“A Girl You Couldn’t Hurt” — a short story by Con Chapman

December 9th, 2021

.

.

“A Girl You Couldn’t Hurt,” a story by Con Chapman, was a short-listed entry in our recently concluded 58th Short Fiction Contest, and is published with the consent of the author.

.

.

.

photo by William Gottlieb/Library of Congress

photo by William Gottlieb/Library of Congress

Thelonious Monk, 1947

.

 

___

.

A Girl You Couldn’t Hurt

by Con Chapman

.

 

…..It was probably Dean who was responsible for him being where he was right now, he thought as he sat across the table from his fiancée listening to her talk about the wedding and the gifts they were registered for and the reception.  He had discovered an album he didn’t approve of – Barbra Streisand – among Dean’s records when he went to stay with him shortly after he got married to a woman from Cleveland.

…..“What…is this?” he had asked, holding it out gingerly at the ends of his fingers as if it were a dead animal hanging by its tail.

…..“That’s hers,” Dean had said, as if it was no big deal.

…..“Good Lord,” he had said.  “If that’s what married life is going to be like…”

…..Dean had just given him the old shit-eating grin, the one he knew so well, the one Dean had pulled off the night a cop had found them stopped along the side of the road and shined his flashlight in the window.

…..“Have you been kids been drinking?” the cop had asked and Dean, without so much as a second’s lag time, had said “Officer – we’re not even twenty-one.”

…..“You take the woman, you get her records,” Dean said now, and he didn’t seem the least bit troubled, the guy he’d shared so many nights with, listening to music in a state of altered consciousness.

…..“You don’t actually…listen to it with her– do you?”

…..“As little as possible, but it’s like buying a car with seat covers that weren’t your first choice.  You don’t even notice after a while.”

…..“Mom said they would buy us four place settings, so we actually only have eight to go to make twelve,” his fiancée said as she scanned their wedding registry checklist.  “Do you think you’ll want to have bigger dinner parties for clients?” she asked, as business-like as a tailor taking his measurements.

…..“I don’t think so,” he said in an indifferent tone that he didn’t have to hide because his fiancée wasn’t paying close attention to him with so many details yet to finalize.

…..“So…you actually married somebody whose tastes you can’t abide?” he had asked Dean back when he was still looking.

…..“I’ve progressed beyond the romantic notion that there’s only one woman for me and I have to keep looking until I find her and if I don’t, I’ll die a lonely and miserable death.”

…..There was an implied criticism in that response, and he had to admit it wasn’t an unfair one.  He’d fallen in love with a girl in high school who would joke with him, complete his sentences, borrow his records and books – a virtual female twin, and he had thought they’d get married and live happily ever after.  Then her father was transferred halfway across the country to Rochester, New York and she started going out with college guys and after a while he knew she was gone.

…..“So…there’s no love involved?” he asked.

…..“Sure I love her, but not the kind of puppy love you and I used to succumb to.  I love her and I want to take care of her and I think she’ll make a great mother, and I let her have her sphere of influence.”

…..“That makes it sound like statesmanship.”

…..“It is, sort of.  She can decorate the house and make whatever she wants for dinner and plan any vacation she wants, and I want to be able to play golf and watch football or whatever and not go to church.”

…..“How’s it working out so far?”

…..“Just fine,” Dean said.  “It’s an economic proposition, too.”

…..“That sounds cold.”

…..“Maybe, but that’s life pal.  When you were picking up skanks at discos…”

…..“Which was never…”

…..“You know what I mean.  Hitting on women at parties with no thought more than twelve hours into the future, it didn’t matter.  If you actually date a woman for awhile with the idea you might want to get married to her you end up knowing where she comes from and who her family is.”

…..“And that overrules your instincts?”

…..“It channels them,” Dean said.

…..“I haven’t found anybody I want to commit to is all,” he said.

…..“You haven’t found a girl you couldn’t hurt is what you mean.”

…..He stopped then and looked at Dean.  “What does that mean?”

…..“Instead of one of these hard-bitten molls you find in a fancy bar on Newbury Street, find a girl so nice you couldn’t hurt her– not in a million years.”

…..“But…if I did, I don’t think I’d be attracted to her.”

…..“Well, that’s your problem,” Dean said.  “Once you get over that hurdle, you’ll be fine.”

…..“My mom is inviting so many people from Ohio, I can’t believe it!” his fiancée said as she ran her finger down the guest list.  “I hope they start early to get their reservations, because the hotels will be booked solid pretty soon.”

…..He looked at her, her head focused on the tasks before her, and he thought to himself that Dean’s advice had turned out to be good.  He had found a girl who he could tell would be a great mother, who came from a solid family.  They shared some interests but each had a zone that didn’t overlap with anything in the other’s life.  And she was so nice, so sweet, he couldn’t imagine hurting her in a million years.

…..The waiter appeared to take their order, and she pushed aside her lists long enough to look at the menu and select the veal marsala.  He ordered fish– something that was definitely not something she favored – and they returned to their former positions; a tableau with her poring over her papers while he looked off into the distance, distracted but not unhappy, content to let her put together the beginnings of their nest.

…..“That music’s annoying,” she said.  “When the waiter comes back could you ask him to turn it down, please?”

…..“Sure,” he said.  It must have been like a high-pitched noise that dogs could hear but humans couldn’t, he thought.  He hadn’t even noticed the music over the din of the restaurant, but she had.  He concentrated a bit–the music sounded familiar but between the clinking of the glasses as the bartender put them into the dishwasher and the guy on his right who was droning on and on to his wife about how he was no slouch in the intellect department, he couldn’t identify it.

…..“It’s very jarring,” she said.  “How many people are you inviting again?”

…..“I don’t know, I guess…I counted eight the other day.”

…..“Well, give me your list– we may have to do a little pruning if mom keeps sending me names.”

…..He heard a saxophone which cut through the noise in a way that the piano hadn’t, and he recognized that the music was a Thelonious Monk album.

…..“That’s okay – I doubt they’ll all make it.  It’s a long way for them to come,” he said.

…..“Good.  I mean – not good that they can’t come, good that it frees up more places for mom.”

…..He’d only had a few Monk albums in his life, but his roommate in Chicago had had a few, so he tried to recall which one was being played.

…..“Hel-lo?” his fiancée said.  “Are you listening to me?”

…..“Sorry, I was…listening…looking for the waiter.”

…..“Did you ever get in touch with that band leader?”

…..“I did – he says they’re available.”

…..“Can they play our song?” she said, and as she did she looked up at him and smiled, and extended her hand across the table for him to grasp.

…..“I doubt it– they’re more a swing group,” he said, taking her hand.  “So your parents’ friends can dance,” he lied.  He had picked the band precisely because he knew they would not know any current songs, and could be relied on not to give in to requests to play loud, fast rock numbers as the evening wore on.

…..“Well, they can practice between now and then, right?”

…..“Right.”

…..“Anyway, that’s your job.  I have a fitting with the bridesmaids this Saturday.”  Her voice trailed off and he started to concentrate on the music again.  It wasn’t from the big collection of classic jazz he’d bought, so it must have been the album with the crazy picture of Monk on the cover, with a machine gun over his shoulder, and a tied-up Gestapo officer and a striking female resistance fighter in the background standing next to – a cow.

…..“What’s so funny?” she asked.

…..“Nothing.”

…..“You laughed.”

…..“I was thinking of an old album cover I used to have.”

…..She looked at him as if he’d said he’d seen a squirrel loose in the restaurant.

…..“The things you think of sometimes,” she said, as moved her Cross pen – a trinket from some deal she’d been involved in – down her bridesmaids’ grid.  “Cynthia’s boyfriend just got hair plugs,” she said with an expression of obvious distaste.  “I hope the swelling’s gone down by the time we need him for the pictures.”

…..The thought of the album brought back to mind a night when he’d gone to a Frank Zappa concert in Chicago with some guys in his dorm, and all of a sudden an Asian woman had plunked herself down next to him and said simply “Hi.”

…..“Hi,” he said, and she proceeded to pepper him with questions about the band as if he were a reporter from Rolling Stone or something.  He knew a little, but not much, but she didn’t seem to care; a good-looking woman attracted to him for no good reason at all – this was apparently what he was missing staying on campus studying all the time.

…..“We’re using Thurston’s for the flowers – they’re my favorite,” his fiancée said.

…..“What’s the difference – aren’t all flowers the same?”

…..She arched an eyebrow to convey her disappointment in his naivete.  “There’s all the difference in the world between one florist and another.”

…..“Well I don’t know that kind of stuff,” he said, a little miffed.  “There’s no need to snap at me.”

…..“I wasn’t snapping, I was just stating a fact.”

…..The Asian woman had sat next to him through the whole concert, then had asked where he lived.  He was a little embarrassed to tell her that he was still in a dorm, not an apartment, but she had said “Can I go see it?”  One of the other guys in the group gave him a look of congratulation, and the two of them walked to the train together, as a couple, with her arm hooked into his.

…..When they got to his room they listened to music for awhile; he didn’t want to put on rock because he figured they were going to have sex, so he put on the only piano album he had, the Monk album.

…..“This is nice,” she’d said as she lay back on his bed, opening her arms to him in invitation.

…..“Are we going to write our own vows?” his fiancée asked.  Her expression conveyed the sense that she really didn’t want to be forced to be creative.

…..“Keep it simple,” he had said, biting on the word “stupid” since he knew she’d take it the wrong way if he joked and she hadn’t heard the expression before.

…..They’d proceeded from making out to sex faster than he thought possible, and when they were through he rolled over and found himself still erect several minutes later.  He had developed blue balls, possibly because he hadn’t had sex for a long time.  He got up to flip the record over and came back to bed.

…..“Uh, I guess we can do it again if you want to,” he’d said.

…..“I’m ready if you are,” the Asian woman had said.

…..“Can you talk to your friends beforehand and persuade them to dress appropriately?” his fiancée asked with a tone that he understood meant she was deadly serious.

“Sure,” he said.  “Sure,” but he was thinking of something else.

.

.

___

.

.

Con Chapman

Con Chapman is a Boston-area writer, author of Rabbit’s Blues: The Life and Music of Johnny Hodges (Oxford University Press), winner of the 2019 Book of the Year Award by Hot Club de France.  His work has appeared in The Atlantic, The Boston Globe, The Christian Science Monitor and various literary magazines.  His book on jazz of the Southwest, Kansas City Jazz: A Little Evil Will Do You Good, will be published in 2022.

.

.

Listen to Thelonious Monk play “Thelonious,” from the 1968 album Underground, with Charlie Rouse (tenor sax); Larry Gales (bass); and Ben Riley (drums) [Columbia]

.

.

Click here to read “Mouth Organ,” by Emily Jon Tobias, the winning story in the 58th Jerry Jazz Musician Short Fiction Contest

.

Click here for information about the upcoming Jerry Jazz Musician Short Fiction Contest

.

Click here to read the 2019 Jerry Jazz Musician interview with Con Chapman about his book, Rabbit’s Blues:  The Life and Music of Johnny Hodges

.

.

.

Share this:

One comments on ““A Girl You Couldn’t Hurt” — a short story by Con Chapman”

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

Poetry

photo by William Gottlieb/design by Rhonda R. Dorsett
21 jazz poems on the 21st of November, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poems communicating the emotional appeal of jazz music, as well as nods to the likes of Miles Davis, Regina Carter, Maynard Ferguson, Ornette Coleman, and Max Roach.

The Sunday Poem

Wojciech Soporek, CC BY 3.0 , via Wikimedia Commons

”Pyramids” by John Menaghan

The Sunday Poem is published weekly, and strives to include the poet reading their work...

John Menaghan reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Feature

Press Release for “The Weary Blues: Celebrating The Harlem Renaissance and Langston Hughes...I recently wrote about a new endeavor of mine – producing a show in Portland celebrating the poetry of Langston Hughes and the Harlem Renaissance. What follows is the complete press release for the February 7 performance at the Alberta Abbey in Portland, Oregon.

Short Fiction

photo via Freerange/CCO
Short Fiction Contest-winning story #70 – “The Sound of Becoming,” by J.C. Michaels...The story explores the inner life of a young Southeast Asian man as he navigates the tension between Eastern tradition and Western modernity.

Feature

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Poetry

“To Renee Nicole Good, a poet” – a poem by Erren Geraud Kelly

Poetry

photo via Shutterstock
“The Music of Lana’i Lookout” – a poem by Robert Alan Felt...The 17th anniversary of president-elect Barack Obama's scattering of his beloved grandmother's ashes is at the center of the poem, and serves as a reminder that moral personal character of leadership is what makes a country great.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Community

Letter from the Editor: “A Jerry Jazz Musician Experience”...Sharing a bit of what I’ve been up to of late, and make you aware of a new endeavor of mine…

Poetry

National Archives of Norway, CC BY 4.0 , via Wikimedia Commons
“Wonderful World” – a poem by Dan Thompson

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

photo via publicdomainimages.net
“Welcome to America” – a short story by John Tures...The story – a short-listed entry in the recently concluded 70th Short Fiction Contest – is a combination of two true linked stories, both of which involved the same person. In one, he’s a witness to history. In the second, he’s an active participant in history, even becoming a hero. But one can’t understand the second until they know the first.

Feature

photo via Wikimedia Commons
Memorable Quotes – Lawrence Ferlinghetti, on a pitiable nation

Short Fiction

“Frusick: Making Sweeter Music” – a short story by J. W. Wood...In the 22nd century, a medical professional takes a bunch of kids to meet one of the last musicians left in England, and has an epiphany when he hears live music for the first time …

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

"Swing Landscape" by Stuart Davis
“Swing Landscape” – a poem by Kenneth Boyd....Kenneth Boyd writes poetry based on jazz paintings. “Swing Landscape” is written for a Stuart Davis painting of the same name.

Playlist

“A Perfect 10” – a playlist of tentets by Bob Hecht...Bob adds another instrument to his progressive playlist feature, and shares what a variety of arrangers have been able to accomplish writing for a tentet.

Jazz History Quiz

Jazz History Quiz #185...This posthumously-awarded Grammy winning musician/composer was the pianist and arranger for the vocal group The Hi-Lo’s (pictured) in the late 1950’s, and after working with Donald Byrd and Dizzy Gillespie became known for his Latin and bossa nova recordings in the 1960’s. He was also frequently cited by Herbie Hancock as a “major influence.” Who is he?

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 27: “California Suite”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.