“Death of an American (Sammy’s Story)” – a short story by Tucker May

September 23rd, 2025

.

.

“Death of an American (Sammy’s Story)” was a short-listed entry in our recently concluded 69th Short Fiction Contest, and is published with the consent of the author.

.

.

___

.

.

Wikimedia Commons

.

Death of an American (Sammy’s Story)

by Tucker May

.

…..Once there was a boy born with so much talent and so much smarts that the world couldn’t handle him. He was too much of both. When he sang, whole neighborhoods gathered. He was a magnet. Smart as a whip, too. And when he smiled, it made grown ladies look away. He was a thing, I’ll tell you that.

…..The world noticed just like I did. Suddenly all kinds of folks started coming around asking after little Sammy. Too much, too fast, I said. Let him keep on in the church choir. Nobody ever listened to me, though. And they swept him away, my little Sammy, with their cars and their money.

…..He got big and it happened fast. Turns out everybody did like to cha cha cha. Don’t take me wrong, he made good music. Broke my heart. But they didn’t know Sammy. He was young. He was still too young.

…..He became so much more than himself. Hope and beauty was baked into his music from the bottom up and people could hear it just as plain as anything. People said to me, time and again they said, “He lifts us, he’s it! He’s it, mama!” I missed my baby, though. I worried.

…..And then it happened. Sammy got shot and killed. At a motel, it happened. The man who told me was in a police uniform. He didn’t care. Just a piece of information he had to say out loud. Collapsing my world, casual like. Sammy had sang it all: this is a mean world to try and live in all by yourself.

…..They say that Sammy was asking for it. That he was drunk or something else and that he assaulted a white lady. No. No way. I don’t believe it, not my Sammy. I don’t care about the police report. I don’t care what the news has to say. I know this place. I live in America. Sammy was killed because he was a black man who got some money and tried to use it for something.

…..You know what happened to my baby out in L.A.? The same thing as happens in Chicago every day. And Boston and Little Rock and any place you can point your finger on the map. My Sammy was trying to change things. He was trying to make things better for people who make music, just like him. All he wanted was for the world to be fair. And now he’s dead.

…..You know them record companies. What they get up to. They knew that Sammy was organizing against them. He was trying to get artists what they deserve. And them white suits knew it. I can’t prove nothing, nobody can. But he winds up dead right when he starts organizing against the record companies? Please.

…..Or it was that Klein man. Yeah. It could have been that Klein man. Heartless. Everybody knew how bad he was. How can you even own another man’s music anyways? To own another man’s art is to own his soul. White devil. Klein ain’t sing shit. Sammy did! Somebody made my baby’s death happen, I’m telling you. And I heard enough about ‘conspiracy’ this and ‘conspiracy’ that. Ain’t no conspiracy if it happened. My baby is dead. I saw the body. Beat all to hell. Gunshot? He died from a gunshot? You wanna tell me that? Then why is he all roughed up? Somebody beat his head in after a bullet to the chest? No! Just no.

…..I’m losing myself now, I’m sorry. This is a story I’m telling and I’m getting worked up. Sammy was on top of the world, you know. Top ten hits, I’m talking. Real money. He was sending home bunches. Let the good times roll, he sang. And maybe he might have got caught up in some of it himself, maybe drugs or whatever you wanna say, but he was only just human just like the rest of us. God bless him.

…..That night. The night he left us. He and some girl went to a restaurant. It was spelled out clear as day by witnesses: she left with him. She chose to leave with him. Sammy always had a way with the fairer kind. He was out in the land of lights with a wad of cash in his pocket and he found himself a white woman and it got him killed. Familiar headline, I guess.

…..They went to a motel. Here’s where it all stops fitting. You ask me, she was trying to rob him. Where was the money, huh? It was gone before the cops got there, that’s all we know. They say she ran out in a hurry, that she didn’t mean to grab up Sammy’s clothes alongside her own. But then where’d the money go? Wasn’t in Sammy’s slacks at the end of the night. The people at the restaurant, the motel clerk — they all saw Sammy with wads of money. Then it was gone and he was left dead. You know what? I think she had an accomplice. She took that money, passed it off to somebody else, then called the cops to put the frame on Sammy. And while she was doing that, he was left in his drawers trying to get help from the motel manager and instead he got a bullet. That white woman might not have pulled the trigger, but she sure as anything got him killed. Just because he got dumb and flashed around his money in a strange city.

…..And let me ask you this: what would you do? If you came out the bathroom and saw some girl had grabbed your cash and took off? She made off with his pants! What would you do? Sammy ran down to the motel office and started banging on the door. He asked for help. And I get it, I see how that is. A grown man beating down your door in his britches in the middle of the night. That lady was right to be scared, but did she have to go and shoot him? She killed him for asking where that girl had went? That’s not right. That don’t add up. Not if you got a brain in your head. Something else is going on here. But we’ll never get to know. I’ll never get to know. And it’ll never bring him back anyways.

…..I wish they hadn’t told me his last words. Is that strange to say? Not wanting to know your child’s last words? But they hang over me now. “You shot me, lady.” That’s all he said. “You shot me, lady.” Then he was gone. He died. Ain’t that just the worst? “You shot me, lady.” No happy-ever-afters in this story, I guess. Another Saturday night and I ain’t got nobody, Sammy sang. Oh. Oh, I miss him.

,

.

___

.

.

Tucker May is a self-published novelist with two forthcoming works toward the end of 2025 and beginning of 2026: Death of a Billionaire and The Lemon House Murders. He also publishes mystery short stories in micro-chapters on social media. Find those on Instagram, Bluesky and Facebook at Tucker May Mysteries. He lives in Pasadena, California with his partner Barbara and their cat, Principal Spittle.

.

.

___

.

.

Click here to read the 2005 Jerry Jazz Musician interview with Sam Cooke biographer Peter Guralnick

Click here to help support the continuing publication of Jerry Jazz Musician, and to keep it ad and commercial-free (thank you!)

.

My Vertical Landscape,” Felicia A. Rivers’ winning story in the 69th Jerry Jazz Musician Short Fiction Contest

Click here to read more short fiction published on Jerry Jazz Musician

Click here to read The Sunday Poem

Click here for information about how to submit your poetry or short fiction

Click here for details about the upcoming 69th Jerry Jazz Musician Short Fiction Contest

Click here to subscribe to the Jerry Jazz Musician quarterly newsletter (it’s free)

.

.

.

___

.

.

 

Jerry Jazz Musician…human produced since 1999

.

.

.

Share this:

Comment on this article:

Your email address will not be published. Required fields are marked *

Site Archive

Your Support is Appreciated

Jerry Jazz Musician has been commercial-free since its inception in 1999. Your generous donation helps it remain that way. Thanks very much for your kind consideration.

Click here to read about plans for the future of Jerry Jazz Musician.

In this Issue

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

Aretha Franklin, 1968/photo via Picryl

”Dear Aretha” by J. Stephen Whitney

The Sunday Poem is published weekly, and strives to include the poet reading their work...

J. Stephen Whitney reads his poem at its conclusion


Click here to read previous editions of The Sunday Poem

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by William Gottlieb/Library of Congress
21 jazz poems on the 21st of January, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poets – several new to readers of this website – writing about their relationship with the music and its historic figures, including Chuck Mangione, John Coltrane, Barney Kessel, Count Basie, Bill Evans, Hubert Laws, and Steve Lacy.

Feature

Press Release for “The Weary Blues: Celebrating The Harlem Renaissance and Langston Hughes...I recently wrote about a new endeavor of mine – producing a show in Portland celebrating the poetry of Langston Hughes and the Harlem Renaissance. What follows is the complete press release for the February 7 performance at the Alberta Abbey in Portland, Oregon.

Poetry

photo by Lorie Shaull/CC BY 4.0
“Poetry written in the midst of our time” – Vol. 2...Poets within this community of writers are feeling this moment in time, and writing about it...

Poetry

photo via Picryl
Three poems…written in the midst of our time...Poets within this community of writers are feeling this moment in time, and writing about it. Here are three examples.

Short Fiction

photo via Freerange/CCO
Short Fiction Contest-winning story #70 – “The Sound of Becoming,” by J.C. Michaels...The story explores the inner life of a young Southeast Asian man as he navigates the tension between Eastern tradition and Western modernity.

Feature

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Poetry

photo via Shutterstock
“The Music of Lana’i Lookout” – a poem by Robert Alan Felt...The 17th anniversary of president-elect Barack Obama's scattering of his beloved grandmother's ashes is at the center of the poem, and serves as a reminder that moral personal character of leadership is what makes a country great.

Short Fiction

art by Alan Aine
“Skipping Up the Steps Since Six” – a free verse poem by Camille R.E....This narrative, free verse poem – a finalist in the recently concluded 70th Short Fiction Contest – is centered on the sense of isolation a daughter feels as she enters an unorthodox adolescence.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Davidmitcha, CC BY-SA 3.0 , via Wikimedia Commons
“Blue Monday” – a short story by Ashlee Trahan...The story – a finalist in the recently concluded 70th Short Fiction Contest – is an imagining of a day in the life of the author’s grandfather’s friendship with the legendary Fats Domino.

Poetry

National Archives of Norway, CC BY 4.0 , via Wikimedia Commons
“Wonderful World” – a poem by Dan Thompson

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Playlist

“Darn! All These Dreams!” – a playlist by Bob Hecht...In this edition, the jazz aficionado Bob Hecht’s 13-song playlist centers on one tune, the great Jimmy Van Heusen/Eddie DeLange standard, “Darn That Dream,” with the first song being a solo musician recording and each successive version adding an instrument.

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Short Fiction

photo via publicdomainimages.net
“Welcome to America” – a short story by John Tures...The story – a short-listed entry in the recently concluded 70th Short Fiction Contest – is a combination of two true linked stories, both of which involved the same person. In one, he’s a witness to history. In the second, he’s an active participant in history, even becoming a hero. But one can’t understand the second until they know the first.

Feature

photo via Wikimedia Commons
Memorable Quotes – Lawrence Ferlinghetti, on a pitiable nation

Short Fiction

“Frusick: Making Sweeter Music” – a short story by J. W. Wood...In the 22nd century, a medical professional takes a bunch of kids to meet one of the last musicians left in England, and has an epiphany when he hears live music for the first time …

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Jazz History Quiz

Jazz History Quiz #185...This posthumously-awarded Grammy winning musician/composer was the pianist and arranger for the vocal group The Hi-Lo’s (pictured) in the late 1950’s, and after working with Donald Byrd and Dizzy Gillespie became known for his Latin and bossa nova recordings in the 1960’s. He was also frequently cited by Herbie Hancock as a “major influence.” Who is he?

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 27: “California Suite”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.