Poetry by Frank De Canio

January 12th, 2012

 

 

 

 

Naming of Hops
(July 30, 2009)

Today there will be naming of hops.
Today they’ll have a beer outside
the oval office of the White House.
Likewise our planet rotates with an oval orbit
around the sun of no determinate God,
whose purity and innocence informs
the white bars on the American flag.

Today President Obama, Professor Gates
and Officer Crowley will have a beer
without discriminatory roots.
Vice-President Biden will grab a Buckler
and ward off journalistic gibes.

The President will have a Bud Lite.
Just so, cherry blossoms bud lightly near
the President’s office, and all around
the grounds of the White House.
And today there will be naming of hops.

The professor wanted a Red Stripe.
Indeed red stripes emblazon the American flag
with the hardiness and valor of patriots
who fought to make this country free,
with brotherhood from sea to shining sea.
But, fermenting, with true revolutionary fervor,
he settled on a Boston-based Samuel Adams.

So today there will be naming of hops.
And four men will bond with beer outside the oval office.
The officer in blue will have a Blue Moon.
Indeed blue is the color of justice, perseverance
and vigilance; and upon this cerulean hue,
the stars representing our states are fixed,
as in the celestial spheres. It’s the color
of sad, chromatic notes, flat as the moon
rising over the jazzy circuits that light
the music scenes of America like dancing stars.
For today there will be naming of hops,
fermented in a brew of friendship and hope.

Previously published online in Eye on Poetry 2010

 

 

Schopenhauer in Love
(addressing his beloved)

 

Although I found the woman of my dreams,
who’s to my Romeo a Juliet,
I know that true love isn’t what it seems.
For those romantic trappings just abet
the species at the cost of me and you.
And just before our true love ardor fades,
we’ll find we should have heeded Montague
who gave short shrift to Cupid’s masquerades.
For they concealed a treacherous intent
that contravened the interest of the self.
As such, my cynic’s bent must circumvent
this marriage for the books that line my shelf.
And lest we die in marital duress,
we’ll live apart in single happiness.

And why should we become the species’ dupes,
promoting Nature’s procreative urge
like circus mammals jumping through the hoops,
when I can use that elemental surge
of energy to write The World as Will
and Representation, and you’re spared schnooks.
I feel a nobler, independent thrill
when having mental congress with my books.
Okay, I guess the future of the race,
for better or for worse, is your concern,
and that instinctively we both must face
our fate. But reason gives us means to learn
and turn desire for the nuptial bed
into Nirvana’s mystic bliss instead.

 

 

 

Politic Ponderings

What message are we giving citizens?
Our dogs are safe from troubling pranks of Vicks,
and Plaxico will never threaten clubbers with a gun
he carried for his own defensive use!
But don’t try saddling killers with a charge
that never sticks or get restraining orders
if it’s wife abuse. For guns are not allowed
for citizens who try to shield themselves.
They’re only used by felons violating civil rights
of those who heed the law books on the shelves
officials use to keep the rest in check.
How economical becomes this scheme.
The laws are broad enough to keep
the moneyed and aristocrats secure,
and make the rest of us unsure of talking
out of turn or even walking streets at night.
And don’t reach out to the long arm of the law.
For that’s been set for minimum mobility
by those who move on the fast lane.
And there are stronger arms in store.

 

 

 

Talking Tchaikovsky’s Violin Concerto

Her tonal discourse has some strings attached
to buttress her expository flow.
And fortes of the orchestra are matched
by strong sforzandos with her horsehair bow.
Though hushed by clamorous fortissimos,
once disputatious passages subside,
acute reflexes deftly interpose
her repartee. Its sentimental slide
draws pathos from the argument addressed.
As such, the listener gets her side of
the score, beyond the music accents stressed
inside the staff or bowing marks above.
And just before the final chord is heard,
this fiddler interjects her edgewise word.

 

 

 

Grooving to Shakira’s Ciega, Sordomudo

I ride beside her while she sings her song!
The more I hear her moan she’s gone to waste
because of love, the more I prance along –
side sixteenth notes of her adroitly paced
racnchera. And – yippee ay aye away! –
she canters down its mariachi course
as runs – staccato! rapido! – convey
her, crestfallen vaquera, on the horse
she trots across the forlorn parts of town.
Aggrieved, she rhapsodies “yi yi yi”
whose winded consolation is the crown
that rises from her agitated sigh.
Concluding mexicano hounds of brass
salute her cancion with braying sass.

 

 

 

Sharp Accords

She storms Town Hall’s stage, determined fighter,
sporting formal dress. A toothy giant
Baldwin grand stands keyed-up to ignite her
thrust. She attacks his body. Defiant,
with fierce forays of floor-shaking fortes,
she crows her show of strength. Legerdemain
fingers stress criss-crossed wrists as she essays
pianissimo passages that strain
her battery of skills. These tasks spring traps
to challenge her defense force till it cracks.
But swift sforzandos show how fast she taps
into her arms, till hammered pedals tax
sapped resources for her cadenza’s pitched
assault on major key positions that bewitched

her captive audience. And what display
of firearms begins her forte siege
toward a triumphant finish of the fray!
Downplaying any subsequent prestige
or plaudits following the final chord,
she hunches by the ivory for sore
resistance from the pummeled sounding board.
For primed by battles with this rattling score
she’s well-equipped to muffle overtones
that resonate from her prolonged assaults.
They slowly fade away with dying groans
beneath her respiration’s starts and halts.
She slackens following this pregnant pause,
then smiles triumphantly to loud applause.

Previously published online, with 22 lines, as “Concords” in Illogical Muse, Summer 2010

*

 

About Frank De Canio

Born & bred in New Jersey, I work in New York. I love music from Bach to Dory Previn, Amy Beach to Amy Winehouse, World Music, Latin, opera. Shakespeare is my consolation, writing my hobby. I like Dylan Thomas, Keats, Wallace Stevens, Frost, Ginsburg, and Sylvia Plath as poets.

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

In This Issue

Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry...The first Jerry Jazz Musician poetry anthology published in book form includes 90 poems by 47 poets from all over the world, and features the brilliant artwork of Marsha Hammel and a foreword by Jack Kerouac’s musical collaborator David Amram. The collection is “interactive” (and quite unique) because it invites readers – through the use of QR codes printed on many of the book’s pages – to link to selected readings by the poets themselves, as well as to historic audio and video recordings (via YouTube) relevant to many of the poems, offering a holistic experience with the culture of jazz.

The Sunday Poem

”Licorice Stick” by Russell Dupont


The Sunday Poem is published weekly, and strives to include the poet reading their work.... Russell Dupont reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

Art by Martel Chapman
21 jazz poems on the 21st of May, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician.

Publisher’s Notes

Where I’ve Been…and a brief three-dot-update...News about an important life experience, and an update about what's going on at Jerry Jazz Musician

Feature

Jazz History Quiz #181...Before recording his most notable work (to that point) as a saxophonist in Miles Davis’ “Birth of the Cool” nonet, his initial reputation was as an arranger, including a stint in 1946 as the staff arranger in Gene Krupa’s Orchestra. He would eventually become one of the leading voices on his instrument for almost 50 years. Who is he?

Short Fiction

Short Fiction Contest-winning story #68 — “Saharan Blues on the Seine,” by Aishatu Ado...Aminata, a displaced Malian living in Paris, is haunted by vivid memories of her homeland. Through a supernatural encounter with her grandmother, she realizes that preserving her musical heritage through performance is an act of resistance that can transform her grief into art rather than running from it.

Poetry

photo via Pickpik
“June Bugs and Berries” – a poem (for June) by Jerrice J. Baptiste...Jerrice's 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes June with a poem referencing the music of Antonio Carlos Jobim

Feature

“What one song best represents your expectations for 2025?” Readers respond...When asked to name the song that best represents their expectations for 2025, respondents often cited songs of protest and of the civil rights era, but so were songs of optimism and appreciation, including Bob Thiele and George David Weiss’ composition “What a Wonderful World,” made famous by Louis Armstrong, who first performed it live in 1959. The result is a fascinating and extensive outlook on the upcoming year.

Short Fiction

“Steven and Mira: Paris May 1968” – a short story by Steven P. Unger...The story – a finalist in the recently concluded 68th Short Fiction Contest – is a semiautobiographical tale of a café-hopping tour of Paris in the revolutionary summer of 1968, and a romance cut short by the overwhelming realities of national strikes, police violence at home and abroad, and finally the assassination of Bobby Kennedy.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 13 - "Child Prodigies"...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 13th edition featuring excerpts from his outstanding literary resource, Rife writes about stories whose theme is child prodigies

Interview

photo by Brian McMillen
Interview with Phillip Freeman, author of In the Brewing Luminous: The Life and Music of Cecil Taylor...The author discusses Cecil Taylor – the most eminent free jazz musician of his era, whose music marked the farthest boundary of avant-garde jazz.

Short Fiction

“Every Night at Ten,” a short story by Dennis A. Blackledge...Smothering parents, heavy-handed school officials, and a dead President conspire to keep a close-knit group of smalltown junior high kids from breaking loose. But the discovery of a song on late-night radio — one supposedly loaded with dirty words — changes everything.

Feature

photo via NegativeSpace
Trading Fours, with Douglas Cole, No. 24: “Change of Luck”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, he writes two poems inspired by the music of Matt Wilson’s tune “Feel the Sway.”

Short Fiction

art by Marsha Hammel
“Stuck in the Groove” – a short story by David Rudd...The story – a short-listed entry in the recently concluded 68th Short Fiction Contest – is about a saxophonist who moves away from playing bebop to experimenting with free jazz, discovering its liberating potential and possible pitfalls along the way…

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Feature

photo of Rudy Van Gelder via Blue Note Records
“Rudy Van Gelder: Jazz Music’s Recording Angel” – by Joel Lewis...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.

Interview

“The Fire Each Time” – an interview with New York Times best-selling author Frederick Joseph, by John Kendall Hawkins...A conversation with the two-time New York Times bestselling author of The Black Friend and Patriarchy Blues, who in 2023 was honored with the Malcolm X and Dr. Betty Shabazz Vanguard Award,. He has also been a member of The Root list of “100 Most Influential African Americans.”

Playlist

“Septets—Seven’s Heaven.” – a playlist by Bob Hecht...Bob's 26 song playlist features septets, and includes the likes of Wynton Marsalis, Jimmy Rowles (his 1959 album is pictured), Charles Mingus, Chick Corea, Art Farmer, and Cannonball Adderley.

Interview

Interview with Jonathon Grasse: author of Jazz Revolutionary: The Life and Music of Eric Dolphy....The multi-instrumentalist Eric Dolphy was a pioneer of avant-garde technique. His life cut short in 1964 at the age of 36, his brilliant career touched fellow musical artists, critics, and fans through his innovative work as a composer, sideman and bandleader. Jonathon Grasse’s Jazz Revolutionary is a significant exploration of Dolphy’s historic recorded works, and reminds readers of the complexity of his biography along the way. Grasse discusses his book in a December, 2024 interview.

Feature

Dmitry Rozhkov, CC BY-SA 4.0 via Wikimedia Commons
“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast..Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

Community

Stewart Butterfield, CC BY 2.0, via Wikimedia Commons
Community Bookshelf #4...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

Interview

Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool...The esteemed writer tells a vibrant story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

Community

Nominations for the Pushcart Prize XLIX...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers;, Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.