” said Papa.

…..Inside, people were dancing.

…..Henri couldn’t remember why he went outside, but Mama was already there, leaning against the railing. She watched the city lights, sucking smoke from a hand-rolled cigarette. When she saw Henri, she offered the cigarette.

…..“I’m not old enough.”

…..She giggled, a higher sound than before. Her cigarette arm flexed as she brought it back to her lips. She looked darker than the water below.

…..“Good boy.”

…..“Are you having too much fun?” said Henri.

…..She drew from the cigarette for many seconds and then grinned, letting smoke pour through her teeth. Sparks dripped from her hand. They fell to the old deck planks, glowing like lava before turning to soot. Henri watched each one disappear.

…..“Just enough.”

…..She paused.

…..“Henri, do you think you’ll remember this?”

.

__

.

He was seventeen. The casino’s windows were dark against the scalding blue of sea and sky. Herring gulls screamed above. The air was cool, yet sunlight prickled his exposed arms and neck. He wasn’t wearing sunscreen. His hair was loose, curling about his shoulders, red, salt-stiff. His friends walked beside him.

…..Able was short, seventeen too, yet already scruffy-faced. The girls were younger, sixteen. Angel and Eleanor, not sisters, though they wished they were.

…..They went down the pier bumping shoulders all the way. Able jogged ahead. He tapped on a dark window and peered in. Angel giggled. Eleanor dug an elbow into Henri’s side. He smiled through tight teeth.

…..“Empty,” said Able.

…..“Really?” Angel sounded too interested. She left Henri and Eleanor to join Able at the window.

…..“Well, there’s a couple of chairs and a microphone stand.”

…..         She giggled again, her corded bicep touching his.

…..           Eleanor prodded Henri’s shoulder with a finger.

…..   “Let’s give them space,” she said quietly, though not quite quiet enough. Angel giggled a third time.

…..     Henri’s chest felt sodden. He smiled hard.

…..  “Okay.”

…..They went out to the end of the deck. Eleanor sat and leaned against the railing, stretching her bare legs towards him. Henri flopped to join her.

…..“They’re so funny.” Her voice was lower than Angel’s. She poked his shin with the toe of her Converse.

….. “Yeah.” Henry’s fingers traced the grain of the deck. He found a nail hole and then another. “Do you think he likes her?” His throat was as narrow as a piece of straw.

…..  “I hope so. We should make it happen.” She poked him again and then scooched lower, propping her heel on this knee.

…..   “You’re a good footrest, Henri.”

…..     Henri looked at the casino’s roof. It was redder than ever, though some of the shingles were chipped. He remembered watching teenagers jump from it, flinging themselves over the deck and into the waves. They’d been younger than him, yet so much braver. His breath was nothing across his tongue. The back of his eyes felt hot.

…..      “Henri, Henri, Henri,” strummed Eleanor. Her naked ankle slid to the middle of his thigh. “If they got married, we could be co-best men.”

…..      Sweat beaded between them, dripping hot like wax. It stained the deck only for a moment before evaporating. The deck was too warm, the sun was too warm, her skin was too warm.

…..“Eleanor,” he said.

….. “Henri.” Her voice was rich, hopeful.

….. “I like  her.”

.

__

.

The ocean was green, churned up by a late-summer storm. Henri flung himself into it, pressing his face deep into the cool. His arms carved water vigorously, and he moved away from the beach. He surfaced, gasped, and went under again. Strands of seaweed tickled the inside of his elbow. When he breathed again, Rachna was beside him. Her eyes were darker than the water. She pinched her nose and blew.

…..“Let’s race to the casino,” she said.

…..“You’ll beat me.”

…..“You don’t know that.”

…..“You’re a swimmer.”

…..“So are you.”

…..She would beat him, she was stronger, born in a house built so close to the water, the yard flooded during full moons. She said something else, though the wind snatched her words. She cackled.

…..“Fine.”

…..She dove under. He realized the race had begun. Despite his inevitable defeat, he swam hard. He kept his fingers pinched tightly together as he stroked, willing himself not to lose. He kicked until his heart rolled against his ribs. Soon, he was beaten.

…..They stood on the deck and pressed their forearms against the top of the railing, warm from the long day’s sun. A bucket of fish heads lent a light putridness to the air. Someone’s tackle box lay open beside it.

…..“Wedding?” said Rachna. Apparently, she had finished gloating.

…..“I think so. I heard music last night.”

…..“When did it stop being a casino?”

…..“Don’t know. I think I was in college. You should ask my mom.”

…..Rachna snorted. Her tongue flicked over her teeth finding a bit of lodged eelgrass.

…..“Funny, imagining her gambling.”

…..“She didn’t go for the gambling.”

…..Rachna watched him for a while.

…..He was comfortable. He rubbed a palm against the wood, letting the friction light his skin on fire. The salt itched as it dried.

…..“I might go fishing tomorrow.”

…..She nodded, then tilted her head back and stared at the sky. Her jaw was faintly scarred from a long-healed welding accident. She was lucky. The tide turned below them, and after a while they left, choosing to walk back instead of swim. Henri gripped her hand harder than necessary. Rachna squeezed back even harder.

.

__

 

.

It was a firework that did it. Arcing high and blue. It hissed like butter on iron and screamed as it fell, swirling and popping. It fell, bounced twice, and exploded. The casino burned.

.

.

___

.

.

J.B. Marlow lives and writes in New England. He is  the founding editor of Rock Salt Journal, a literary magazine for North Eastern stories. He shares an apartment with his partner, Hannah, and their two cats, Charlie and Chester.

.

___

.

.

Click here to read “Company,” Anastasia Jill’s winning story in the 63rd Jerry Jazz Musician Short Fiction Contest

Click here for details about the upcoming 65th Jerry Jazz Musician Short Fiction Contest

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

Click here to help support the continuing publication of Jerry Jazz Musician, and to keep it commercial and ad-free (thank you!)

.

.

___

.

.

 

Jerry Jazz Musician…human produced (and AI-free) since 1999

.

.

.

Share this:

One comments on “Short Fiction Contest-winning story #64 — “The Old Casino” by J.B. Marlow”

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

The Sunday Poem

”Licorice Stick” by Russell Dupont


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Russell Dupont reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

Art by Martel Chapman
21 jazz poems on the 21st of May, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician.

Publisher’s Notes

Where I’ve Been…and a brief three-dot-update...News about an important life experience, and an update about what's going on at Jerry Jazz Musician

Feature

Jazz History Quiz #181...Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra. He would eventually become one of the leading voices on his instrument for almost 50 years. Who is he?

Short Fiction

Short Fiction Contest-winning story #68 — “Saharan Blues on the Seine,” by Aishatu Ado...Aminata, a displaced Malian living in Paris, is haunted by vivid memories of her homeland. Through a supernatural encounter with her grandmother, she realizes that preserving her musical heritage through performance is an act of resistance that can transform her grief into art rather than running from it.

Poetry

photo via Pickpik
“June Bugs and Berries” – a poem (for June) by Jerrice J. Baptiste...Jerrice's 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes June with a poem referencing the music of Antonio Carlos Jobim

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Short Fiction

“Steven and Mira: Paris May 1968” – a short story by Steven P. Unger...The story – a finalist in the recently concluded 68th Short Fiction Contest – is a semiautobiographical tale of a café-hopping tour of Paris in the revolutionary summer of 1968, and a romance cut short by the overwhelming realities of national strikes, police violence at home and abroad, and finally the assassination of Bobby Kennedy.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 13 - "Child Prodigies"...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 13th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose theme is child prodigies

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Short Fiction

“Every Night at Ten,” a short story by Dennis A. Blackledge...Smothering parents, heavy-handed school officials, and a dead President conspire to keep a close-knit group of smalltown junior high kids from breaking loose. But the discovery of a song on late-night radio — one supposedly loaded with dirty words — changes everything.

Feature

photo via NegativeSpace
Trading Fours, with Douglas Cole, No. 24: “Change of Luck”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, he writes two poems inspired by the music of Matt Wilson’s tune “Feel the Sway.”

Short Fiction

art by Marsha Hammel
“Stuck in the Groove” – a short story by David Rudd...The story – a short-listed entry in the recently concluded 68th Short Fiction Contest – is about a saxophonist who moves away from playing bebop to experimenting with free jazz, discovering its liberating potential and possible pitfalls along the way…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Interview

“The Fire Each Time” – an interview with New York Times best-selling author Frederick Joseph, by John Kendall Hawkins...A conversation with the two-time New York Times bestselling author of The Black Friend and Patriarchy Blues, who in 2023 was honored with the Malcolm X and Dr. Betty Shabazz Vanguard Award,. He has also been a member of The Root list of “100 Most Influential African Americans.”

Playlist

“Septets—Seven’s Heaven.” – a playlist by Bob Hecht...Bob's 26 song playlist features septets, and includes the likes of Wynton Marsalis, Jimmy Rowles (his 1959 album is pictured), Charles Mingus, Chick Corea, Art Farmer, and Cannonball Adderley.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers;, Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.