• This edition offers two accounts of the events surrounding Miles Davis and Thelonious Monk’s performance at the 1955 Newport Jazz Festival — a story that is, according to Thelonious Monk biographer Robin D.G. Kelley, “shrouded in myth.”

  • “You Blows What You Is” is the winning entry in our 41st Short Fiction Contest

     

  • Having just been released from serving a ten month drug related prison sentence at Terminal Island, the distinctive alto saxophonist Art Pepper re-entered the Los Angeles jazz scene in 1956 – still undeniably talented and hopelessly drug-addicted.

  • In this edition, Paul writes about the album cover art of Erik Nitsche, a pioneer of modern design

  • Great Encounters: Miles and Monk at Newport, 1955
  • "You Blows What You Is" -- a story by Ruth Knafo Setton
  • A Moment in Time: Art Pepper, Los Angeles, 1956
  • Cover Stories with Paul Morris, Vol. 17
jackie-mclean-3 Features » Great Encounters

Great Encounters #44 — Charles Mingus, Jackie McLean and their “nearly murderous confrontation”

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition tells the story of the violent, physical confrontation that took place between Charles Mingus and Jackie McLean while touring in Cleveland, 1956

Excerpted from Better Git it in Your Soul: An Interpretive Biography of Charles Mingus, by Krin Gabbard

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Any mature jazz artist with the ability and the desire to succeed will have shared the stage with a long list of musicians. But Charles Mingus seems to have played with everyone from Kid Ory to George Adams and at every stop along the paths of jazz history. Once he became a leader, he hired and fired a long list of sidepeople. Some stayed longer than others. Many were quickly discarded because


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coleman Quiz Show » Jazz History Quiz

Jazz History Quiz #84

Originally a saxophonist, this drummer played on Coleman Hawkins’ classic “The Man I Love” sessions of late 1943, and played with Stan Kenton for several years before leading a band of “Men” starting in 1953.  Who was he?

 

 

Joe Morello

Jo Jones

Kenny Clarke

Louis Bellson

Shelly Manne

Billy Higgins

Roy Haynes

Go to the next page for the answer!

 

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nina1 Uncategorized

“Hollywood’s Fake Version of Nina Simone”

In an opinion piece titled “Hollywood’s Fake Version of Nina Simone,” the New York Times’ Brent Staples takes on the decision to cast Zoe Saldana as Ms. Simone in the upcoming film Nina. The casting controversy involves whether or not Ms. Saldana’s skin is dark enough, especially considering that, as Staples writes, “Ms. Simone’s embrace of her blackness was essential to both her art and who she was as a person, and that any number of talented

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