“Trucks and Tanks” – a short story by Howard Mandel

September 8th, 2025

 

.

.

“Trucks and Tanks” was a short-listed entry in our recently concluded 69th Short Fiction Contest, and is published with the consent of the author.

.

.

___

.

.

photo by Joe Maita

.

Trucks and Tanks

by Howard Mandel

.

 

…..Trucks and tanks rolled down our leafy-treed, bungalow-lined street at dawn. I was already up, as usual, in my robe, t-shirt, sweaty sweats and slippers, mug of coffee in hand, and had a view standing at our picture window. The armored vehicles shook the pavement. I wondered how many neighbors were awakened by the rumblings.

…..There was a guy across the street in a watch cap and puffy jacket walking his dog. He was watching the dinosaur parade. I don’t know if he saw me. I lowered the blinds gradually, to keep from attracting attention. The guy’s dog pulled on its leash to get to grass near a bush, where it hunched up and shat.

…..The trucks led, with heavy scoops plowing the parked cars over the gutters, onto the parkway lawns and pavement. Some of the cars crashed into trees, knocking down old oaks and maples, bending saplings. The guy with the dog tugged its leash hard, it came to his side, he turned with it and disappeared into the breezeway between two homes.

…..The tanks behind those first three or four trucks had swiveling turrets from which protruded long dull metal barrels that swung in every direction, guided I guessed from within. But maybe not, they could have been remote-controlled. They knocked down hanging limbs of the trees still standing.

…..The dinosaurs didn’t hurry, they lumbered. One of them, in the middle of the pack, seemed to be having a fit of indigestion. Maybe its turret was stuck. It stopped rolling forward. The grinding of its shifting gears fouled the air, rattled the picture windowpane in its frame.

…..The tank burped backwards a few feet, then forward, and again, its version of rocking. It belched a spurt of gas. With another gear-shift, it began rocking side to side, unevenly, turret jerking loose and gun barrel wobbling freely so it hit another oak branch, sending it through the windshield of an already dented old Pontiac.

…..Two joggers in identical outfits — running shoes, Spandex, ponytails poking through the back of their baseball caps — rounded the corner mid-chat, halted awkwardly as they looked down our street and turned back right away. A car entered the intersection (I could see just that far through the blinds’ slats), braked for an instant, then sped off.

…..I could hear in the distance, beyond the rooftops of the houses across the street, pops sounding like clapped paper bags. One or two from different directions, at first, then speckles of them, and higher, faster splashes, firecrackers of various sizes and powers, still a ways off from my place, maybe on the other side of the four-square block park, which I bet is where the trucks and tanks had launched from. Though how did they get there? From our armory, or where?

…..A few soldiers followed the trucks and tanks, walking cautiously, spread out unevenly, in camo and helmets, guns unslung, carried low across their bellies. They weren’t scouts. The trucks and tanks coming first had created chaos and probably fear. The soldiers were for cleanup. Not of the damage the trucks and tanks caused, but of the attitudes and anger they’d incited.

…..The soldiers peered towards the front doors of every house they passed, most of which were up a few steps, with their own paths from the front sidewalks, lawns and garden beds. The soldiers in the middle of the street looked up at our rooflines. There was nothing up there but birds, dormers, chimneys, but they looked.

…..“John-John! What’s that?” Maw called from her bedroom. “Are they bringing my check?”

…..“Not yet, Maw.”

…..“Get my oatmeal,” she commanded. “John-John, you hear me?”

…..I walked down the hall to the kitchen, fussed around with the microwave to heat her cereal, listening and with an eye for what was happening out the back window. It looked out past our yard and garage to the alley behind us, between the garages, yards and houses on the street parallel.

…..A cluster of people, looked like mostly kids, ran past. My sightline wasn’t good, I couldn’t tell how many, but recognized a couple of the young ones by their winter coats. One in particular. And I knew who he ran with.

…..“Here, Maw.” I went into her room. She had slept in her wheelchair. I set her bowl of mush on the table fixed to it, tied a bib around her neck taking care not to kink her air hose, put the spoon in her good hand and went back to the kitchen. I opened our back porch backdoor and stepped out on the wooden landing.

…..There was soot in the air. I clambered up on the landing’s handrail — carefully, ’cause I wasn’t sure it would hold my weight — for a view. It looked like fires had been started in metal garbage cans at both ends of our alley. Black smoke was billowing from them.

…..The soldiers may have been ours, but they weren’t from here. They wouldn’t know how we use the gangways and backyards for shortcuts. I didn’t see them rushing to stop the flames — did they intend to burn us down? No, they hadn’t started the fires. Maybe they didn’t dare come back here, not knowing what they would find. Or maybe they would storm the alleys in another sweep.

…..Who knows what they were looking for? Not me.

…..I went inside and to the front of the house again, to peek out through the blinds. The soldiers looked young and scared. They were bent under backpacks and girded with tool belts. At some command in their earpieces, they simultaneously all at once snapped to. They spread out like just-hatched spiders, in pairs, heading to the houses. In a moment one was knocking on my door.

…..I saw through its side panes that he was very young and scared, but his gear from thick boots to hard helmet and the gun, of course, lent him authority. At least in theory. There were a couple stripes on his shoulder and a patch in the shape of the next state over.

…..He pounded again. His second was not paying attention, instead facing the street that the tanks and trucks had now gone on from, and carelessly (nervously?) lit a cigarette.  I opened up. The soldier on my threshold stepped forward, came in.

…..But in my front room he didn’t know what to do. Though, like I said, young and scared — and small, not my height, not my bulk — he was out of proportion in the room. It’s small and not cluttered. There’s a stuffed chair where I read, a lamp behind it, a table beside it, and a desk with a straight chair facing at a big dark screen. But it was like the soldier was wearing seven-league boots and pumped up with energy he couldn’t quite handle.

…..“Did someone come in? Did they bring my check?” Maw cackled. If you weren’t used to her voice, you probably couldn’t make that out. I could, but the soldier looked startled.

…..“Who you got here? How many?”

…..“My maw,” I said. “That’s all. Don’t worry, she can’t . . .”

…..She wheeled herself out just then, through the thick plastic sheets hanging at the hallway’s arch. Her head bent to her left, almost to her shoulder. She sucked oxygen from the hose from the tank strapped to the back of her chair. Her hair was done up ugly, in wispy reddish curls, her lips crayoned like dried blood. She batted her eyelids with an effort, like they were stuck together.

…..“You brought my check?” she asked the soldier. “If you didn’t, how we gonna eat, I ask you? I gotta feed my boy. He works so hard — don’t you, John-John?  He works for me. He takes care of me, good care of me.” Suck, suck. He probably didn’t understand any of that, but maybe he got the next part: “We need our check.”

…..“Yes ma’am,” the boy soldier said, like I s’pose he’d said to his maw and his grandmaws and his aunts maybe a zillion times. “Yes ma’am,” and backed off.

…..I thought I heard some scrabbling in the back, under the floor of our enclosed porch, and I hoped the soldier hadn’t. Noises there aren’t uncommon. We have a possum, maybe a family of them, in the crawlspace under the porch floor. Or it’s squirrels. Not rats, I hope. But I didn’t want the soldier poking around down there.

…..Then we heard an explosion, very big and such a fast crack of noise it was impossible to tell from where, but must have been close, pretty close. My soldier said, “Stay here” to me and strode out the way he’d come to check with his partner — who wasn’t there. “Where’d he. . .?” my soldier said aloud and then bounded off, towards the next block. I went out behind him, saw him running to where a bunch of uniforms had gathered, beyond the intersection, in the wake of the tanks and trucks, and I went back inside.

…..“Where’d he go, John-John?” asked Maw.

…..“Never mind,” I told her. “Never mind.”

…..But I was a little worried. I went down to the basement, through the door that’s in the kitchen. I keep a gun in a secret place in the storage space down there. The gun’s old, I’ve never fired it, and it would probably blow up if I tried. I don’t have any bullets. It’s a keepsake.

…..It was my grandpaw’s. He was a newspaper delivery boy in the 1920s when there were newspaper wars going on. The rivalries got tough, with thugs dumping his papers and threatening him. Maybe even worse than that. Night after night. So he’d bought a revolver.

…..But a gun won’t help these days. Not a handgun like that, not handled by an old man like me against soldiers, tanks and trucks. So I don’t have bullets. I just like to touch it, now and then.

…..Through the basement door that leads out back, I heard the scrambling outside again — but different, this time men clomping through our yard. It’s not very large and there’s nothing there, just the garage and weeds and chain fences on both sides of the weed patch separating it from the neighbors’ weed patches. A few wooden steps up to our back landing, a few concrete steps down to our basement door.

…..From the inside, I lifted the plank that secured the basement door, pushed it open, took a couple steps up and poked my head out. Two soldiers were standing in our weeds, which were up past their ankles, swinging their guns around, looking this way and that. I called to them. “Can I help? What you looking for?”

…..“Yeah,” said one. I didn’t think it was the one who’d come in our front way, but I couldn’t be sure. They looked alike. “Yeah. Anybody here?”

…..“Here?” I repeated. “Here? Just me. And my maw.”

…..“Uh-huh,” said the soldier. “You sure?”

…..“One of your buddies was just inside,” I said. “He just ran down the block. Was there an explosion?”

…..“Never mind,” said this soldier. His partner was butting the nozzle of his gun into the weeds, searching for something in them. Maybe anthills.

…..“There’s no one here,” I said.

…..“I’ll just look,” said the soldier, coming towards me. “What’s down there?” waving his gun barrel in my general direction.

…..“Basement,” I said. “Out here we keep some tools,” waving my hand at the stuff around me, as I took a step back. “You can see: Snow shovel. Rake. Buckets.”

…..He stood at the top of those stairs, bent and peered at the mess. The buckets sat on the ledge of the crawlspace. They were filled with rocks that once upon a time long ago Maw used for framing garden beds. Way long ago. Dangling cobwebs. Rags. Snow shovel, rake, broom. Nothing, really.

…..Another air-splitting boom cracked the world then. I could have sworn the ground tilted for an instant, but maybe it was in my head. And shouts were wafting to us from where it happened. Then shrieks. Cries of pain, so loud that even 50 yards away hairs on the back of my neck and my forearms rose and stirred, in fright and sympathy.

…..The soldier near me looked at the one farther — they reached silent agreement — and ran out of the yard, in the direction of the shouts and screams.

…..I walked up to look after them, then back down the concrete basement steps. There were the long-handled implements, the buckets of stones, a tarp flung like randomly under the crawl space. I picked up the rake and speared the tarp.

…..“Okay, I’m here,” said someone under it. They folded it back.

…..It was the young man I thought I’d seen from my back window, among the gang running in the alley. He wore a red windbreaker, which wasn’t much against the cold. And wouldn’t red stand out?

…..“What do you want?” I asked.

…..“You gotta let me in,” he said.

…..“I’ve got to?”

…..He shrugged. He was maybe 20, 25, though at my age I can’t judge others’ ages well anymore. He was thin, middle-height. His face was long, topped with a thatch of black hair, with black caterpillar eyebrows, hard brown eyes, long nose, long jaw to square chin. He smiled at me, lopsided, wolfish. I imagined he charmed the neighborhood girls and older women.

…..It was dangerous to have him in the crawlspace, with the soldiers lurking around. It would endanger me if he was found there, which was likely if I let him stay. If he left through our back gate into the alley — he might be seen by soldiers out there, too. It might be worse for us if he was found inside, but that seemed less likely.

…..So I took the odds. I gestured he should come out, and when he did I ushered him inside and closed the basement backdoor behind us. He grinned and took a big gulp of air. I pointed past the washing machine, dryer, sinks, furnace and generator up the stairs to the kitchen and followed him there. I motioned he should take a seat at the kitchen table, so he did. He leaned back and stretched his legs forward. He grinned at me again.

…..“You got coffee?” he said, glancing at the pot on the stove. “I’d like some.”

…..I pouted him a cup and handed it over.

…..“John-John,” Maw caterwauled. “John-John, did someone come in?”

…..The young man shrugged at me, like he didn’t care what I said.

…..“Yes, Maw,” I answered.

…..She rolled in on her wheelchair.

…..“Did you bring my check?” she asked. Suck, suck on the oxygen.

…..“Not yet,” the young man said, catching my eye and winking. “But I promise, I will. I  will get it for you.”

.

.

___

.

.

Howard Mandel is a writer, editor, educator, a radio, recording and event producer, and has been president of the Jazz Journalists Association since 1994. A Chicago native and now back there after more than 30 years in New York City, Mandel‘s work has appeared in the Chicago Daily News and Reader, New York Times, Washington Post, Village Voice, DownBeat, The Wire, Swing Journal, Bravo! and as annotations on dozens of records. Mandel‘s books are Future Jazz  (Oxford University Press),  Miles Ornette Cecil – Jazz Beyond Jazz  (Routledge),  The Illustrated Encyclopedia of Jazz and Blues  (Billboard Books),  The Definitive Encyclopedia of Jazz and Blues  (Flame Tree Press)  and The Jazz Omnibus  (Cymbal Press).  He’s blogged at ArtsJournal.com/JazzBeyondJazz and on Substack  (Mandel‘s media diet).  He’s written fiction since childhood.

.

.

___

.

.

Click here to help support the continuing publication of Jerry Jazz Musician, and to keep it ad and commercial-free (thank you!)

.

Click here to read “My Vertical Landscape,” Felicia A. Rivers’ winning story in the 69th Jerry Jazz Musician Short Fiction Contest

Click here to read more short fiction published on Jerry Jazz Musician

Click here to read The Sunday Poem

Click here for information about how to submit your poetry or short fiction

Click here for details about the upcoming 69th Jerry Jazz Musician Short Fiction Contest

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

.

.

.

___

.

.

 

Jerry Jazz Musician…human produced since 1999

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo by William Gottlieb/adapted by Rhonda R. Dorsett
21 jazz poems on the 21st of April, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…Mix in poems on the blues with some Coltrane, Monk, Bix, Mingus, Miles, Art Farmer, King Oliver, Desmond, and Brubeck, and you have one hell-of-a lively and entertaining collection to take in. Enjoy!

Community

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

CC BY-SA 3.0, via Wikimedia Commons

"A Light Downstream" by Francis Fernandes

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Francis Fernandes reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Interview

A Women’s History Month Profile: Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups...Little is known of the lives of many of the young Black women who – in the Girl Groups of the ‘60’s – sang, wrote, created, and popularized their generation-defining music, and even less about the challenges they faced while performing during such a complex era, one rife with racism, sexism, and music industry corruption. In this February, 2024 Jerry Jazz Musician interview, Laura Flam and Emily Sieu Liebowitz discuss their book’s endeavor at giving them an opportunity to voice their meaningful experiences.

Poetry

photo via Wikimedia Commons
“Empire State of GRIME” – a poem by Camille R.E....The author’s free-verse poem is written as an informal letter to tourists from a native New Yorker, (and sparing no bitter opinion).

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Poetry

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

photo via NOAA
“Taking The Littlenecks” – a prose poem by Robert Alan Felt...Expressing the joy and sorrow of life at age 71 with grace, wisdom, and appreciation.

Short Fiction

photo by Iryna Olar/pexels.com 
“The Fading” – a short story by Noah Wilson...The story – a finalist in the recently concluded 70th Short Fiction Contest – examines the impact of genetic illness on a family of musicians and artists.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Los Angeles Daily News, CC BY 4.0 , via Wikimedia Commons
“The Pet Shop” – a short story by Sherry Shahan...The story – a finalist in the recently concluded 70th Short Fiction Contest, – is about an octogenarian couple who accept a part-time caretaker position at Crazy Goose Burlesque when the theater is temporarily shuttered due to archaic public indecency laws.

Poetry

Laura Manchinu (aka La Manchù), CC BY 2.0 , via Wikimedia Commons

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Jazz History Quiz

photo by Mel Levine/pinelife, CC BY 2.0, via Wikimedia Commons
Jazz History Quiz #186...While he had a long career in jazz, including stints with, among others, Coleman Hawkins, Roy Eldridge, Sonny Stitt and Stan Getz, he will always be remembered primarily as the pianist in Charlie Parker’s classic 1947 quintet. Who is he?

Playlist

photo by Robert Hecht
“Spring is Here!” – a playlist by Bob Hecht...With perhaps Lorenz Hart’s most sardonic lyric — which is saying something! — this song remains one of the greats, and has been interpreted in many ways, from the plaintive and melancholy to the upbeat and hard swinging, such as John Coltrane’s version. Check out this bouquet of ten tracks to celebrate this great season!

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

“Lies, Agreed Upon” – a short story by M.R. Lehman Wiens...The story – a finalist in the recently concluded 70th Short Fiction Contest – uncovers a man’s long hidden past, and a town’s effort to keep its involvement in it buried.

Short Fiction

photo by Bowen Liu
“Going” – a short story by D.O. Moore...A short-listed entry in the recently concluded 70th Jerry Jazz Musician Short Fiction Contest, “Going” tells of a traumatic flight experience that breaks a woman out of her self-imposed confines and into an acceptance that she has no control of her destiny.

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.