• While revisiting James Lincoln Collier’s 1989 biography Benny Goodman and the Swing Era, the story of Goodman’s 1962 U.S. State Department tour of the Soviet Union caught my eye…

  • This edition tells the story of Lester Young getting high with Jack Kerouac, and his overall influence on his generation

     

     

  • “Da Capo al Fine” by J. Lee Strickland is the recipient of the 44th Jerry Jazz Musician New Short Fiction Award

  • Jeffrey’s fingers hovered inches above the ivory. His heart pounded. The oak bench creaked as he leaned forward, only the toes of his scuffed leather shoes making contact with the floor. The hand-written notes on the page in front of him bounced up and down with every panting breath.

  • "To Russia, Without Love"
  • Great Encounters #48: Lester Young and Jack Kerouac
  • "Da Capo al Fine" - a story by J. Lee Strickland
  • "Storyville" -- a short story by Matthew Peel
Literature » Short Fiction

Short Fiction Contest-winning story #44 — “Da Capo al Fine” by J. Lee Strickland

     I wake up when the door opens. Instant-awake, alert. I’m staring at the ceiling, at the ornate medallion in its center. Late-night city glow from the windows casts awkward shadows on the plaster. The light clicks on, and I hear a gasp. I feel a sympathetic shot of adrenaline hit my chest. I look toward the door, and there’s a woman there, a stranger. A beauty, too, dressed in a black pants-suit, purse slung over a shoulder, the jacket cut and fitted to her slim waist matador-style. Beneath the jacket, she’s wearing a white blouse with an enormous collar that flares out over her shoulders and breast, like gull wings. Her hair is loose, brown, shoulder-length, streaked with bits of blonde, her face around her dark eyes a mix of fear and puzzlement.

     “Who are you?” she says, her hand still on the light switch. “What are you doing here?” Her voice quivers.

     I look around. The ceiling looks like my

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Features » In Memoriam

On Nat Hentoff’s memorial service

Nat Hentoff’s memorial service was held at St. Peter’s Church in New York on Friday, February 24. Aidan Lee reported on the service for the Jazz Journalists Association, and the Village Voice — a longtime employer of Hentoff — provided an extensive photographic account of the day’s events. Click through to the next page to view a performance of pianist Joe Alterman playing Errol Garner’s “Gaslight” at the memorial

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Uncategorized

Is it the “jazzless age” at the New York Times?

A must-read for those interested in the challenges facing contemporary music journalism is Max Cea’s February 23 Salon piece on the changing state of jazz coverage at the New York Times (on the heels of longtime writer Nate Chinen’s departure from the paper), and how those changes will impact jazz music…Perhaps the most chilling sentence in the piece (but hardly the only one): “… the current political situation makes devoting significant resources to increasingly esoteric arts coverage seem inessential.” 

 

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Given the typical adversarial rendering of critics by artists — pedantic, sadistic and envious of their victims — you might expect two New York Times music critics leaving the paper in the span of six months to be cause for

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Art

“Jazz in the Schools”

Many thanks to Doug Ramsey, honored jazz journalist and publisher of the blog Rifftides, who during his visit to Portland to cover the PDX Jazz Festival, took the time to meet with me and learn about the “Jazz in the Schools” program we instituted at PDX Jazz.  You can read his report and get information about the program by clicking here.

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