Memorable Quotes – Mark Twain, on the pattern of a civilization’s destruction

“Every civilization carries the seeds of its own destruction, and the same cycle shows in them all. The Republic is born, flourishes, decays into plutocracy, and is captured by the…”

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Memorable Quote: H.L. Mencken…

. .   Ben Pinchot, Public domain, via Wikimedia Commons . “I believe it is better to tell the truth than a lie.  I believe it is better to be free than to be a slave.  And I believe it is better to know than to be ignorant.” . -H. L. Mencken . . Listen … Continue readingMemorable Quote: H.L. Mencken…”

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Memorable Quote:…Martin Luther King

. . photo via Pixabay . “Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred.” . -Martin Luther King . . ___ . . Listen to the 1963 recording of Oscar Peterson performing “Hymn to Freedom,” with Ray Brown (bass) and Ed Thigpen (drums).  [Universal … Continue readingMemorable Quote:…Martin Luther King”

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Memorable Quotes — Ornette Coleman

“Making music is like a form of religion for me, because it soothes your heart and increases the pleasure of your brain. Most of all, it’s very enjoyable to express something that you can only hear and not see, which is not bad.”

– Ornette Coleman

1930 – 2015

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Summer 2025 Jerry Jazz Musician newsletter

Jerry Jazz Musician – Summer, 2025 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue   Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection     Dear Readers: …..I recently invited interested poets to take part in an ekphrastic poem exercise that involved … Continue reading “Summer 2025 Jerry Jazz Musician newsletter”

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From the Interview Archive: Paul Desmond biographer Doug Ramsey

In a 2005 Jerry Jazz Musician interview, Paul Desmond biographer Doug Ramsey discusses his subject – a jazz artist who transcended genres to establish one of the most immediately recognizable sounds in all of music.

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Spring 2025 Jerry Jazz Musician Newsletter

Jerry Jazz Musician – Spring, 2025 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue   Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong   It’s safe to assume we can agree that Louis Armstrong deserved this – a comprehensive biography (now … Continue reading “Spring 2025 Jerry Jazz Musician Newsletter”

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Interview with Doug Ramsey, author of Take Five: The Public and Private Lives of Paul Desmond

Take Five: The Public and Private Lives of Paul Desmond is the story of a jazz artist who transcended genres to establish one of the most immediately recognizable sounds in all of music. Long before his success as the alto saxophonist with the Dave Brubeck Quartet, decades before he wrote “Take Five ,” Desmond determined that he would be himself, never a disciple or an imitator, whatever the cost.

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Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers

The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

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Fall 2024 Jerry Jazz Musician Newsletter

Jerry Jazz Musician – Fall, 2024 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue   Jazz Poetry…Collected!     With a major collection of jazz poetry soon to be published in book form, this edition of Jerry Jazz Musician features poets from all over the world whose work … Continue reading “Fall 2024 Jerry Jazz Musician Newsletter”

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True Jazz Stories: “Well You Needn’t: My Life as a Jazz Fan” by Joel Lewis

The journalist and poet Joel Lewis shares his immensely colorful story of falling in love with jazz, and living with it and reporting on it during his younger days in New Jersey and New York

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Book excerpt from The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation, by Keith Hatschek

In the book’s prologue, published here in its entirety, the author writes about some of “The Real Ambassador’s” challenges getting to the stage.

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A Black History Month Profile: Thelonious Monk, a founding father of modern jazz

. . In a 2009 Jerry Jazz Musician interview, Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original, talks about  the legendary composer/pianist who was a founding father of modern jazz. . .   .Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an … Continue reading “A Black History Month Profile: Thelonious Monk, a founding father of modern jazz”

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Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Frank Morgan, Charles Lloyd/Michel Petrucciani, and Emily Remler

In this edition of photographs and stories from Mr. Oakland’s impressive book, Frank Morgan, Michel Petrucciani, Charles Lloyd, and Emily Remler are featured…

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Winter 2020 Jerry Jazz Musician Newsletter

Jerry Jazz Musician Newsletter — Winter, 2020 Information about new content published on Jerry Jazz Musician In This Issue   A Collection of Jazz Poetry — Winter, 2020 Edition ….The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, … Continue reading “Winter 2020 Jerry Jazz Musician Newsletter”

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Book Excerpt: Irving Berlin: New York Genius, by James Kaplan

This story, excerpted from Irving Berlin: New York Genius by James Kaplan, describes how Berlin came to write his first major hit song, “Alexander’s Ragtime Band,” and speaks to its historic musical and cultural significance.

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Interview with Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges

In a Jerry Jazz Musician interview, Con Chapman, author of Rabbit’s Blues: The Life and Music of Johnny Hodges – the first-ever biography of the immortal musician – talks about the enigmatic man and his unforgettable sound.

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Interview with Bing Crosby biographer Gary Giddins

Gary Giddins, his generation’s most eminent jazz writer and author of the award winning biography Bing Crosby: A Pocketful of Dreams: The Early Years, 1903 – 1940, talks with us about his brilliant second book on Crosby, Swinging on a Star: The War Years, 1940 – 1946. The interview is a fascinating read — a virtual history of Crosby’s life and his impact on America during its most consequential decade. Featuring photos, music and film clips, and information about Giddins’ experience studying Crosby for 25 years.

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A true jazz story — “The Sober Years” by Robert Hecht

From a small balcony above the stage of the Maybeck Recital Hall in Berkeley, I’m looking down on the jazz duo of bassist Red Mitchell and pianist Roger Kellaway, while tapping my foot to the earthy, swinging beat they are laying down.

It’s a Sunday afternoon in 1992 at this unique venue. The recital hall is part of a house originally built by the famed architect Bernard Maybeck in the early twentieth century. (Maybeck designed the Palace of Fine Arts in San Francisco, along with many other notable buildings in that city.) The hall accommodates only about 50 people, and it’s a warm, redwood-paneled room with beautiful leaded glass windows on three sides. It actually feels a lot like being in a little chapel—but the religion being worshipped here is that of acoustic jazz, primarily of the pianistic variety.

For several years now, ‘The Maybeck’ as it’s familiarly called, has hosted a who’s-who of

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A writer’s appreciation of Nat Hentoff — by Scott Shachter

I was eighteen when I read Nat Hentoff’s Jazz Is, and it changed my life. I’d always thought good jazz was just the crafting of pretty notes with a smooth feel. I’d never imagined it could be a “cry for justice.” Or a captivating tour through a heart lay bare. The greatest jazz goes even beyond that: the symphony of a soul freshly released and taking flight, nothing less than what Nat calls “spirit-music.”

As readers know, Nat Hentoff was far more than a jazz authority. He was a spectacular writer and a freedom-of-speech icon with no tolerance for hypocrisy. He was a great hero of

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John Goodman, author of Charles Mingus Speaks

As a writer for Playboy, John F. Goodman reviewed Mingus’s comeback concert in 1972 and went on to achieve an intimacy with the composer that brings a relaxed and candid tone to the ensuing interviews. Much of what Mingus shares shows him in a new light: his personality, his passions and sense of humor, and his thoughts on music. The conversations are wide-ranging, shedding fresh light on important milestones in Mingus’s life such as the publication of his memoir, Beneath the Underdog, the famous Tijuana episodes, his relationships, and the jazz business.

Goodman discusses his book in a July, 2013 interview with Jerry Jazz Musician publisher Joe Maita.

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Robin D.G. Kelley, author of Thelonious Monk: The Life and Times of an American Original

“The piano ain’t got no wrong notes!” So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest composers. Yet throughout much of his life, his musical contribution took a backseat to tales of his reputed behavior. Writers tended to obsess over Monk’s hats or his proclivity to dance on stage. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. But these labels tell us little about the man or his music.

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Marybeth Hamilton, author of In Search of the Blues

Leadbelly, Robert Johnson, Charley Patton — we are all familiar with the story of the Delta blues. Fierce, raw voices; tormented drifters; deals with the devil at the crossroads at midnight.

In an extraordinary reconstruction of the origins of the Delta blues, historian Marybeth Hamilton demonstrates that the story as we know it is largely a myth. The idea of something called Delta blues only emerged in the mid-twentieth century, the culmination of a longstanding white fascination with the exotic mysteries of black music.

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Conversations with Gary Giddins: on his book, Natural Selection

Long recognized as America’s most brilliant jazz writer, the winner of many major awards — including the prestigious National Book Critics Circle Award — and author of a highly popular biography of Bing Crosby, Gary Giddins has also produced a wide range of stimulating and original cultural criticism in other fields. With Natural Selection, he brings together the best of these previously uncollected essays, including a few written expressly for this volume.

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“Civil Liberties and Jazz — Past, Present and Future” — A conversation with journalist Nat Hentoff

at Hentoff, a prolific author and journalist whose work has been published for many years in, among other publications, the Village Voice, the New Yorker, the Atlantic Monthly, the Wall Street Journal, and Jazz Times, has been described by one of his publishers, DaCapo Press, as “a man of passion and insight, of streetwise wit and polished eloquence — a true American original.” This “passion of insight” is particularly apparent in his lifelong devotion to the chronicling of jazz music — a pursuit that began even before he became editor of Downbeat in 1953 — and in his steadfast defense of the Constitution.

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Anthony Bianco, author of Ghosts of 42nd Street

Beginning in 1899, a burst of construction on the mid-Manhattan block of West 42nd Street between Broadway and Eighth Avenue created the greatest concentration of theaters America had ever seen, giving birth to today’s Broadway theater district. When the New York Times built a slender twenty-five-story tower on an odd, triangular site formed by the convergence of 42nd Street, Broadway, and Seventh Avenue, the city named the square facing the tower Times Square, which quickly became New York’s gathering place for all important civic events.

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“Remembering Dizzy Gillespie,” a conversation with Nat Hentoff and James Moody

Saxophonist James Moody, whose significant achievements include employment in a variety of Gillespie’s best groups, and journalist Nat Hentoff, whose chronicles on jazz during Gillespie’s era were the benchmarks of his craft, remember Dizzy and his remarkable life in a March 19, 2004 Jerry Jazz Musician hosted conversation.

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John Chilton, author of Roy Eldridge: Little Jazz Giant

Roy Eldridge’s style is universally recognized as the all-important link between the playing of Louis Armstrong and the achievements of modernist Dizzy Gillespie. Roy’s daring harmonic approach and his technically awesome improvisations provided guidance and inspiration for countless jazz musicians, but he was also a star performer in his own right, whose recordings as a bandleader, and with Gene Krupa and Artie Shaw, gained him a durable international reputation. The indignities he experienced and overcame during the 1940’s while working in otherwise all-white ensembles proved he was as bold a social pioneer as he was a performer.

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Fire in a Canebrake author Laura Wexler

“Fire in a Canebrake” is a phrase Walton County, Georgians used to describe the sound of fatal gunshots, and the title of Laura Wexler’s critically acclaimed book on the Moore’s Ford lynching of 1946, the last mass lynching in America.

While the book is a moving and frightening tale of violence, sex and lies, it is also a disturbing snapshot of a divided nation on the brink of the civil rights movement and a haunting meditation on race, history, and the struggle for truth.

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Newport Jazz founder George Wein, author of Myself Among Others: My Life in Music

No one has had a better seat in the house than George Wein. The legendary impresario has known some of the most celebrated figures of jazz — from Duke Ellington to Count Basie, and from Thelonious Monk to Miles Davis. As a founder of the Newport Jazz Festival and countless other festivals around the world, Wein has brought a broad spectrum of musical artists to millions, forever changing the country’s cultural landscape.

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Conversations with Gary Giddins: on Sonny Rollins

Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in an October 21, 2002 conversation about jazz legend Sonny Rollins.

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Richard Sudhalter, author of Stardust Melody: The Life and Music of Hoagy Carmichael

Hoagy Carmichael remains, for millions, the enduring voice of heartland America, a beloved counterpoint to the urban sensibility of Cole Porter and George Gershwin. The author William Zinsser said of Carmichael ,”Play me a Hoagy Carmichael song and I hear the banging of a screen door and the whine of an outboard motor on a lake — sounds of summer in a small-town America that is long gone but still longed for.”

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Site Archive

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Click here to read about plans for the future of Jerry Jazz Musician.

In This Issue

photo by William Gottlieb/design by Rhonda R. Dorsett
21 jazz poems on the 21st of November, 2025...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features poems communicating the emotional appeal of jazz music, as well as nods to the likes of Miles Davis, Regina Carter, Maynard Ferguson, Ornette Coleman, and Max Roach.

The Sunday Poem

photo by Carol Highsmith/Library of Congress

”One Night in New Orleans,” by Rebecca Watkins

The Sunday Poem is published weekly, and strives to include the poet reading their work.... Rebecca Watkins reads her poem at its conclusion


Click here to read previous editions of The Sunday Poem

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Community

Calling All Poets…Submissions guidelines for the anthology “Black History in Poetry”...We are currently seeking poetry from writers of all backgrounds for Black History in Poetry, an anthology scheduled for publication in the Summer of 2026. The anthology will be a means of celebrating and honoring notable Black Americans by offering poetry that teems with imagery, observation, emotion, memory, testimony, insight, impact, and humanity. Our aim is to give readers a way to visualize Black history from a fresh perspective.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Community

Letter from the Editor:“A Jerry Jazz Musician Experience”...Sharing a bit of what I’ve been up to of late, and make you aware of a new endeavor of mine…

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Feature

Memorable Quotes: Horace Greeley, on character...“Fame is a vapor, popularity an accident, and riches..."

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Poetry

"Swing Landscape" by Stuart Davis
“Swing Landscape” – a poem by Kenneth Boyd....Kenneth Boyd writes poetry based on jazz paintings. “Swing Landscape” is written for a Stuart Davis painting of the same name.

Jazz History Quiz

Jazz History Quiz #185...This posthumously-awarded Grammy winning musician/composer was the pianist and arranger for the vocal group The Hi-Lo’s (pictured) in the late 1950’s, and after working with Donald Byrd and Dizzy Gillespie became known for his Latin and bossa nova recordings in the 1960’s. He was also frequently cited by Herbie Hancock as a “major influence.” Who is he?

Short Fiction

Short Fiction Contest-winning story #69 – “My Vertical Landscape,” by Felicia A. Rivers...Touched by the stories of the Philadelphia jazz clubs of the 1960s, a graffiti artist transforms an ugly wall into something beautiful – meaningful, even.

Poetry

photo via Wikimedia Commons
Jimi Hendrix - in four poems

Playlist

A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller...A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

Poetry

Ukberri.net/Uribe Kosta eta Erandioko agerkari digitala, CC BY 2.0, via Wikimedia Commons
In Memoriam: “Color Wheels” – a poem (for Jack DeJohnette) by Mary O’Melveny

Short Fiction

“Alas, for My Poor Heart” – a short story by Daryl Rothman...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – concerns art and its truest meanings—where you just might have to look twice at what the shadow and light of a piece says about that within your soul.

Essay

“Escalator Over the Hill – Then and Now” – by Joel Lewis...Remembering the essential 1971 album by Carla Bley/Paul Haines, inspired by the writer’s experience attending the New School’s recent performance of it

Poetry

“Still Wild” – a collection of poems by Connie Johnson...Connie Johnson’s unique and warm vernacular is the framework in which she reminds readers of the foremost contributors of jazz music, while peeling back the layers on the lesser known and of those who find themselves engaged by it, and affected by it. I have proudly published Connie’s poems for over two years and felt the consistency and excellence of her work deserved this 15 poem showcase.

Feature

photo of Barry Harris by Mirko Caserta
“With Barry Harris at the 11th Street Bar” – a true jazz story by Henry Blanke...The writer - a lifelong admirer of the pianist Barry Harris - recalls a special experience he had with him in 2015

Short Fiction

publicdomainpictures.net
“Corkscrew” – a short story by Mike Wilson...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is about a night when everything goes wrong and everyone is annoying, an unexpected turn of events teaches a sarcastic lawyer that the old adage is true – a cynic is just a disappointed romantic.

Interview

Interview with Sascha Feinstein, author of Writing Jazz: Conversations with Critics and Biographers...The collection of 14 interviews is an impressive and determined effort, one that contributes mightily to the deepening of our understanding for the music’s past impact, and fans optimism for more.

Feature

Trading Fours, with Douglas Cole, No. 27: “California Suite”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.

Short Fiction

photo by Simon Webster
“Smoke Rings and Minor Things” – a short story by Jane McCarthy...The story – a short-listed entry in the recently concluded 69th Short Fiction Contest – is a meditation on missed chances, minor keys, and the music that outlives the room it was played in.

Essay

“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor...The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”

Community

photo of Dwike Mitchell/Willie Ruff via Bandcamp
“Tell a Story: Mitchell and Ruff’s Army Service” – an essay by Dale Davis....The author writes about how Dwike Mitchell and Willie Ruff’s U.S. Army service helped them learn to understand the fusion of different musical influences that tell the story of jazz.

Feature

Excerpts from David Rife’s Jazz Fiction: Take Two– Vol. 16: Halloween on Mars? Or…speculative jazz fiction...A substantial number of novels and stories with jazz music as a component of the story have been published over the years, and the scholar David J. Rife has written short essay/reviews of them. In this 16th edition featuring excerpts from his outstanding literary resource, Rife writes about azz-inflected speculative fiction stories (sci-fi, fantasy and horror)

Poetry

“With Ease in Mind” – poems by Terrance Underwood...It’s no secret that I’m a fan of Terrance Underwood’s poetry. I am also quite jealous of his ease with words, and of his graceful way of living, which shows up in this collection of 12 poems.

Poetry

What is This Path – a collection of poems by Michael L. Newell...A contributor of significance to Jerry Jazz Musician, the poet Michael L. Newell shares poems he has written since being diagnosed with a concerning illness.

Playlist

“Look Ma, No Net!” – a playlist of nonets, by Bob Hecht...In this episode of our progressive instrumentation playlists, we add a ninth instrument to the mix to form a Nonet!

Art

photo by Giovanni Piesco
The Photographs of Giovanni Piesco: Art Farmer and Benny Golson...Beginning in 1990, the noted photographer Giovanni Piesco began taking backstage photographs of many of the great musicians who played in Amsterdam’s Bimhuis, that city’s main jazz venue which is considered one of the finest in the world. Jerry Jazz Musician will occasionally publish portraits of jazz musicians that Giovanni has taken over the years. This edition features the May 10, 1996 photos of the tenor saxophonist, composer and arranger Benny Golson, and the February 13, 1997 photos of trumpet and flugelhorn player Art Farmer.

Community

Community Bookshelf #5...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

Interview with John Gennari, author of The Jazz Barn:  Music Inn, the Berkshires, and the Place of Jazz in American Life; Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works......  Also, a new Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.