The Sunday Poem: Three poems on Mother’s Day

May 10th, 2026

.

.

The Sunday Poem  is published weekly, and strives to include the poet reading their work.

Readings of the poems are available at their conclusion.

.

.

___

.

.

photo by Duncan Light/via Pexels

 

.

.

Wall Street Wailing (For My Mother)

This old Brunswick 78 spins into
my aging mind.
Mom liked ‘Mood Indigo’ best
but I always played the flip
‘Wall Street Wail’,
Ellington’s paean to
the crash
that didn’t even tickle
Cotton Club gangsters.

Wall Street Wail:
A racetrack flurry
of solos with Charleston
intervals and a bit
of Tiger Rag to boot.
I was about 10
when I first heard it,
and despite the love
she gave me
of all things Duke
Wall Street Wail
made a singular end run
into my subconscious.

It’s been
six years
since Mom died, almost
a centenarian. Annual
spring Lobelia remind
me of her,
and this mornings
Indigo sky.
And I think of
the freedom she gave
to discover my
own choices.

Outside my sunrise window
a squirrel runs
up an elm tree like
a Barney Bigard
ascending scale
and I look through
my shelves
under ‘E’ for Duke’s
signature of exuberant youth,
a sound we were
both allowed
to find
in our own way
he and I,
Wall Street Wail.

.

by Daniel Warren Brown

.

Listen to  Jerry Jazz Musician  editor/publisher Joe Maita read Daniel’s poem

.

Listen to the 1930 recording of the Jungle Band (a pseudonym for the Duke Ellington Orchestra) perform the Ellington composition “Wall Street Wail” [Universal Music Group]

.

 

 

___

.

Thelonious Monk and Mama

Thelonious Monk paints a picture of Mama
with his piano, the way Monet or Matisse
would, with paint: loud, bright colorful
notes, that are a Rorschach test, screaming
on the page.

Perhaps Mama would’ve modeled for Picasso
in her spare time, when she didn’t dance
with Josephine Baker; her dark skin would’ve
been her calling card. Hemingway would’ve flirted
with her, he would’ve have put her in a short story.
she would’ve given William Faulkner inspiration for a novel.

Or maybe T.S. Eliot would’ve encountered her; she
would’ve loosened him up; Prufrock would’ve
had a reason to smile.

My Mama walks the streets of Paris like a 20s flapper,
and race is a foreign concept to her; white men tell her
she’s beautiful and she knows.

She sits in a restaurant, treated like a queen
life and dreams and possibilities await her…

.

by Erren Kelly

.

 

.

Listen to Erren Kelly read his poem

.

Listen to the 1954 recording of Thelonious Monk performing his composition “Think of One,” with Sonny Rollins (tenor saxophone); Julius Watkins (french horn); Percy Heath (bass); and Willie Jones (drums). [Universal Music Group]

]

 

.

___

.

Whispers of the Heart

My mother, voice colored by the hint of Virginia
even after decades away, softly talks of years past,
friends, parents, deceased spouse, siblings,
all lost to mortal frailty, swallowed by time.

Her monologue has the gentle beauty of a solo
by Bill Evans at his most introspective. His musings
deftly drawn on a keyboard and her murmurs
to listening sons are as one, quiet music that soars.

It sometimes seems that all life, whether muted or lived
with abandon, is an elegy for time’s relentless movement,
whether past, present, or future. No matter how restrained
or uninhibited, life expresses whispers of the heart.

.

by Michael L. Newell

.

Listen to Joe Maita read Michael’s poem

.

Listen to the 1962 recording of Bill Evans performing his composition “Person I Knew,” with Chuck Israels (bass); and Paul Motian (drums). [Universal Music Group]

 

.

.

_____

.

.

.

Daniel Warren Brown has loved jazz (and music in general) ever since he delved into his parents’ 78 collection as a child. He is a retired special education teacher who began writing as a senior. He always appreciates being published in journals and anthologies. At age 72 he published his first collection Family Portraits in Verse and Other Illustrated Poems through Epigraph Books, Rhinebeck, NY. Daniel writes daily about music, art and whatever else catches his imagination.

.

.

___

.

.

Erren Kelly is a three-time Pushcart nominated poet from Boston whose work has appeared in 300 publications (print and online), including Hiram Poetry Review, Mudfish, Poetry Magazine, Ceremony, Cacti Fur, Bitterzoet, Cactus Heart, Similar Peaks, Gloom Cupboard, and Poetry Salzburg.

Click here to read “Under Quarantine” — COVID-era poetry of Erren Kelly, published by Jerry Jazz Musician

.

.

___

.

.
.

Michael L. Newell lives on the Atlantic Coast of Florida. His most recent book of poems is Passage of a Heart. Click here to read “What is this Path” – a collection of his poems recently published on Jerry Jazz Musician

.

.

___

.

.

Click for:

Information about Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II (featuring women poets)

The Sunday Poem Archive

More poetry on Jerry Jazz Musician

Where the Music Wasn’t Allowed,” Jane McCarthy’s winning story in the 71st Jerry Jazz Musician Short Fiction Contest

More short fiction on Jerry Jazz Musician

Information about how to submit your poetry or short fiction

Subscribe to the (free) Jerry Jazz Musician quarterly newsletter

Helping to support the ongoing publication of Jerry Jazz Musician, and to keep it commercial-free (thank you!)

.

___

.

.

Jerry Jazz Musician…human produced since 1999

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo of Shelly Manne by William Gottlieb/Library of Congress
21 jazz poems on the 21st of May, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An array of poetic styles communicate personal reverence for and experiences with jazz music, and its cherished musicians.

The Sunday Poem

Marek Lazarski, CC BY-SA 4.0, via Wikimedia Commons

The Sunday Poem: “Sonny Rollins” by Akua Lezli Hope

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Akua Lezli Hope reads her poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

“You Don’t Know What Love Is”- a short story by L.F. Graubard...A recovering junkie jazzman in a Starbucks time slips through the key years that fed his addiction — 1967 R&B and jazz gigs, ’69 biker bars, ’71 methadone hustles, ’79 script scams — before landing in the Narco Farm, where music, Sonny Rollins, and Secretariat crack his heart open. A fractured, noir confession about love, dope, and improbable grace.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

“From Ingenue to Earth Mother” – a short story by Lisa Grunberger...The story – a short -listed entry in the recently concluded 72nd Jerry Jazz Musician Short Fiction, centers on a couple who “get” each other from the beginning, but who can’t seem to make a life together.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Short Fiction

Alejandro Aznar/via Pexels.com
“Down at the Crossroads” – a short story by David Rudd...In this story – a finalist in the recently concluded 71st Jerry Jazz Musician Short Fiction Contest – a jazz composer hears a lone fiddler play a tune that enters his head and won’t leave it, like a virulent earworm, wrecking his playing, his friendships, and indeed, his life, until he finally finds a way to remove it.

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.