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Mississippi John Hurt, 1964
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Blues Crush
After John Hurt got his first guitar,
he dubbed her Black Annie—
his first crush under Southern stars.
Each day after picking cotton,
he held her close, anchoring
his right-hand ring and little finger
to her strings, courting a tune.
His gentle fingerpicking uplifted
a soft, conversational voice
endearing even to the crickets.
Some evenings John took a walk
with Annie in the neighborhood,
singing serenades for small tips.
One day inside his shabby shack
he traded “Monday Morning Blues”
for a chance with the OKeh men.
His melody fluttered and landed
like a butterfly on their hearts.
They invited him to Memphis
to cut a record on Valentine’s Day.
This trip became the true harvest
of courting Annie. Since then,
Mississippi John Hurt
became his name tag when he
trod down every rough road
to whisper his quiet blues
into a legend of blues love.
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Jianqing Zheng’s recent poetry collections include Dreaminations (Madville Publishing, Jan 2026)) and Visual Chords (Broken Tribe Press, 2025). He’s also coeditor of Conversations with Michael S. Harper (University Press of Mississippi, 2026). He has received three poetry fellowships from the Mississippi Arts Commission.
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Listen to the 1928 recording of Mississippi John Hurt perform his composition “Morning Morning Blues” [The Orchard]
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Click for:
A Letter From the Editor: On “The Weary Blues: Celebrating Langston Hughes and the Harlem Renaissance”
Information about the book Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II (featuring women poets)
“21 jazz poems on the 21st” collections
More poetry on Jerry Jazz Musician
“Where the Music Wasn’t Allowed,” Jane McCarthy’s winning story in the 71st Jerry Jazz Musician Short Fiction Contest
More short fiction on Jerry Jazz Musician
Information about how to submit your poetry or short fiction
Subscribe to the (free) Jerry Jazz Musician quarterly newsletter
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