Spring 2022 Jerry Jazz Musician Newsletter

April 12th, 2022












Jerry Jazz Musician — Spring 2022 Newsletter







In This Issue



A Collection of Jazz Poetry – Spring, 2022 Edition

 

This broad collection is comprised of work by a fascinating assemblage of writers from all over the world – many of whom are regular contributors, while others are either established but new to these pages, or are aspiring (and inspiring) poets.

No matter their background or style, the contributors have something important in common – using poetic language to share their love of jazz music and its culture, and the impact it has had on their life experience.

As always, thanks to the poets and readers, and I hope you enjoy…

Joe

(Featuring the art of Corey Barksdale)

 

Read the Poetry Collection



Interview with Richard Brent Turner, author of Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism
 

Richard Brent Turner, Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa, argues that from the late 1940’s through the 1970’s, Islam rose in prominence among Black Americans in part because of the embrace of the religion among jazz musicians. In this interview, he talks about the historic connections of Islam and jazz, and his book – a fascinating study for readers interested in religion, popular music and African American history.

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(photo of John Coltrane by Hugo van Gelderen/Wikimedia Commons)



Short Fiction Contest-winning story #59 — “His Second Instrument” by Dave Wakely

 

In Mr. Wakely’s story, Gail’s days on the bandstand are behind her now, London nights swapped for the life of a farmer’s wife back in Devon.  But if an intriguing young man with a love of Billy Strayhorn wants sax lessons, who is she to deny him the chance to experience what she has given up?

(photo via Piqsels)



Interview with Joe La Barbera, co-author of Times Remembered: The Final Years of the Bill Evans Trio

 

Joe La Barbera is one of jazz’s finest drummers; his career was well-established when he first joined Bill Evans, and he has continued to be an in-demand drummer for some of the world’s premier jazz artists.  La Barbera talks with Jerry Jazz Musician contributing writer Bob Hecht about his book, and the significance of being the drummer in Evans’ last trio.

(photo of Bill Evans courtesy Brian McMillen)



Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Duke Ellington, Dizzy Gillespie, Quincy Jones and ‘Toots’ Thielemans

 

Duke Ellington, Dizzy Gillespie, Quincy Jones and “Toots” Thielemans are featured in this edition of photographs and stories from Veryl Oakland’s book, Jazz in Available Light

(photo of Dizzy Gillespie by Veryl Oakland)
 



Trading Fours, with Douglas Cole, No. 4: “Maiden Voyage”

 

Trading Fours with Douglas Cole is an occasional series of the award-winning writer’s poetic interpretations of jazz recordings and film.   In this volume, he writes about Herbie Hancock’s 1965 Blue Note recording, Maiden Voyage.

 



“The Compositional Genius of Bill Evans — A Brief Overview & Playlist,” by Bob Hecht

 

Over the decades, Bill Evans’ compositions have captivated and challenged so many other jazz musicians. To highlight his enduring compositional genius, Bob Hecht assembled a Spotify playlist of almost all of his tunes. In most instances, it includes a couple of versions of each tune by Evans and the many others who have covered, and continue to cover, this unique repertoire. Consider it a kind of ‘endless loop’ tribute, honoring one of jazz’s finest composers.

(photo of Bill Evans by Steve Schapiro, Public domain, via Wikimedia Commons)



Jazz History Quiz #152

Prior to Jack Teagarden (pictured), this trombonist — who gained a strong reputation playing with the Original Memphis Five and Red Nichols — was the most advanced in jazz. He and his band backed Sophie Tucker on her 1924 recording of “Red Hot Mama,” and he eventually went on to play with Paul Whiteman, Benny Goodman and Eddie Condon. Who was he?.
 
 
(Photo of Jack Teagarden by William Gottlieb/Library of Congress)



Also in this issue…

 

In the new edition of “Pressed For All Time,” producer Bob Thiele talks with Michael Jarrett about working with John Coltrane on the classic 1964 Impulse recording, A Love Supreme; a wealth of Spotify playlists; a new edition of “Sittin’ In:  Jazz Clubs of the 1940s and 1950s” focuses on two Harlem night spots; new editions True Jazz Storiesupdates about writers who contribute their work to Jerry Jazz Musician; and new book excerptspoetry and short fiction
 



In the Previous Issue

 

A Collection of Jazz Poetry – Fall/Winter 2021/22 Editionan interview with Kitt Shapiro, author of Eartha & Kitt: A Daughter’s Love Story in Black & White; an interview with Wayne Enstice, co-author of The Lady Swings: Memoirs of a Jazz Drummer (Dottie Dodgion); and more

(painting by Molly Larson Cook)



Coming Soon to Jerry Jazz Musician

 

 Interviews, book excerpts, playlists, poetry, short fiction, art and photography, true jazz stories and lots more in the works….
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Jerry Jazz Musician is a non-commercial website whose mission is to explore the culture of America with jazz music as the centerpiece…For news about how you can submit your work, click here. 

As always, thanks for subscribing, and for sharing this email with interested readers.

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In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo of Shelly Manne by William Gottlieb/Library of Congress
21 jazz poems on the 21st of May, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An array of poetic styles communicate personal reverence for and experiences with jazz music, and its cherished musicians.

The Sunday Poem

photo via FBA Mastery

The Sunday Poem: “Traces” by Jason Youngclaus

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Jason Youngclaus reads his poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

“You Don’t Know What Love Is”- a short story by L.F. Graubard...A recovering junkie jazzman in a Starbucks time slips through the key years that fed his addiction — 1967 R&B and jazz gigs, ’69 biker bars, ’71 methadone hustles, ’79 script scams — before landing in the Narco Farm, where music, Sonny Rollins, and Secretariat crack his heart open. A fractured, noir confession about love, dope, and improbable grace.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

photo J. & L. Caswall Smith
“Bitty’s Last Request” – a short story by Jill Bronfman...In the story – a finalist in the recently concluded 71st Short Fiction Contest – a very old dancer visits her young relative with stories to tell about the old days in the clubs.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Short Fiction

Alejandro Aznar/via Pexels.com
“Down at the Crossroads” – a short story by David Rudd...In this story – a finalist in the recently concluded 71st Jerry Jazz Musician Short Fiction Contest – a jazz composer hears a lone fiddler play a tune that enters his head and won’t leave it, like a virulent earworm, wrecking his playing, his friendships, and indeed, his life, until he finally finds a way to remove it.

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.