• Having just been released from serving a ten month drug related prison sentence at Terminal Island, the distinctive alto saxophonist Art Pepper re-entered the Los Angeles jazz scene in 1956 – still undeniably talented and hopelessly drug-addicted.

  • “You Blows What You Is” is the winning entry in our 41st Short Fiction Contest

     

  • An excerpt from What the Eye Hears: A History of Tap Dancing, in which author Brian Seibert recounts a time when the connection between jazz and tap began to grow strained — through no fault of the great hoofer Baby Laurence, who adapted tap to bebop.  

  • In this edition, Paul writes about the album cover art of Erik Nitsche, a pioneer of modern design

  • A Moment in Time: Art Pepper, Los Angeles, 1956
  • "You Blows What You Is" -- a story by Ruth Knafo Setton
  • Book Excerpt from What the Eye Hears
  • Cover Stories with Paul Morris, Vol. 17
cheadle1 Uncategorized

On Miles and Chet biopics — A New York Times podcast

In a just recorded podcast, two of this era’s most accomplished jazz writers — the New York Times’ Ben Ratliff and Nate Chinen — discuss the two first-run biopics now out on Miles Davis and Chet Baker, the ingenious trumpeters who each experienced great drama in their professional careers and personal lives, most obviously their chemical dependency and great personal charisma. You can hear the journalists discuss

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bedroom1 Literature » Short Fiction

“The Horn: Whispers of eternity in F major” — a short story by Mi West

Some lives turn out healthy and long, some more fulfilled than long. Bro was sick and much older. He passed away last spring, so his voice sounds both new and familiar to me, as it whispers,

Go to my place and visit my old room.

“Why?”

I’ll let you know.”

An ascending airliner outside wakes me up, and I realize I was dreaming. I’m still yawning as I look up a weekend bus, but the online timetable shows more blanks than connections.

It’s dry September weather, so I grab my key to his door, fill up my water bottle, and make this a bike trip in heat haze instead, like the

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jackie-mclean-3 Features » Great Encounters

Great Encounters #44 — Charles Mingus, Jackie McLean and their “nearly murderous confrontation”

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition tells the story of the violent, physical confrontation that took place between Charles Mingus and Jackie McLean while touring in Cleveland, 1956

Excerpted from Better Git it in Your Soul: An Interpretive Biography of Charles Mingus, by Krin Gabbard

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Any mature jazz artist with the ability and the desire to succeed will have shared the stage with a long list of musicians. But Charles Mingus seems to have played with everyone from Kid Ory to George Adams and at every stop along the paths of jazz history. Once he became a leader, he hired and fired a long list of sidepeople. Some stayed longer than others. Many were quickly discarded because


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coleman Quiz Show » Jazz History Quiz

Jazz History Quiz #84

Originally a saxophonist, this drummer played on Coleman Hawkins’ classic “The Man I Love” sessions of late 1943, and played with Stan Kenton for several years before leading a band of “Men” starting in 1953.  Who was he?

 

 

Joe Morello

Jo Jones

Kenny Clarke

Louis Bellson

Shelly Manne

Billy Higgins

Roy Haynes

Go to the next page for the answer!

 

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