Graham Nash tells a story about how bandmate David Crosby reacted to Miles Davis’ cover of Crosby’s song “Guinivere,” which Davis recorded during the Bitches Brew sessions in 1970, and was subsequently released in 1979 on Circle in the Round (also released on The Complete Bitches Brew Sessions).
Excerpted from Graham Nash: Wild Tales, a Rock & Roll Life
“Lady of the Island”…was a three-track record on an eight-track tape that we got on one take. Me singing and playing guitar, with Crosby sitting right next to me, blending in that beautiful cellolike fugue. We also got a gorgeous take of “Guinevere,” […] Continue reading »
Known as “Mule,” this bassist was also known for singing along with his bowed solos (much like Slam Stewart). Who was he?
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I’m lonely most nights. It’s part of my job. You can’t be happy if you want to play the blues. But there were some nights that made my misery worth it, where I felt light for once and everything fit together. I’m sure it was the absence of thought that did it. When I think about things, I realize how awful they are. But when I float out of my chains, having known what they were like, the freedom is all the sweeter.
January 8th was such a night. […] Continue reading »
It is 12:20 in New York a Friday
Three days after Bastille Day, yes
It is 1959 and I go get a shoeshine
Because I will get off the 4:19 in Easthampton
At 7:15 and then go straight to dinner
And I don’t know the people who will feed me
I walk up the muggy street beginning to sun
And have a hamburger and a malted and buy
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The publication of a new biography on Carl Van Vechten has sparked a renewed interest in his work. Critic, author and patron of many a Harlem Renaissance artist, Van Vechten was also an accomplished photographer, whose work was described by a New York Telegraph reporter in 1933 as “breathtaking…each [photo] with life and sparkle, vision and intelligence.”
His access to the artists led to a portfolio of what he called “purely documentary” photographs of a “who’s who” of early-to-mid 20th Century American cultural icons — including some of the era’s finest writers and musicians. Emily Bernard, author of Carl Van Vechten and the Harlem Renaissance writes that “Van Vechten always saw the act of taking a photograph as […] Continue reading »