• Jeffrey’s fingers hovered inches above the ivory. His heart pounded. The oak bench creaked as he leaned forward, only the toes of his scuffed leather shoes making contact with the floor. The hand-written notes on the page in front of him bounced up and down with every panting breath.

  • In honor of the great American journalist Nat Hentoff — who died January 7 at age 91 — I am publishing a 2005 interview I conducted with him as he turned 80.

     

     

  • Short Fiction writer Arya Jenkins contributes her 10th story written exclusively for Jerry Jazz Musician…

  • “Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition describes the time Ella Fitzgerald chose to pass on an opportunity to meet Pablo Picasso.

  • "Storyville" -- a short story by Matthew Peel
  • "Civil Liberties and Jazz" -- a conversation with Nat Hentoff
  • "Like a Pigeon in the Park" a story by Arya Jenkins
  • Great Encounters #47: When Ella chose not to meet Picasso
Art

Photographer Lee Santa’s “Journey Into Jazz”

In the introduction to his book Journey Into Jazz, photographer Lee Santa shares his earliest and fascinating experiences with jazz music…A sampling of his photographs follow.

 

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I’m not a musician. I’m not a music critic. And you’ll soon find out I’m not a writer. I am simply a fan of jazz who is also a photographer.

 

Though I didn’t know what it was called at the time, my earliest recollection of jazz was growing up in 1950s Indiana. My father had a couple of LP albums I liked listening to; one was by Stan Kenton and the other was the sound track from the film

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Features » In Memoriam

A memory of Nat Hentoff

Paul Morris is a longtime friend and contributing writer of Jerry Jazz Musician.  He currently writes “Cover Stories with Paul Morris,” a frequent column about classic record album art and design.

Paul shares a memory of the legendary jazz writer and journalist Nat Hentoff, who died on January 7 at the age of 91.

 

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     In the late 1970’s I was a jazz fan who liked reading about the music as much as listening to it. My next music choice often came from a recommendation from a jazz critic’s liner notes or articles. Nat Hentoff proved to be a reliable guide in his early jazz books and the occasional article. 

     These years were the heyday of the Village Voice, where Hentoff was a regular. He concentrated on First Amendment issues in his Voice column, but from time to time he would mention

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Literature » Short Fiction

“Storyville” — a short story by Matthew Peel

Jeffrey’s fingers hovered inches above the ivory. His heart pounded. The oak bench creaked as he leaned forward, only the toes of his scuffed leather shoes making contact with the floor. The hand-written notes on the page in front of him bounced up and down with every panting breath. He recognized most of the squiggles and lines cascading up and down the staff, but he couldn’t read a single word that surrounded them. Ms. Joetta’s voice echoed in his head, reverberated out of the hole in his threadbare fedora. Play, son. The first chance you get, and don’t look back. He could feel lightning in his fingers, almost driving him past the fear deep in his

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Quiz Show » Jazz History Quiz

Jazz History Quiz #95

In addition to co-leading a quintet with Zoot Sims, this tenor saxophonist may be best known as the man who replaced Herbie Steward as one of the “Four Brothers” in Woody Herman’s Second Herd. Who is he?

Art Pepper

Al Cohn

Stan Getz

Bob Cooper

Charlie Ventura

Boots Mussulli

Charlie Mariano

Go to the next page for the answer!

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Uncategorized

The Jazz Loft According to W. Eugene Smith

In the late 1950’s, the photographer W. Eugene Smith happened to be Manhattan neighbors with musicians Dick Cary and Hall Overton, who used their apartment as a gathering place for the great jazz artists of the era. In this small apartment space, Smith catalogued the lives of the likes of Thelonious Monk, Bill Evans, Rahsaan Roland Kirk and Lee Konitz in 4,000 hours of recordings and 40,000 photographs. Among the most noteworthy is a recording of Monk and Hall Overton as they rehearse for their famous 1959 Town Hall recording.

The ongoing effort preserving this work known as “The Jazz Loft Project” includes the musical recordings and photos as well as conversations among the

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