• Jeffrey’s fingers hovered inches above the ivory. His heart pounded. The oak bench creaked as he leaned forward, only the toes of his scuffed leather shoes making contact with the floor. The hand-written notes on the page in front of him bounced up and down with every panting breath.

  • In honor of the great American journalist Nat Hentoff — who died January 7 at age 91 — I am publishing a 2005 interview I conducted with him as he turned 80.

     

     

  • Short Fiction writer Arya Jenkins contributes her 10th story written exclusively for Jerry Jazz Musician…

  • “Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition describes the time Ella Fitzgerald chose to pass on an opportunity to meet Pablo Picasso.

  • "Storyville" -- a short story by Matthew Peel
  • "Civil Liberties and Jazz" -- a conversation with Nat Hentoff
  • "Like a Pigeon in the Park" a story by Arya Jenkins
  • Great Encounters #47: When Ella chose not to meet Picasso
Art

Photographer Chuck Krall: Jazz in Images

In a 2013 podcast, photographer Chuck Krall – notable for his photos of Rahsaan Roland Kirk, Dizzy Gillespie and legendary musicians of the 1970’s – talks with KMHD (Portland) radio personality Jessica Rand. Krall’s remembrance of his time with Dizzy is worth the (free) price of admission! Go here to hear the podcast, and stick around for a

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Literature » Short Fiction

Deadline for entry in 43rd Short Fiction Contest is September 30

Heads up to all interested short fiction writers…The deadline for submitting your story for consideration in our 43rd Short Fiction Contest is September 30. Contest details are found here.

 

Here is a sampling of winning stories…

 

Playing for Tips,” by Michael Bennet

The Blues Museum,” by Jay Franzel

Homage,” by Kenneth Levine

Mystery in C Minor,” by Bruce Golden

Anacostia,” by Qevin Oji

The Improvisational Distance,” by J.A. Reynolds

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Literature » Poetry

“The Quick Hands of Hampton Hawes” and two other poems by Daniel Shapiro

For years, the autobiography proved elusive,
speeding east like the double-jointed run
that skipped from white keys to black,
soldiers chased from Central Avenue battles.
Then the book took a rest, hiding out
in a nondescript store among academic texts,
tomes whose covers bore geometric shapes.
Cardboard screamed orange, red, and white,
the slow burn of a

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