Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar

December 31st, 2024

.

 

.

 

Readers can click to the next month at the conclusion of each poem.  You can also go to each month by clicking on the link to the months here:

Jan/Feb/Mar/Apr/May/Jun/Jul/Aug/Sep/Oct/Nov/Dec/Intro

 

;

.

March, 2025

“Charlie Parker in End of Winter”

.

.

___

.

.

 

photo by William Gottlieb/Library of Congress; Design by Rhonda R. Dorsett

 

.

.

Charlie Parker in End of Winter

March winds swirl.
Frozen is the pond
where children skate.

In New York we wrap
our toes in pure white
wool blankets.

Bird blows ample warmth
from his alto saxophone
on our vinyl records.

The lover man
we don’t wonder
where he can be.

In March, blue icicles hang
in perimeter of living rooms. Ears
swing like in Jazz clubs in busy city.

We savor wine & whiskey.
We speak the language
of the virtuoso god.

.

Listen to Jerrice J. Baptiste read her poem

.

.

___

.

.

Listen to Charlie Parker play “Loverman”  [The Orchard]

.

.

Click here to read Jerrice’s poem for April

.

.

Share this:

58 comments on “Jerrice J. Baptiste’s 2025 Jazz Poetry Calendar”

    1. Thank you Joanne for expressing your joy for this Jazz Poetry Calendar! Yes, I agree it’s a great start to the New Year! I do hope you get to explore as many of the poems, songs & photographs as possible!
      Thanks for commenting! Best wishes, Jerrice

    1. Just listened to “April in Paris.” Jerrice, you are giving a relevant voice to the voices and artistry of the past. The passion that Sarah Vaughan and the composers could only allude to you have enriched with your poetic interpretation of their feelings. Your respect for their work reveals their excellence in jazz rendition and your sensitivity as a poet .

  1. This poem is sensual and captivating it makes me want to listen to this jazz song. thank you for putting it in towards what I feel are strong emotions.

    1. Thank you Emmanuel for reading, listening, reflecting, commenting on our Jazz Poetry Calendar!
      An abundance of gratitude for your beautiful words written here!
      Best wishes, Jerrice

  2. A really lovely concept, Joe and Jerrice…I’m looking forward to reading what each month of 2025 inspires!

    1. Thank you Connie!
      Joe was amazing is his vision for this poetry calendar project! It’s been a true collaboration!
      I feel blessed! You can read each poem here on this website for each month! Thanks for commenting!
      Best wishes, Jerrice

    2. Définitivement tu me charmes avec tes poèmes.
      ” bonsoir Ms. Gardot ” m’excite à écrire mon propre poème.
      Bravo Jerrice.

  3. I love your visual use of color and your cool sensations of wind and rain. Your words show the essence of changes in time. Very befitting of a calendar with the monthly honor of the representatives of jazz. Concrete and real.

    1. Thank you Mary!

      This wonderful project has given me the opportunity to capture & express what I feel when I listen to Jazz!

      Thanks for reading & listening!
      Best wishes for the new year!
      Jerrice

    1. Thank you Carolyn!
      Jazz is a gift and I feel grateful that my poetry can be a gift through which jazz can be appreciated even more!!
      Thanks for taking the time to leave a comment! I appreciate it!
      Best wishes, Jerrice

    1. Merci beaucoup Roodly!
      C’est un grand joie d’etre ton inspiration!
      C’est magnifique ton compliment! Jerrice

    1. Thanks so much Catherine! I’m glad you could feel the summer season and its beauty through my poem. Thanks for taking the time to read & enjoy it! Best wishes, Jerrice

  4. Wow. Such a powerful poem, Jerrice. I love the unveiling of details about your and your partner’s emotional states through such beautiful imagery. The way the story unfolded was captivating — it kept me reaching for the next line to figure out what was going on, and to see how it would resolve. I love that the resolution to such scary possibilities was found not just by the doctor saying they didn’t find anything wrong, but also through mindful walks in nature. Such an important lesson that anyone can benefit from learning– how to move through difficult emotions using presence of mind.

    1. Thank you so much Allison! I’m glad you were so moved by my poem “August Blues” and that you learned so much from it. How nature can be a source of healing for all of us. I’m thrilled the imagery was powerful and suspenseful! Thanks for reading, listening and commenting! Happy New year!
      Jerrice

  5. So beautiful! The journey of falling in love: from thawing the jaded ponds of your heart to breaking free from icy borders to let rushing waters of love be free — to finally let the love not only in, but to let all the love within yourself out. I also love the imagery of the heart described as “red chambers”, it evokes such truth in the matters of the heart: the heart is not just a completed puzzle handed to a lover, it is something to explore in the process of loving, if you are granted that entrance to the “red chambers”. Stunning, Jerrice.

  6. “November Affair” is so intimate and laced with such visceral details that I can really picture and feel this moment in time. What a lovely depiction of a slow, lovely evening.

    1. Thank you Allison for reading my poem “November Affair.” I appreciate your presence of mind to grasp the details of language, and imagery. It is a complex poem, I’m grateful it touched you so much!
      Best wishes, Jerrice

  7. Jerrice, in addition to your January poem (“Hey Julie”), I’m loving “August Blues” and October’s “Sweet Lilac Wine.”

    Again, the concept of a Jazz Poetry calendar? Perfect 👌 💞

    1. Hi Connie,

      It’s so wonderful that you returned to read more of my poems in the Jazz poetry calendar!! Thank you for reading and commenting. I’m glad “August Blues” and “Sweet Lilac Wine” are some of your favorites! Me too! Joy & gratitude, Jerrice

  8. The idea of writing poems celebrating jazz musicians is very unique and intriguing. I am not familiar with some of the musicians here, but your words paint wonderful pictures of the ones I do know while at the same time combining the imagery of the calendar month. Well done.

    1. Thanks so much Nicole! I appreciate your comment. These poems are a celebration of life and jazz! So glad you’re enjoying all the jazz artists here! Best wishes, Jerrice

    1. Thanks so much Bichini for returning to read more of my poems! I’m glad you love the poems especially the one about Ms. Gardot! C’est magnifique! Best wishes, Jerrice

  9. Jerrice, this calendar project was just perfect for you. You are an extraordinary poet and the blending of your poems with these incredible artists just makes your words even sweeter. April in Paris was exquisite. Thank you!

    1. Thanks so much Sandi! Glad you enjoyed April in Paris! Thanks for your thoughtful comment! I loved selecting the songs and writing the poems to complement the songs. It was a fun project! Best wishes, Jerrice

  10. Love the humor and fun:
    !A poem about a dream of ladybirds
    Who crashed through to real life and ate up the dreamer’s real life
    Strawberries!

    1. Thanks so much Priscilla! I’m thrilled you love June Bugs & Berries! This imaginative poem was a blast to write! Lots & lots of fun! Thanks for your joyful comment! Best wishes, Jerrice

  11. What a wonderful concept! I just love this jazz + poetry calendar to bring in the New Year 2025 – such a rich and brilliant pairing of images, poetry and jazz. Jerrice’s lyrical poems so wonderfully capture the essence of the music and musician , and the senses and spirit of each seasons too. W such a great collaborative creative project! Will be a treat to visit through the months. Thank you!

    1. WOW! Thanks so much Bonnie! It’s so fabulous that you will be revisiting the poems of the calendar throughout the months! Glad you admire the creativity
      and love of this project for this year! Best wishes, Jerrice

    1. Thanks so much Carolyn for returning to read more of my poems! I’m thrilled you love my February poem, Bonsoir Ms. Gardot! C’est magnifique! I appreciate your love for the images & repetition. Thanks again! Best wishes, Jerrice

  12. Juliie,
    le titre du poeme de Janvier.
    Ce poeme est tres interessant .
    Je l’aime beaucoup Jerrice.
    Bon travail.

    1. Merci beaucoup Mirlande! Je te remercie pour tes compliments!
      C’est un grand plaisir pour moi que tu aimes “Hey Julie.” Je l’adore aussi! Jerrice

  13. Sweet lilac wine
    Définitivement Jerrice c’est confirmé que tu es une poète talentueuse.
    Excelsior ma nièce.

    1. Merci beaucoup ma tante Mirlande! Je suis heureuse que tu aimes Sweet Lilac Wine! J’apprecie ton compliment! Avec joie, Jerrice

    1. Thanks so much Anya! I’m happy you love the poem! Yes, looking forward to your next comment for next month’s poem! Best wishes! Jerrice

  14. I love Sarah Vaughan and the song is beautiful. This whole idea of your poems Jerrice, coupled with the music it’s just extraordinary! You are so talented and wish all the best. Eyes Up! 💙

    1. Thanks so much Valerie! I’m glad you love Sarah Vaughan singing April in Paris and my poem! Thanks for your encouraging comment too! Best wishes, Jerrice

  15. Thank you so much Connie for reading! I’m glad you enjoyed January’s poem and are excited about next month’s offering.
    Best wishes,
    Jerrice

  16. To call Jerrice’s poems sensual doesn’t do them justice. They are tactile with all the rough or soothing textures. They are so aromatic they have your mouth watering to breathe the same air for nourishment. What wonderful series! August blues leaves wanting to stand in the rain with her.

  17. Jerrice – wonderful, and it hit me much more, once I heard the music…yes indeed, it’s a beautiful piece, and your piece goes beautifully with it. It takes me away…I could hear your poem echoing within the tune, especially the bass…a lovely experience. Thank you, and thanks for showing us to this site.

    Be well, and have a beautiful Summer,
    Charlie

  18. thank you for the wonderful collection of poems presented in this publication. love the themes and inclusion of music. keep it up!

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo of Shelly Manne by William Gottlieb/Library of Congress
21 jazz poems on the 21st of May, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…An array of poetic styles communicate personal reverence for and experiences with jazz music, and its cherished musicians.

The Sunday Poem

Marek Lazarski, CC BY-SA 4.0, via Wikimedia Commons

The Sunday Poem: “Sonny Rollins” by Akua Lezli Hope

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Akua Lezli Hope reads her poem at its conclusion.


Click here to read previous editions of The Sunday Poem

Performance

The performance poet Emmett Wheatfall
A Letter from the Editor…On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”A brief recap and photos of the February 7, 2026 Jerry Jazz Musician-produced performance of “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”

Interview

photo of Billie Holiday by William Gottlieb/Library of Congress
Interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday’s Last Year...The author talks about the courage and resilience of the legendary Lady Day, and his outstanding book – an inspirational and revealing portrait of an iconic American, that, like his subject, exudes compassion and creative soul.

Feature

Book Excerpt from Crossing Bar Lines: The Politics and Practices of Black Musical Space, by James Gordon Williams...In this entire chapter from his book, the author explains how the trumpeter Ambrose Akinmusire expresses his political views and lived geography through his improvisational music, notably his critique of police brutality that has, as he states, “become a leitmotif throughout my albums.”

Poetry

Yves Moch, CC BY-SA 3.0, via Wikimedia Commons
“Remembering Sonny Rollins” – a collection of poetry...Over the years, many poems have been published on Jerry Jazz Musician that were written in reverence of the man we refer to simply as “Sonny.” In the wake of his death, many more have been written. The unsolicited poems making up this collection is an example.

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Short Fiction

“You Don’t Know What Love Is”- a short story by L.F. Graubard...A recovering junkie jazzman in a Starbucks time slips through the key years that fed his addiction — 1967 R&B and jazz gigs, ’69 biker bars, ’71 methadone hustles, ’79 script scams — before landing in the Narco Farm, where music, Sonny Rollins, and Secretariat crack his heart open. A fractured, noir confession about love, dope, and improbable grace.

Poetry

Peter Buitelaar, CC BY 2.0 , via Wikimedia Commons
Two Poems for Miles Davis

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

“From Ingenue to Earth Mother” – a short story by Lisa Grunberger...The story – a short -listed entry in the recently concluded 72nd Jerry Jazz Musician Short Fiction, centers on a couple who “get” each other from the beginning, but who can’t seem to make a life together.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Short Fiction

Alejandro Aznar/via Pexels.com
“Down at the Crossroads” – a short story by David Rudd...In this story – a finalist in the recently concluded 71st Jerry Jazz Musician Short Fiction Contest – a jazz composer hears a lone fiddler play a tune that enters his head and won’t leave it, like a virulent earworm, wrecking his playing, his friendships, and indeed, his life, until he finally finds a way to remove it.

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.