Poetry by Frank De Canio

January 12th, 2012

 

 

 

 

Naming of Hops
(July 30, 2009)

Today there will be naming of hops.
Today they’ll have a beer outside
the oval office of the White House.
Likewise our planet rotates with an oval orbit
around the sun of no determinate God,
whose purity and innocence informs
the white bars on the American flag.

Today President Obama, Professor Gates
and Officer Crowley will have a beer
without discriminatory roots.
Vice-President Biden will grab a Buckler
and ward off journalistic gibes.

The President will have a Bud Lite.
Just so, cherry blossoms bud lightly near
the President’s office, and all around
the grounds of the White House.
And today there will be naming of hops.

The professor wanted a Red Stripe.
Indeed red stripes emblazon the American flag
with the hardiness and valor of patriots
who fought to make this country free,
with brotherhood from sea to shining sea.
But, fermenting, with true revolutionary fervor,
he settled on a Boston-based Samuel Adams.

So today there will be naming of hops.
And four men will bond with beer outside the oval office.
The officer in blue will have a Blue Moon.
Indeed blue is the color of justice, perseverance
and vigilance; and upon this cerulean hue,
the stars representing our states are fixed,
as in the celestial spheres. It’s the color
of sad, chromatic notes, flat as the moon
rising over the jazzy circuits that light
the music scenes of America like dancing stars.
For today there will be naming of hops,
fermented in a brew of friendship and hope.

Previously published online in Eye on Poetry 2010

 

 

Schopenhauer in Love
(addressing his beloved)

 

Although I found the woman of my dreams,
who’s to my Romeo a Juliet,
I know that true love isn’t what it seems.
For those romantic trappings just abet
the species at the cost of me and you.
And just before our true love ardor fades,
we’ll find we should have heeded Montague
who gave short shrift to Cupid’s masquerades.
For they concealed a treacherous intent
that contravened the interest of the self.
As such, my cynic’s bent must circumvent
this marriage for the books that line my shelf.
And lest we die in marital duress,
we’ll live apart in single happiness.

And why should we become the species’ dupes,
promoting Nature’s procreative urge
like circus mammals jumping through the hoops,
when I can use that elemental surge
of energy to write The World as Will
and Representation, and you’re spared schnooks.
I feel a nobler, independent thrill
when having mental congress with my books.
Okay, I guess the future of the race,
for better or for worse, is your concern,
and that instinctively we both must face
our fate. But reason gives us means to learn
and turn desire for the nuptial bed
into Nirvana’s mystic bliss instead.

 

 

 

Politic Ponderings

What message are we giving citizens?
Our dogs are safe from troubling pranks of Vicks,
and Plaxico will never threaten clubbers with a gun
he carried for his own defensive use!
But don’t try saddling killers with a charge
that never sticks or get restraining orders
if it’s wife abuse. For guns are not allowed
for citizens who try to shield themselves.
They’re only used by felons violating civil rights
of those who heed the law books on the shelves
officials use to keep the rest in check.
How economical becomes this scheme.
The laws are broad enough to keep
the moneyed and aristocrats secure,
and make the rest of us unsure of talking
out of turn or even walking streets at night.
And don’t reach out to the long arm of the law.
For that’s been set for minimum mobility
by those who move on the fast lane.
And there are stronger arms in store.

 

 

 

Talking Tchaikovsky’s Violin Concerto

Her tonal discourse has some strings attached
to buttress her expository flow.
And fortes of the orchestra are matched
by strong sforzandos with her horsehair bow.
Though hushed by clamorous fortissimos,
once disputatious passages subside,
acute reflexes deftly interpose
her repartee. Its sentimental slide
draws pathos from the argument addressed.
As such, the listener gets her side of
the score, beyond the music accents stressed
inside the staff or bowing marks above.
And just before the final chord is heard,
this fiddler interjects her edgewise word.

 

 

 

Grooving to Shakira’s Ciega, Sordomudo

I ride beside her while she sings her song!
The more I hear her moan she’s gone to waste
because of love, the more I prance along –
side sixteenth notes of her adroitly paced
racnchera. And – yippee ay aye away! –
she canters down its mariachi course
as runs – staccato! rapido! – convey
her, crestfallen vaquera, on the horse
she trots across the forlorn parts of town.
Aggrieved, she rhapsodies “yi yi yi”
whose winded consolation is the crown
that rises from her agitated sigh.
Concluding mexicano hounds of brass
salute her cancion with braying sass.

 

 

 

Sharp Accords

She storms Town Hall’s stage, determined fighter,
sporting formal dress. A toothy giant
Baldwin grand stands keyed-up to ignite her
thrust. She attacks his body. Defiant,
with fierce forays of floor-shaking fortes,
she crows her show of strength. Legerdemain
fingers stress criss-crossed wrists as she essays
pianissimo passages that strain
her battery of skills. These tasks spring traps
to challenge her defense force till it cracks.
But swift sforzandos show how fast she taps
into her arms, till hammered pedals tax
sapped resources for her cadenza’s pitched
assault on major key positions that bewitched

her captive audience. And what display
of firearms begins her forte siege
toward a triumphant finish of the fray!
Downplaying any subsequent prestige
or plaudits following the final chord,
she hunches by the ivory for sore
resistance from the pummeled sounding board.
For primed by battles with this rattling score
she’s well-equipped to muffle overtones
that resonate from her prolonged assaults.
They slowly fade away with dying groans
beneath her respiration’s starts and halts.
She slackens following this pregnant pause,
then smiles triumphantly to loud applause.

Previously published online, with 22 lines, as “Concords” in Illogical Muse, Summer 2010

*

 

About Frank De Canio

Born & bred in New Jersey, I work in New York. I love music from Bach to Dory Previn, Amy Beach to Amy Winehouse, World Music, Latin, opera. Shakespeare is my consolation, writing my hobby. I like Dylan Thomas, Keats, Wallace Stevens, Frost, Ginsburg, and Sylvia Plath as poets.

 

 

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

In This Issue

Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection...Poets write about Thelonious Monk – inspired by William Gottlieb’s photograph and Rhonda R. Dorsett’s artistic impression of it.

Publisher’s Notes

A dispatch from Portland, 2025 – and Boston, 1969...Peaceful protest is nothing new to America. It is happening every day in Portland, where I live. It is what makes our country great. And those of us who grew up in the 1960’s probably have a history of protest – some turning violent – ourselves. The poet Russell Dupont shares text and photos from his experience while photographing the October, 1969 March against the [Vietnam] War in Boston, when plainclothes Federal officers attempted to confiscate his camera.

The Sunday Poem

”hush for the sax” by j.lewis

The Sunday Poem is published weekly, and strives to include the poet reading their work.... j.lewis reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Poetry Collection

photo of Dave Tough by William Gottlieb/Library of Congress
21 jazz poems on the 21st of September, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on the blues, a nod to West Coast Jazz, as well as reverence for the likes of Thelonious Monk, Bill Evans, and Pat Metheny.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Feature

“Two Jazz Survivors” – a true jazz story by Bob Hecht...A remembrance of a personal friendship with the late Sheila Jordan, one of the most unique vocalists in jazz history.

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Poetry

OhWeh, CC BY-SA 2.5 , via Wikimedia Commons
“Jazz Child” – a poem and a personal remembrance of Sheila Jordan, by Namaya

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Short Fiction

“Heroics” – a short story by Michele Herman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about brothers coping with an angry father whose solution for dealing with a family crisis is to take them to a Howard Johnson’s for ice cream.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 26: “Bougainvillea Sutra”...An occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, his inspiration comes from the guitarist John Scofield’s 2013 EmArcy album Uberjam Deux, and specifically the track titled “Scotown.”

Short Fiction

photo via Wikimedia Commons
“Apparitions” – a short story by Salvatore Difalco...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a Sicilian immigrant with an interesting history in traditional string instruments and Sicilian puppet theater.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Publisher’s Notes

Creatives – “This is our time!“…A Letter from the Publisher...A call to action to take on political turmoil through the use of our creativity as a way to help our fellow citizens “pierce the mundane to find the marvelous.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Feature

William Gottlieb/Library of Congress
“Lester Young Cools a Village” – by Henry Blanke...On the origins of cool, and the influence (and greatness) of Lester Young.

Interview

photo Louis Armstrong House Museum
Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong...The author discusses the third volume of his trilogy, which includes the formation of the Armstrong-led ensembles known as the Hot Five and Hot Seven that modernized music, the way artists play it, and how audiences interact with it and respond to it.

Poetry

photo via pixabay
“Sensual Autumn” – a poem (for September) by Jerrice J. Baptiste...Jerrice J. Baptiste’s 12-month 2025 calendar of jazz poetry winds through the year with her poetic grace while inviting us to wander through music by the likes of Charlie Parker, Hoagy Carmichael, Frank Sinatra, Antonio Carlos Jobim, Sarah Vaughan, Melody Gardot and Nina Simone. She welcomes September with a poem of love that brings to mind the music of Joe Pass.

Essay

“Is Jazz God?” – an essay by Allison Songbird...A personal journey leads to the discovery of the importance of jazz music, and finding love for it later in life.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Feature

ntoper, CC BY 2.0 , via Wikimedia Commons
Jazz History Quiz #183...Long admired by the likes of Tom Waits (pictured), John Mayall, and the Rolling Stones, and having had his songs recorded by Bonnie Raitt, Leon Russell, and The Who, this pianist/vocalist has long suffered from a “category” problem, once even saying; “There’s a lot of places I don’t work because they’re confused about what I do.” Who is he?

Playlist

“Look Ma, No Net!” – a playlist of nonets, by Bob Hecht...In this episode of our progressive instrumentation playlists, we add a ninth instrument to the mix to form a Nonet!

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works......  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.