• In this edition, Paul features choice selections from Decca Records

  • “Playing for Tips” is the winning entry in our 42nd Short Fiction Contest

     

  • A powerful poem on race

  • “Intergalactic Language,” a short story by James E. Guin, was a finalist in our recently concluded 42nd Short Fiction Contest.

  • Cover Stories with Paul Morris, Vol. 19
  • "Playing for Tips" -- a short story by Kevin Bennett
  • "Color Blind (For Real)" - a poem by Quincy Hull and Marc Livanos
  • "Intergalactic Language" - a short story by James Guin
whiteman3 Features » Historic Journalism

Revisiting “An Experiment in Modern Music”

The February 12, 1924 concert by Paul Whiteman at New York’s Aeolian Hall was billed as “An Experiment in Modern Music.” As reported by New York Times critic Olin Downes, who attended the event, “the concert was referred to as ‘educational,’ to show the development of this type of music [jazz].” The concert is now best remembered for being the setting for the world premiere of Rhapsody in Blue, with composer George Gershwin at the piano. As Times critic John S. Wilson wrote in 1987, “this concert is today considered a defining event of the Jazz Age and the cultural history of New York City.”

In this excerpt from Whiteman’s 1926 autobiography Jazz – written with essayist Mary Margaret McBride – Whiteman writes about his Aeolian Hall concert experience, and in particular the appeal of Rhapsody, which he described as

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bobby1 Features » In Memoriam

Bobby Hutcherson, 1941 – 2016

Bobby Hutcherson, the most eminent postbop jazz vibraphonist who helped define the sound of Blue Note Records during the 1960’s and 70’s, has died. Described by contemporary vibes player Stefon Harris as “by far the most harmonically advanced person to ever play the vibraphone,” his career included the release of more than 40 albums as leader, and as a prominent sideman on many great records, including Eric Dolphy’s classic Out to Lunch and Jackie McLean’s One Step Beyond. I saw him many years ago at Kimball’s in Oakland (long since shuttered), an exciting set that, if memory serves, included […] Continue reading »

pianoocean Literature » Short Fiction

“Our Perspective” – a short story by Joy Bergman

“I don’t know…I still don’t see it.” I grumble to myself, sloping my head down in a perfectly coordinated position with the rest of my body. Slope. Coordinated. It all just makes me think of math. Math. “That’s it,” I tell myself silently, still looking around the empty halls, though no one is there. I sigh. I suppose it may not really be a fact, but everyone knows that statistically minded people, like me, see numbers. But people like her – well, I guess they see what I’m looking at. “No,” I run a hand through my gelled hair. She would see it all differently. What did she say again? I check my phone and then casually hold up what she said it would look like to the picture. “A black parked car with white windows near the dock in a blazing sunlight overlooking the ocean.” I focus on the

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ratliff1 Interviews » Biographers

Ben Ratliff on John Coltrane

Longtime accomplished New York Times music critic Ben Ratliff has left the paper. He was a terrific writer who had the ability to pique my interest in an artist in short, reliable, and often brilliant reviews.

I had the privilege of meeting him a few times over the telephone and in person. He joined me in a 2003 conversation with Bruce Lundvall and Joshua Redman about the business of jazz music, talked with Paul Morris about his book Jazz: A Critic’s Guide to the 100 Most Important Recordings, and in 2008, we talked about his book on John Coltrane, The Story of a Sound, which is published

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