• A look at Rahsaan Roland Kirk’s to “rescue black classical music from certain oblivion and thrust it into the consciousness of the unwitting public.” 

  • In 1961 Metro-Goldwyn-Mayer had purchased Verve Records from Norman Granz. Creed Taylor became the new executive director, and made a number of crucial policy decisions, including the sacking of the majority of Verve’s contract artists. One of a handful to survive was

  •  This edition features the “late Columbia” era of master designer Alex Steinweiss

  • Klein’s pupil in the studio seemed to be trying to erase his presence through sheer aggression. Had Mozart started that way? Till didn’t think so.

  • The Jazz and People's Movement
  • Great Encounters: In the studio with Bill Evans and Stan Getz
  • Cover Stories with Paul Morris, Vol. 12
  • "Till's Piano Lesson" -- Short Fiction Contest-winning story
jordan2 Quiz Show » Jazz History Quiz

Jazz History Quiz #71

While he had a long career in jazz, including stints with, among others, Coleman Hawkins, Roy Eldridge, Sonny Stitt and Stan Getz, he will always be remembered primarily as the pianist in Charlie Parker’s classic 1947 quintet. Who is he?

Duke Jordan

Lennie Tristano

Mel Powell

Bud Powell

Al Haig

George Wallington

Hampton Hawes

Go to the next page for the answer!
[…] Continue reading »

kirk2 Uncategorized

The Jazz and People’s Movement

In 1969, in the midst of rock music’s ascent and the social protests that effectively changed the way we looked at war, race and feminism, the great jazz musician Rahsaan Roland Kirk emerged as the leader of “The Jazz and People’s Movement,” a movement to, as John Kruth, author of Bright Moments: The Life and Legacy of Rahsaan Roland Kirk describes it, “rescue black classical music from certain oblivion and thrust it into the consciousness of the unwitting public.” Part of their plan was to “disrupt the prime time airwaves for the sake of the music they dearly loved and believe in,” and they were largely successful at it, disrupting the shows of Johnny Carson, Dick Cavett and Merv Griffin. Their tact was to […] Continue reading »

morgan2 Uncategorized

Search For the New Land

In an excellent October, 2014 post for The Wire, Derek Walmsley writes about how jazz musicians “from the mid-1950s onwards imagined liberation through distant places and spaces.”

“Before free jazz broke through in the 1960s,” he writes, “you could read a desire for liberation unfolding in the titles jazz musicians gave their compositions from the mid-1950s onwards. In previous years, players might have dedicated a piece to a woman or a passed colleague. Now, they were naming them after newly independent nations of Africa, to underline their Afrocentric solidarity; after locations in the Far East, to flaunt a growing interest in […] Continue reading »

lateef3 Art » Masters of Jazz Photography

Masters of Jazz Photography — Val Wilmer

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Val Wilmer […] Continue reading »

lloyd1 Uncategorized

Charles Lloyd — “I can take that I’m in service”

“My music, it breathes. It’s the mysticism of sound. I’m a sound seeker, and I’m enthralled with it, by what it can do to change the molecules and uplift people. They feel something when we play. I can’t take authorship for that. I can take that I’m in service.”

- Charles Lloyd

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Imagine if the world was filled with people whose life’s work was built on […] Continue reading »