In the introduction to The Jazz Fiction Anthology, editors Sascha Feinstein and David Rife cite James Baldwin’s short story “Sonny’s Blues” as “the most famous jazz short story ever written,” and is pointed to by Baldwin biographer David Leeming as “the prologue to a dominant fictional motif in the overall Baldwin story, the relationship between two brothers that takes much of its energy from the close relationship between James and [brother] David Baldwin.” The story, originally published in Partisan Review in 1957, centers on the narrator’s need to, in Leeming’s words, “save his brother [Sonny] from the precariousness of his life as an artist.” Sonny, in turn, finds his voice by playing bebop in the Village, which results, according to Leeming, […] Continue reading »
December 5th marks the 41st anniversary of the bebop trumpeter Kenny Dorham’s death. Only 48 years old at the time of his passing from kidney disease, Dorham’s professional life enjoyed a great measure of respect from his fellow musicians, but, as Nat Hentoff pointed out in the liner notes to Dorham’s 1963 Blue Note recording Una Mas, “he has yet to break through to the kind of wide public acceptance which has occasionally seemed imminent.” His recordings are timeless – each and every one packed with delicious passion and brilliant playing that still sounds fresh — but Dorham never did “break through” in his lifetime, and continues to be classified by important jazz historians as “underrated.” In a Jerry Jazz Musician-hosted conversation on underrated jazz musicians, the most eminent jazz writer Gary Giddins said “when anybody wrote about [Dorham] […] Continue reading »
Eddie Condon — a great guitarist/banjoist/bandleader of the Jazz Age era — recalls the day in Chicago in 1922 when he first met and heard the cornetist Bix Beiderbecke.
As told in Remembering Bix: A Memoir of the Jazz Age by Ralph Berton
One day Pee Wee Rank, a drummer, called me from Chicago. “How would you like to play in Syracuse?” He was on his way to the Tri-Cities – Rock Island, Moline, and Davenport – to round up talent…”Meet me at the LaSalle Street Station at eight o’clock tomorrow night.” […] Continue reading »
by Gregory Corso
Your sound is faultless
pure & round
Your sound is your sound
true & from within
soulful & lovely
Poet whose sound is played
lost or recorded
[…] Continue reading »
Before working with Woody Herman (and eventually marrying his singer Frances Wayne), this renowned composer/arranger contributed arrangements to Earl Hines’ big band, and subsequently played trumpet with, among others, Charlie Barnet, Horace Heidt and Charlie Spivak. Who was he?
Eddie Sauter […] Continue reading »