Three times a year, we award a writer who submits, in our opinion, the best original, previously unpublished work.
John Hyde Barnard of Los Angeles, California is the winner of the 39th Jerry Jazz Musician New Short Fiction Award, announced and published for the first time on July 3, 2015.
by John Hyde Barnard
He brought the cigarette up to his lips. As he took a hit the orange
glow briefly lit his face and faded back into shadow as he slowly exhaled
a cloud of blue smoke. He crushed the butt on the windowsill, sparks and
dying embers leaving a trail that quickly became black and cold. As he
flicked the butt into the night air he glanced over the rooftops. It
seemed the horizon was a shade lighter. Had he been sitting there that
Unable to sleep since arriving at the apartment some hours earlier,
he sat at the open window: musing, arguing, longing and laughing with his
thoughts. He had not discovered an epiphany or revelation, only a comfort
with the warm night. It was the first warm night of the season; the
unmistakable promise of […] Continue reading »
Besides being one of the first to be influenced by Charlie Christian, in 1944 this electric guitarist employed Charlie Parker on his first recording date and eventually led an R&B-oriented group “The Rockin’ Highlanders” that featured the saxophonist Red Prysock. Who is he?
Go to the next page for the answer!
[…] Continue reading »
“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. In this edition, Horace Silver writes of five different occasions he played with Charlie Parker.
[…] Continue reading »
In the Sunday, June 21 New York Times, Salamishah Tillet writes, “Fifty years after her prominence, Nina Simone is now reaching her peak.” The three new films she has inspired, along with a tribute album and an excellent 2012 biography by Nadine Cahodas, has brought additional importance to Ms. Simone’s music and the way she lived her life, to the point where writers like Tillet opine that Simone “broadened the parameters of the great American pop artist.”
“Simone’s androgynous voice, genre-breaking musicianship and political consciousness may have concerned ’60s and ’70s marketing executives and concert promoters,” Tillet writes, “but those are a huge draw for today’s gay, lesbian, black and female artists who want to […] Continue reading »
Besides doing his best to help raise three kids, during my 1960’s childhood my father worked his heart out at two jobs — one of which was as owner of a restaurant on Oakland’s Telegraph Avenue, and the other as a musician, playing trumpet and viola throughout the San Francisco Bay area, mostly on evenings and weekends in “casual” jobs. For years he was part of a strolling quartet that entertained San Francisco’s elite at the World Trade Club — an ensemble that at its peak toured the Philippines, playing to an audience that included […] Continue reading »