Prior to Jack Teagarden, this trombonist — who gained a strong reputation playing with the Original Memphis Five and Red Nichols — was the most advanced in jazz. He eventually went on to play with Paul Whiteman, Benny Goodman and Eddie Condon, with “Peg of My Heart” his most popular recording. Who was he?
Tricky Sam Nanton
Go to the next page for the answer!
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On the heels of the deaths of iconic rock musicians David Bowie and Glenn Frey comes the very sad news that Maurice White, the founder of the Earth, Wind and Fire, has died today at age 74. White’s music came to prominence in the thick of soul’s musical ascent, and E W & F embodied the sound of urban America at the time, their message communicated optimistically and on a large scale. White’s band possessed an unusual crossover appeal — the fact that his death has invited praise from […] Continue reading »
INSIDE THE LANDSCAPE LOUNGE
We drank bourbon & listened to
Hank Gathercole on sax
cutting a throat
through heavy pink clouds of
Man was he cuttin’ it! […] Continue reading »
& all the while his feet were sliding
She stood in a room at The Met glancing at the painting on the wall, which was of two women kissing. From her vantage point, standing slightly away and to the side, the two women lying together interlocked in bed appeared cushioned awkwardly in space, free-floating yet connected.
The painting was by Henri Toulouse-Lautrec, the alcoholic French dwarf artist, and she tried to imagine what it was like living when he did in Paris at the time of the painting, 1892, and what it might have been like for these two prostitutes and others like them who often turned to one another for relief from a world of men then.
Mireille, it was reported, was one of the girls in the brothel in the Rue d’Amboise, when Lautrec was commissioned to create a series of panels about the lives of the girls there, and she was one of his favorites. He visited the salons of the brothels in the Rue des Moulins and Rue d’Amboise many times to study and paint the women, who felt very free to be
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On March 28, 1965, a concert benefiting the Black Arts Repertory Theatre/School was held at New York’s Village Gate. Featuring John Coltrane, Archie Shepp, Sun Ra (he played but his music didn’t make the album) and Albert Ayler – artists described by Black Arts Music Coordinator Steve Young as “The Beautiful Warriors” and “magicians of the soul”– the performance was recorded and subsequently released on Impulse Records as The New Wave in Jazz.
This recording is significant for its brilliant “free jazz” performances, but also for Amiri Baraka’s (known as LeRoi Jones at the time) liner notes’ connection of music and politics. It is a reminder of the historic, turbulent times in which this music was created. The Selma to Montgomery marches took place in March, 1965. Malcolm X was assassinated in February. The war in Vietnam was dramatically escalating. And, jazz music was continuing to evolve, the most obvious example being the […] Continue reading »