A must-read for those interested in the challenges facing contemporary music journalism is Max Cea’s February 23 Salon piece on the changing state of jazz coverage at the New York Times (on the heels of longtime writer Nate Chinen’s departure from the paper), and how those changes will impact jazz music…Perhaps the most chilling sentence in the piece (but hardly the only one): “… the current political situation makes devoting significant resources to increasingly esoteric arts coverage seem inessential.”
Given the typical adversarial rendering of critics by artists — pedantic, sadistic and envious of their victims — you might expect two New York Times music critics leaving the paper in the span of six months to be cause for
Many thanks to Doug Ramsey, honored jazz journalist and publisher of the blog Rifftides, who during his visit to Portland to cover the PDX Jazz Festival, took the time to meet with me and learn about the “Jazz in the Schools” program we instituted at PDX Jazz. You can read his report and get information about the program by clicking here.
Yes, it is hot,
night sweats beneath
Spanish moss and the terror in trees
now knowing no cover of darkness
to greet a Sunday morning
under the stairs
16th Street Baptist Church.
and the siren wails
As board president of PDX Jazz, I have been busy of late in preparation for the Feb. 16 – 26 PDX Jazz Festival…Great lineup this year, including Maria Schneider, John Scofield, Jimmy Heath, Roy Ayers, Branford Marsalis, Kurt Elling and countless others. To keep up on the events of the Festival, check out Doug Ramsey’s blog Rifftides.
Portland has a long history of presenting jazz. In Jumptown: The Golden Years of Portland Jazz, 1942 – 1957, author Bob Dietsche reports on the neighborhoods where jazz thrived, the clubs, the local artists, and of course the national artists who came to town. This mid-1950’s poster announcing the performance of
Wind-swept sheets of rain, notes
gusting from Oscar Peterson’s fingers, grounded,
soaked up by rock-steady Ray