“Spring is Here!” – a playlist by Bob Hecht

With perhaps Lorenz Hart’s most sardonic lyric — which is saying something! — this song remains one of the greats, and has been interpreted in many ways, from the plaintive and melancholy to the upbeat and hard swinging, such as John Coltrane’s version. Check out this bouquet of ten tracks to celebrate this great season!

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“The Mysterious Axeman’s Jazz” – a story by Ruth Knafo Setton

Upon returning from the horrors of World War II to post-war New Orleans, a trumpeter learns of a dark secret that reveals how his family fought their own evil, and uses jazz to bury the ghosts of war and reclaim the light through music.

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“Darn! All These Dreams!” – a playlist by Bob Hecht

In this edition, the jazz aficionado Bob Hecht’s 13-song playlist centers on one tune, the great Jimmy Van Heusen/Eddie DeLange standard, “Darn That Dream,” with the first song being a solo musician recording and each successive version adding an instrument.

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“Wonderful World” – a poem by Dan Thompson

Dear Louis Armstrong
(Louis Daniel Armstrong) …
The Most Reverend Satchel Mouth …
Gatemouth, Dippermouth, Satchmo, Pops …

After all these years …
all these years of your being in my background,
your presence behind my youthful school days,
behind my dearly departed
boyhood and young-man trumpet teachers –

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A sampling of jazz recordings by artists nominated for 2026 Grammy Awards – a playlist by Martin Mueller

A playlist of 14 songs by the likes of Samara Joy, Brad Mehldau, Dee Dee Bridgewater, Branford Marsalis, the Yellowjackets and other Grammy Award nominees, assembled by Martin Mueller, the former Dean of the New School of Jazz and Contemporary Music in New York.

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21 jazz poems on the 21st of September, 2025

An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on the blues, a nod to West Coast Jazz, as well as reverence for the likes of Thelonious Monk, Bill Evans, and Pat Metheny.

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21 jazz poems on the 21st of August, 2025

An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features several poems on John Coltrane and Billie Holiday, as well as nods to Bill Evans, Chet Baker, Archie Shepp and others…

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“Odes & Invocations: An Evening with Artemis” – by david eugene everard

A review of a Victoria, B.C. standing room only performance by Artemis – the all-women jazz ensemble that Downbeat readers have cited as the Best Jazz Group for the last two years – that “felt like an ode to mother nature.”

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Summer 2025 Jerry Jazz Musician newsletter

Jerry Jazz Musician – Summer, 2025 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue   Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection     Dear Readers: …..I recently invited interested poets to take part in an ekphrastic poem exercise that involved … Continue reading “Summer 2025 Jerry Jazz Musician newsletter”

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Trading Fours, with Douglas Cole, No. 25: “How I Hear Music: ‘Feel the Sway,’ A Song in Three Movements”

In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.” 

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“Eight is Great!” – a playlist by Bob Hecht

The cover of the 1959 album The Greatest Trumpet of Them All by the Dizzy Gillespie Octet.   A song from the album, “Just by Myself,” is featured on Bob Hecht’s new 28-song playlist – this one devoted to octets.

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From the Interview Archive: Paul Desmond biographer Doug Ramsey

In a 2005 Jerry Jazz Musician interview, Paul Desmond biographer Doug Ramsey discusses his subject – a jazz artist who transcended genres to establish one of the most immediately recognizable sounds in all of music.

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21 jazz poems on the 21st of May, 2025

. . An ongoing series designed to share the quality of jazz poetry continuously submitted to  Jerry Jazz Musician. Thanks to the poets…and enjoy! . . ___ . . “Diz with Bird” by Martel Chapman . ___ .   Life is Jazz Life is jazz, always improvisational. Groovin’ and swingin’, low down and funky, stately … Continue reading “21 jazz poems on the 21st of May, 2025”

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“The Fire Each Time” – an interview with New York Times best-selling author Frederick Joseph, by John Kendall Hawkins

A conversation with the two-time New York Times bestselling author of The Black Friend and Patriarchy Blues, who in 2023 was honored with the Malcolm X and Dr. Betty Shabazz Vanguard Award,. He has also been a member of The Root list of “100 Most Influential African Americans.”

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“Thoughts on Matthew Shipp’s Improvisational Style” – an essay by Jim Feast

Short of all the musicians being mind readers, what accounts for free jazz musicians’ – in this instance those playing with the pianist Matthew Shipp – incredible ability for mutual attunement as they play?

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The Sunday Poem: “The Köln Concert” by Martin Agee

I’m listening to the Köln Concert
and it is déjà vu. It’s Keith Jarrett playing
the music I always knew but never listened to.
It is every night at midnight putting away the violin
and sitting alone somewhere on the Kansas prairie

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21 jazz poems on the 21st of March, 2025

An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. 

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Community Bookshelf #4

“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)

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“Sextets: The Joy of Six” – a playlist by Bob Hecht

The cover of the 1960 debut album by the Jazztet, co-founded by the trumpeter Art Farmer and the tenor saxophonist Benny Golson, and which always featured a trombonist and a piano-bass-drums rhythm section.  Golson wrote much of the music, but “Hi-Fly” – a tune featured on Bob Hecht’s playlist devoted to sextets – was written by pianist Randy Weston, and appears on the 1960 album Big City Sounds.

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A Black History Month Profile: An interview with Nick Salvatore, author of Singing in a Strange Land: C.L. Franklin, the Black Church, and the Transformation of America

There are few American lives more powerful or more moving than that of C. L. Franklin. Born in rural Mississippi, he would go on to become the most famous African American preacher in America. His style of preaching revolutionized the art, and his call for his fellow African Americans to proclaim both their faith and their rights helped usher in the civil rights movement. In this 2005 Jerry Jazz Musician interview, Franklin biographer Nick Salvatore talks about this immensely complicated public figure (and father to Aretha).

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“Quintets – Gimme Five!” – a playlist by Bob Hecht

The Cannonball Adderley Quintet, on the cover of their 1960 Riverside Records album Live at the Lighthouse.  The ensemble – including Cannonball’s brother Nat on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – is a classic hard bop band, and their performance of “Blue Daniel” is part of the 22-song playlist consisting of memorable quintet performances assembled by jazz scholar Bob Hecht.  

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Winter 2025 Jerry Jazz Musician Newsletter

Jerry Jazz Musician – Winter, 2025 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue   Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry   Dear Readers: For several years I have published major jazz poetry collections that were solely available on the Jerry Jazz … Continue reading “Winter 2025 Jerry Jazz Musician Newsletter”

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Trading Fours, with Douglas Cole, No. 22: “Energy Man, or, God is in the House”

Art Tatum plays fast
fast as Sundays
fast as sunset in November
fast as a hurry up offense
fast as a 20 dollar bill flying down the street

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“Trios – Three’s Not a Crowd” – a playlist by Bob Hecht

In the history of jazz there have been many variations of instrumentation within the trio format (think of Benny Goodman’s trio or Jimmy Giuffre’s) but on this playlist, Bob Hecht concentrates on a handful of the classic trio configurations—either piano, bass and drums, or in a few instances, piano, guitar and bass……

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Community Bookshelf #3

“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)

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“Like a Girl Saying Yes: The Sound of Bix” – an essay by Malcolm McCollum

The first time Benny Goodman heard Bix Beiderbecke play cornet, he recalled, he wondered, “My God, what planet, what galaxy, did this guy come from?” (Skretvedt)

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“Duos – Two of a Mind” – a playlist by Bob Hecht

In this edition of extensive jazz playlists, the award-winning jazz producer and scholar Bob Hecht presents a 31-song playlist of historic and contemporary duo performances that exemplify the essence of jazz as a conversation between individuals, an open exchange between equal partners.

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Interview with James Kaplan, author of 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lost Empire of Cool

The esteemed writer tells a story about the jazz world before, during, and after the 1959 recording of Kind of Blue, and how the album’s three genius musicians came together, played together, and grew together (and often apart) throughout the experience.

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“Alone at the Piano” – a playlist by Bob Hecht

In this edition of extensive jazz playlists, the award-winning jazz producer and scholar Bob Hecht focuses his attention on solo piano performances, including those by artists such as Bud Powell, Thelonious Monk, Art Tatum, Tommy Flanagan, Cedar Walton, Bill Evans, Jaki Byard, Keith Jarrett.

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“The Naked Jazz Musician” – A playlist by Bob Hecht

As Sonny Rollins has said, “Jazz is about taking risks, pushing boundaries, and challenging the status quo.” Could there be anything riskier—or more boundary-pushing—than to stand naked and perform with nowhere to hide? Bob’s extensive playlist is comprised of such perilous undertakings by an array of notable woodwind and brass masters who have had the confidence and courage (some might say even the exhibitionism) to expose themselves so completely by playing….alone.

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A Collection of Jazz Poetry — Spring/Summer, 2024 Edition

In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician,  50 poets from all over the world again demonstrate the ongoing influence the music and its associated culture has on their creative lives.

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Trading Fours, with Douglas Cole, No. 20: “Notes on Genius”

Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film.  This edition is written in response to the music of Wayne Shorter. 

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Community Bookshelf #2

“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share information about their recently authored books.

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“An Un-played Instrument” – a story by Terry Sanville

Floyd grabbed his cane and stepped out of his air-conditioned car into the late August heat. The afternoon sun warmed his stiff joints. It felt good. From the Honda’s back seat he pulled a battered guitar case, locked the car and shambled down Monterey Street to Premier Music Store. Its front door stood closed against blasts of hot Santa Ana winds.

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A Black History Month Profile: Zora Neale Hurston

In a 2002 interview, Carla Kaplan, editor of Zora Neale Hurston: A Life in Letters, talks about the novelist, anthropologist, playwright, folklorist, essayist and poet whose work is is taught in American, African American, and Women’s Studies courses in high schools and universities from coast to coast.

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“Latin Tinges in Modern Jazz” – a playlist by Bob Hecht

A nine-hour long Spotify playlist featuring songs by the likes of Horace Silver, Lee Morgan, Miles Davis, Wayne Shorter, Ahmad Jamal, and Dizzy Gillespie that demonstrates how the Latin music influence on jazz has been present since the music’s beginnings.

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Trading Fours, with Douglas Cole, No. 19: “The Universal Tone”

Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is influenced by Stillpoint, the 2021 album by Zen practitioner Barrett Martin

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Fall/Winter 2024 Jerry Jazz Musician Newsletter

Jerry Jazz Musician – Winter, 2024 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue   A Collection of Jazz Poetry — Winter, 2024 Edition       While earlier editions of jazz poetry collections have included many voices previously unknown to readers of these anthologies, what is striking about … Continue reading “Fall/Winter 2024 Jerry Jazz Musician Newsletter”

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A Collection of Jazz Poetry — Winter, 2024 Edition

One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within these virtual pages.

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Interview with Gary Carner, author of Pepper Adams: Saxophone Trailblazer

The author speaks with Bob Hecht about his book and his decades-long dedication to the genius of Pepper Adams, the stellar baritone saxophonist whose hard-swinging bebop style inspired many of the top-tier modern baritone players.

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Trading Fours, with Douglas Cole, No. 18: “The Sermon”

Hammers in a construction site
sound like a band warming up,
weird solos by a bunch of drummers.
Jimmy Smith comes down draped in groove,
sermonizing your stride,
clouds chest-out like they know something.
A man standing in front of a house,
shouting, I got nothing from you!

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Trading Fours, with Douglas Cole, No. 17: “All I know about music is not many people ever really hear it”

I don’t know where it starts, he said, but can you imagine
watching  They Cloned Tyrone  and the music playing,
almost the whole dance club version of  Love Hangover,
I can’t even watch anything, my mind looks through the settings,
the dialogue is like a crowd talking in a club and I want to listen in,
go into that Diana Ross whisper singing love voice

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Trading Fours, with Douglas Cole, No. 16: “Little Waltz” and “Summertime”

Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, the poet connects the recordings of Jessica Williams’ “Little Waltz” and Gene Harris’ “Summertime.”

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Community Bookshelf, # 1

“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share information about their recently authored books.

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Summer 2023 Jerry Jazz Musician Newsletter

Jerry Jazz Musician – Summer, 2023 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue   A Collection of Jazz Poetry — Summer, 2023 Edition       This edition features poetry chosen from hundreds of recent submissions, and from a wide range of voices known – and unknown … Continue reading “Summer 2023 Jerry Jazz Musician Newsletter”

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A Collection of Jazz Poetry — Summer, 2023 Edition

This edition features poetry chosen from hundreds of recent submissions, and from a wide range of voices known – and unknown – to readers of these collections.  The work is unified by the poets’ ability to capture the abundance of jazz music, and their experience with consuming it.

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Trading Fours, with Douglas Cole, No. 15: “Roots and Threads”

Vivaldi, especially “The Four Seasons,”
keeps showing up in forms of jazz:
a hint, a structure—but try unraveling
any musical DNA you go straight back
to singing and to drum, voice and poetry—

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Spring 2023 Jerry Jazz Musician Newsletter

Jerry Jazz Musician – Spring, 2023 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue   A Collection of Jazz Poetry — Spring, 2023 Edition       This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. … Continue reading “Spring 2023 Jerry Jazz Musician Newsletter”

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Interview with Alyn Shipton, author of The Gerry Mulligan 1950’s Quartets

In this May, 2023 interview, Shipton and Jerry Jazz Musician contributing writer Bob Hecht talk about Mulligan’s unique contributions to modern jazz.

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“What Is This Thing Called Something Else?” – a playlist by Bob Hecht

Contrafacts, as such reworkings are called, are the product of writing a new melodic line over an existing set of chord changes, thereby disguising or sometimes completely obscuring the identity of the original piece.

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Trading Fours, with Douglas Cole, No. 13: “What We Talk About When We Talk About Kind of Blue

The poet writes about the significance of Miles Davis’s “Kind of Blue”, and why it is the “it” jazz recording…

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A Collection of Jazz Poetry — Spring, 2023 Edition

This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. Like all previous volumes, the beauty of this edition is not solely evident in the general excellence of the published works; it also rests in the hearts of the individuals from diverse backgrounds who possess a mutual desire to reveal their life experiences and interactions with the music, its character, and its culture.

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A Women’s History Month Profile: Lena Horne

. . In a 2009 interview, James Gavin, author of Stormy Weather: The Life of Lena Horne, discusses the challenging yet inspiring life of one of the 20th century’s most revered entertainers . . ___ . .     James Gavin, author of  Stormy Weather: The Life of Lena Horne . ___ . . . … Continue readingA Women’s History Month Profile: Lena Horne”

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“Why We Write” – a conversation with three Jerry Jazz Musician contributing writers

Writers talk about influential life experiences with writing, literary figures who inspired their work, overcoming creative and economic challenges, and where they fit in today’s publishing model.

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Interview with Glenn Mott, editor of Victory is Assured: The Uncollected Writings of Stanley Crouch

Mr. Mott discusses this posthumous anthology of extraordinary, thought-provoking  uncollected essays by Stanley Crouch.

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A Black History Month Profile: An interview with Ralph Ellison biographer Arnold Rampersad

Ralph Ellison biographer Arnold Rampersad talks about the complex life of the author of Invisible Man, the celebrated work that focuses on racial and economic issues of mid-20th century America

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Book Excerpt from Victory is Assured: Uncollected Writings of Stanley Crouch

In two complete essays from the collection “Victory is Assured,” Crouch takes up two topics he had considerable opinions about – Miles Davis and Billie Holiday.

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Winter 2022/2023 Jerry Jazz Musician Newsletter

Jerry Jazz Musician – Winter 2022/23 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue   A Collection of Jazz Poetry — Fall/Winter, 2022-23 Edition       While poetry may never again be a major part of popular American culture, it can still effectively impact a subset of … Continue reading “Winter 2022/2023 Jerry Jazz Musician Newsletter”

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A Collection of Jazz Poetry — Fall/Winter, 2022-23 Edition

.This collection of jazz poetry – the largest yet assembled on Jerry Jazz Musician – demonstrates how poets who are also listeners of jazz music experience and interact with the spontaneous art that arises from jazz improvisation, which often shows up in the soul and rhythm of their poetic language.

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“Frank Zappa Presents Edgard Varèse” — a poem by Martin Agee

In the winter of 1981 we were hired to play Downtown—
a performance in Greenwich Village billed “Frank Zappa Presents:
a Musical Tribute to Edgard Varèse.” I sat on stage,
wearing black, tuning my violin, warming up,
looking out at the audience milling around, most of them
covered in tattoos and piercings of every body part

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Interview with Winston James, author of Claude McKay: The Making of a Black Bolshevik

A discussion about the revolutionary, non-conformist poet Claude McKay’s complex early life that culminated in a pioneering role in American letters

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A Collection of Jazz Poetry — Summer, 2022 Edition

A broad collection of jazz poetry authored by an impressive assemblage of regular contributors and established poets new to this publication – all of whom open their imagination and hearts to the abundant creative experience they derive from this art.

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Trading Fours, with Douglas Cole, No. 5: “The Sunset and the Mockingbird Suite” (in honor of Tommy Flanagan)

Mr. Cole’s suite consists of eight poems, all interpretations from songs on pianist Tommy Flanagan’s album Sunset and the Mockingbird Suite

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A Collection of Jazz Poetry — Spring, 2022 Edition

Over 60 poets from all over the world celebrate their love of jazz…in poetry.

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Five poetic landscapes by Sean Howard

Inspired by the essays collected in the jazz and cultural critic Nat Hentoff’s 2010 book At the Jazz Band Ball: Sixty Years on the Jazz Scene, in this series of poems Sean Howard uncovers new relationships and resonances in the author’s writing – reusing, recycling, and remixing text from the book as poetry – while allowing him the opportunity to pay a personal tribute to a writer he reveres.

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Interview with Joe La Barbera, co-author of Times Remembered: The Final Years of the Bill Evans Trio

Drummer Joe La Barbera talks about his book, and the significance of his experience working in Bill Evans’ last trio

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A Black History Month Profile: James Baldwin, William F. Buckley Jr., and the Debate over Race in America

In The Fire is Upon Us: James Baldwin, William F. Buckley Jr., and the Debate over Race in America, author Nicholas Buccola tells the story of the historic 1965 Cambridge Union debate between Baldwin, the leading literary voice of the civil rights movement, and Buckley, a staunch opponent of the movement and founder in 1955 of National Review, the leading conservative publication.  The evening’s debate topic?  “The American dream is at the expense of the American Negro.”

Buccola discusses his book in a July 23, 2020 interview with Jerry Jazz Musician editor/publisher Joe Maita

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“Old Man Hands” — a short story by Terry Sanville

Gordon sat in the corner of the Red Sky Café and stared at his fingers as they slid across the fretboard of his Fender Stratocaster. They seemed disconnected from the rest of his body but hardwired to his brain. When he thought blue, they moved to his favorite notes. When he thought joy, a new series of chords and major scales opened up. He thought, played, listened, and watched.

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“The Compositional Genius of Bill Evans — A Brief Overview & Playlist,” by Bob Hecht

Contributing writer Bob Hecht discusses Bill Evans’ enduring compositional genius, and has assembled an extensive Spotify playlist that includes many of his tunes.

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Trading Fours, with Douglas Cole, No. 2: “The Galactic Fantastic — One Note”

Trading Fours with Douglas Cole  is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This poem is written to the 1957 Coleman Hawkins recording of “Juicy Fruit.”

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A Collection of Jazz Poetry — Fall/Winter, 2021-22 Edition

Molly Larson Cook’s abstract-expressionist paintings accompany the 50 poets contributing to this collection. Her art has much in common with the poetry and music found within it; all three art forms can be described as “landscapes of the imagination,” created by artists from all over the world who are inspired in a meaningful way by jazz music, and whose work can be uniquely interpreted and appreciated (or not!) by those who consume it.

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Playlist: “Jazz Tributes” — compositions and performances by jazz musicians, for jazz musicians

Bob Hecht has created an extensive Spotify playlist he calls “Jazz Tributes” that also serves as a kind of “Thanksgiving” greeting – compositions and performances by jazz musicians, for jazz musicians. 

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Trading Fours, with Douglas Cole, No. 1: Chet Baker’s “Night Bird”

I had a little radio up on top of the refrigerator, and I turned it on as the sunlight went and the world filled up with darkness. I listened to a jazz station and smoked a cigarette and blew the smoke out the window.

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Playlist: “Miles Plays Wayne”

Bob Hecht, a frequent contributor to Jerry Jazz Musician, writes about a current fascination – the compositions of Wayne Shorter, and his contributions to the Miles Davis groups he played in during his time with the trumpeter, 1964 – 1970. Bob has assembled a 20 song Spotify playlist featuring many of the recordings…

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Playlist: Compositions of Ornette Coleman

Contributing writer Bob Hecht’s 40-song playlist features 20 compositions by Ornette Coleman that alternates a cover version of an Ornette composition – often by a pianist or other harmonically-based instrument – followed by Ornette’s original version. It provides a nice perspective on the beauty of his music, even for those who may not particularly be fans.

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“Catbelly Heat on My Knees” — a story by Ewing Eugene Baldwin

. . “Catbelly Heat On My Knees,” a story by Ewing Eugene Baldwin, was a short-listed entry in our recently concluded 57th Short Fiction Contest. It is published with the permission of the author. . .   photo via hippopx/CC0 1.0 Universal . Catbelly Heat on My Knees by Ewing Eugene Baldwin . ___ . … Continue reading ““Catbelly Heat on My Knees” — a story by Ewing Eugene Baldwin”

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A Collection of Jazz Poetry — Summer, 2021 Edition

“It’s not exclusive, but inclusive, which is the whole spirit of jazz.”

-Herbie Hancock

.

And…this spirit is not limited to the musicians, because celebrating jazz is rich in creative opportunity for writers and visual artists as well.  The 54 poets who contribute to this poetry collection are living proof of that.

As always, thanks to the poets, and I hope you enjoy…

Joe

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“Ralph Ellison’s 4-second Appearance in Shirley” — film criticism by John Kendall Hawkins

Hawkins examines the relationship between the characters portrayed in the 2020 film Shirley, and the missed opportunity to include Ralph Ellison in the story

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A Poetry Collection — inspired by Miles Davis

Few artists inspire creativity like Miles Davis. This collection of poetry by 50 poets from all over the world is evidence of that.

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“Ensemble Man” — an essay by Scott D. Vander Ploeg

“Ensemble”—I had heard the director use the term on many occasions, and thought it just meant some undefined collection of musicians. My Jr-high classmates were asked “to meet for ensemble,” or were told that “the ensemble session will be at 10:10 today.” In school, if you joined the band you just started playing; there was no course in Orientation to Band 101 to explain these concepts to us.

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“Pentimento” — a short story by Tanisha Shende

The first time I tried to convince Veronica that we’ve met before, it was a dark summer night, honeyed and sulky, and beneath my feet, the earth was still swollen with rain. Under my right arm, I carried one of her paintings in a wooden case, while my left hand held the scrap of paper bearing the Trevisan family home’s address, given to me in a brief yet frantic call from her aunt.

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Two of a Mind: Conversations on Creative Collaboration, Vol 1: featuring Bill Charlap and Sandy Stewart

An intimate portrait of Bill Charlap and mother Sandy Steward, who explore the art of musical collaboration and accompanying singers.

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A Collection of Jazz Poetry — Winter, 2021 Edition

In this winter collection of diverse themes and poetic styles, 55 poets wander the musical landscape to explore their spirit and enthusiasm for jazz music, its historic figures, and the passion, sadness, humor and joy it arouses.

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A Black History Month Profile: Alain Locke, the father of the Harlem Renaissance

In a 2019 Jerry Jazz Musician interview, Jeffrey Stewart, author of The New Negro: The Life of Alain Locke and winner of the 2018 National Book Award for Non-Fiction, talks about Locke, the man now known as the father of the Harlem Renaissance.

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“Life in E Flat” — a conversation about Phil Woods, with pianist Bill Charlap and jazz journalist Ted Panken

Bob Hecht talks with pianist Bill Charlap and writer Ted Panken about the late Phil Woods, and his book Life in E Flat: The Autobiography of Phil Woods

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Poetry in the era of COVID, Black Lives Matter, and a heated political season, Vol. 5

In this fifth collection of poetry reflecting these times,  33 poets offer their perspectives…

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Interview with Kevin Whitehead, author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film

Kevin Whitehead, the longtime jazz critic for NPR’s Fresh Air, discusses jazz music and the movies – the “natural allies” that both grew out of existing creative traditions, and, since the mid-1920’s have told stories about “child prodigies, naturals who pick up the music the first time they hear it, hard workers with a painstaking practice regimen, talented players diverted into soul-killing commercial work, and even non-improvisers taught to fake it.”

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Book Excerpt: Play the Way You Feel: The Essential Guide to Jazz Stories on Film, by Kevin Whitehead

. .     . . …..Sure, Queen’s Gambit, The Crown, and Fargo are pretty compelling programs to watch while under quarantine, but have you seen Young Man With a Horn?  How about The Connection?  Syncopation, maybe? …..No, these are not contemporary Netflix productions, they are examples of the more than 100 movies produced since … Continue reading “Book Excerpt: Play the Way You Feel: The Essential Guide to Jazz Stories on Film, by Kevin Whitehead”

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A Collection of Jazz Poetry — Autumn, 2020 Edition

Jazz and poetry have always had a symbiotic relationship.  Their creative languages share the common soil of imagination and improvisation, from which their audiences discover inspiration and spirit, and perhaps even a renewed faith in life itself.

This collection features 50 gifted poets from places as disparate as Ohio and Nepal, Estonia and Boston, Guyana and Pittsburgh, each publicly sharing their inner world reverence for the culture of jazz music.

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“Charm” — a short story by Gargi Mehra

Grandma’s mother had gifted her the bracelet on her tenth birthday. It hung upon her forearm every hour of the day, until her wedding. When the vermillion filled the parting in her scalp, she lost the permission to wear it. Her new husband adored the drink, and loathed the ornaments she carried from her mother’s house.

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On a challenging summer in Portland, the passing of Stanley Crouch, and upcoming opportunities for writers

I have to admit, Portland has kicked my ass this summer.

Two fires continue to rage here.  I’m sure you’ve heard about this city’s Black Lives Matter demonstrations that have also sparked pesky vandalism by dozens of mostly White activists.  While their activities seem banal enough – a dumpster fire here, a picnic table on fire there – this behavior shamefully threatens to commandeer BLM’s objectives and gives life to a cynical and evergreen pre-election message stoking White suburban fear.  The vandalism tests the patience of even the most tolerant and hopeful of local citizens.

Now mix in the fires of climate change – hot, powerful winds fanning flames on a drought-laden state – and the result is living in, for now, the epicenter of the world’s worst air quality.

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Interview with Nicholas Buccola, author of The Fire is Upon Us: James Baldwin, William F. Buckley Jr., and the Debate over Race in America

In The Fire is Upon Us: James Baldwin, William F. Buckley Jr., and the Debate over Race in America, author Nicholas Buccola tells the story of the historic 1965 Cambridge Union debate between Baldwin, the leading literary voice of the civil rights movement, and Buckley, a staunch opponent of the movement and founder in 1955 of National Review, the leading conservative publication.  The evening’s debate topic?  “The American dream is at the expense of the American Negro.”

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Poetry reflecting the era of COVID, Black Lives Matter, and a heated political season — Vol. 2

23 poets contribute 26 poems that speak to the era of COVID, Black Lives Matter, and a heated political season

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“At the Grand Canyon” — a poem by T.S. Davis

. . photo/National Park Service South Kaibab Trail in Grand Canyon National Park . ___ .     At the Grand Canyon   A white man and a black man stand side by side on this precipice, silently looking across the Grand Canyon, watching the revolutionary ravens surf the deep blue ocean of sky and … Continue reading ““At the Grand Canyon” — a poem by T.S. Davis”

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Reminiscing in Tempo: “Life during the time of isolation and social distancing”

Prominent artists and educators reflect on the pandemic and how they are spending their time during isolation and social distancing

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“Life during the time of isolation and social distancing” Vol. 2 — music writers/critics Howard Mandel and Joel Selvin

Music writers/critics Howard Mandel and Joel Selvin respond to the question, “During this time of social distancing and isolation at home, what are examples of the music you are listening to, the books you are reading, and/or the television or films you are viewing?”

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“An Interview with Lee Konitz” — by Bob Hecht and Grover Sales

Bob Hecht hosts a previously unpublished 1985 interview with the late, great jazz saxophonist Lee Konitz, featuring photography and music

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“The Night McCoy Tyner Said ‘That’s Cool'” — by T. S. Davis

.It must have been the late 1980s when my girlfriend and I put on our best clothes and shelled out more money than we had to hear McCoy Tyner at the very elegant Dimitriou’s Jazz Alley in downtown Seattle.

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A Collection of Jazz Poetry — Winter, 2020 Edition

The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors.  Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.

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Book Excerpt — Jazz and Justice: Racism and the Political Economy of the Music, by Gerald Horne

Jazz music — complex, ground breaking and brilliant from its early 20th century beginnings — would eventually become America’s popular music.  That it did so in the face of the severe obstacles of blatant racism and sexism, organized crime and corrupt labor exploitation so prevalent in America at the time is at the heart of historian Gerald Horne’s new book,  Jazz and Justice:  Racism and the Political Economy of the Music.

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Interview with Nate Chinen, author of Playing Changes: Jazz for the New Century

Nate Chinen, the former New York Times jazz critic who is now director of editorial content for WBGO Radio, talks about his book, Playing Changes: Jazz for the New Century

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Interview with Jeffrey Stewart, author of The New Negro: The Life of Alain Locke

Jeffrey Stewart, National Book Award-winning author of The New Negro: The Life of Alain Locke, discusses the life of the man known as the father of the Harlem Renaissance

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Jerry Jazz Musician Short Fiction Contest — Winning Author Profiles, Group 8

On March 11, 2019, .Jerry Jazz Musician.will publish the 50th.winning story in our thrice-yearly Short Fiction Contest. To celebrate this landmark event, we have asked all the previous winners (dating to 2002) to reflect on their own winning story, and how their lives have since unfolded.

This week’s edition covers authors of winning stories #’s 39 – 44

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Jerry Jazz Musician Short Fiction Contest — Winning Author Profiles, Group 7

On March 11, 2019, .Jerry Jazz Musician.will publish the 50th.winning story in our thrice-yearly Short Fiction Contest. To celebrate this landmark event, we have asked all the previous winners (dating to 2002) to reflect on their own winning story, and how their lives have since unfolded.

This week’s edition covers authors of winning stories #’s 35 – 38

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Jerry Jazz Musician Short Fiction Contest — Winning Author Profiles, Group 6

On March 11, 2019, .Jerry Jazz Musician.will publish the 50th.winning story in our thrice-yearly Short Fiction Contest. To celebrate this landmark event, we have asked all the previous winners (dating to 2002) to reflect on their own winning story, and how their lives have since unfolded.

This week’s edition covers authors of winning stories #’s 29 – 34

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Jerry Jazz Musician Short Fiction Contest — Winning Author Profiles, Group 4

On March 11, 2019, .Jerry Jazz Musician.will publish the 50th.winning story in our thrice-yearly Short Fiction Contest. To celebrate this landmark event, we have asked all the previous winners (dating to 2002) to reflect on their own winning story, and how their lives have since unfolded.

This week’s edition covers authors of winning stories #’s 17- 23

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Jerry Jazz Musician Short Fiction Contest — Winning Author Profiles, Group 3

On March 11, 2019, .Jerry Jazz Musician.will publish the 50th.winning story in our thrice-yearly Short Fiction Contest. To celebrate this landmark event, we have asked all the previous winners (dating to 2002) to reflect on their own winning story, and how their lives have since unfolded.

This week’s edition covers authors of winning stories #’s 12 – 16

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Submit

Submit Your Work   Jerry Jazz Musician regularly publishes jazz-loving creatives, and encourages you to consider submitting your own work. When published, you will join a growing community of writers, poets, artists, photographers, podcast producers and filmmakers who share a passion for the inspiring culture found on this website. The following addresses general questions about … Continue reading "Submit"...

About

About Jerry Jazz Musician   Founded and published in Portland, Oregon since 1997, Jerry Jazz Musician is a non-commercial site whose mission is to explore the culture of America with, as noted jazz critic Nat Hentoff wrote, “jazz as the centerpiece.” We focus on publishing content geared toward readers with interests in jazz music, its … Continue reading “About”

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On the Turntable — Miles Ahead

I have been fortunate – thus far – to have avoided the many summer colds going around this season, but I have been afflicted, once again, by “Miles Fever.”  Every so often, I am struck by an irresistible urge to dig into the catalog of this artist so present during virtually every season of my life, and rediscover the thrill of his sound, and of his cultural significance.   

I contracted the virus this morning, and spent the morning (in bed, of course) listening to Miles Ahead, the 1957 recording featuring Miles Davis and 19 musicians under the direction of Gil Evans – his first collaboration with Miles since the Birth of the Cool sessions of 1950, and one of his earliest recordings for Columbia Records.  An early example of

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“Improv” — a short story by Lorna Wood

     This was all her fault, Sarah thought, as she watched the Victory Lounge clear out. She should have known Branchville wasn’t ready for improv jazz. But the bass player, Tommy Williams, had been so supportive after the workshop with the graduate wind students. Sarah had gotten so interested in the group’s ideas about jazz and improvising that she had gone straight to the practice room after the workshop and found their website. Earbuds in both ears, she was improvising to one of the rhythmic bass tracks there when she happened to raise the bell of her clarinet on a long high note the way she’d seen the quartet’s wind players do, and there was Tommy knocking on the door.

            He had been so just what a jazz bass player from Chicago should be, Sarah thought, with his dusky skin and his smoky voice, and his rakish fedora tipped over one eye. And at the same time he had been so genuinely

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Baseball and Jazz

Tomorrow is opening day of the 2017 baseball season. The first day of major league baseball always provokes simultaneous thoughts of renewal and nostalgia – the return of sunshine (at last!) and an optimistic spirit is coupled with the thoughts of days gone by, when the likes of Mays and Mantle and Aaron roamed the outfield and Ellington and Armstrong and Miles set the rhythm of our culture.

Baseball and jazz are well connected, as theorized by trombonist Alan Ferber, who wrote that “baseball players and jazz musicians both strive for a perfect balance between disciplined practice and spontaneity.”  They also shared the spotlight in popular culture, when

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“Don’t Threaten Me with Love, Baby” — a short story by Arya Jenkins

Chantal Doolittle wasn’t like anybody else she knew. Who else, for example, would stand transfixed before a record player or stereo, still as stone while listening to music — not merely attending to it — her very cells taking in the song, calculating and absorbing. “That girl is special,” Nana Esther always said.

When she was a kid and Motown was the thing, Chan would sing Marvin Gaye’s tunes to her grandmother in their high ceilinged apartment, where, more often than not it was soul music, the harmonizing voices of The Four Tops, The Temptations, The Supremes, drifting in from the surrounding windows and disappearing into the sky that was perennially a washed out gray, as if there was an invisible flag always at half mast, hanging outside heaven. From the time she was five or six, all Chan had to do was hear a song once and she would know it. She knew all the Motown tunes word for word, and sang them right on key, perfectly, which is why Nana Esther dubbed her, “my little songbird.”

Of course, there was nothing little about Chantal, but, being her grandmother’s one and only, she was “a little one” to her. Chantal was tall, big for her age, and when she developed as a young woman, busty too. She stood out even before she opened her mouth, due to her attitude. Her nana had taught her to be “confident as a man,” and she had seemingly

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“In a Blue Moon, Once” — a short story by Richard Herring

“Night of the living dead,” a voice screamed in Tom’s head. A softer voice pointed out it was still late afternoon. It sure wasn’t life as he wanted to know it. In reality, it was just another long Thursday afternoon of monthly staff meetings, with new mandates and standards flowing downhill from the top. All the nodding mannequins around the conference room would take it all in, shoot a few inane, brown nose comments back at the presenter, then go back to do their jobs tomorrow the same as always.

Sylvia’s attention was on the crochet hoop in her lap. Jack’s eyes had been closed for the better part of 45 minutes. Tom’s life support system came through the cord fed neatly up beneath the lapel, to the headphones partially obscured by thick sideburns and abundant head of hair. A collection of earpieces was present among these old codgers, but his was connected to the brand new cassette player in his suit coat pocket.

The tape Mikki turned him on to seemed to emanate from a place beyond his routine, tired existence. It was as if the music offered a

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“HEAT” — a short story by Arya Jenkins

1. Savoy Blues

Mercies would have put blues on the menu if it could, but that was a province of the kitchen, where I worked four and a half months too many. I heard actual blues music and caught a gust of air conditioning whenever I snuck through the dining area early in my shift to use the guest bathroom before customers arrived, passing the line of booths next to the orange and black walls on which hung colorful modern paintings of jazz musicians and the

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Interview with Marc Myers, author of Why Jazz Happened

Marc Myers is a busy guy…In addition to being a frequent contributor to the Wall Street Journal (where he writes about jazz, rock, and other culture), he also posts daily on his award-winning blog Jazz Wax and travels around the world promoting his pursuits. Perhaps his most important contribution is his book Why Jazz Happened, described by his publisher (University of California Press) as “the first comprehensive social history of jazz.” Myers’ perspective is fresh and thorough and wonderfully entertaining. For those who love the history of this music, it should be on your night table.

I recently interviewed Myers about his book, which he took the time to converse in great detail about — topics like how the G.I. Bill altered the direction of jazz; the advent of the extended jazz solo that came with the introduction of the LP; and how the suburbanization of Southern California ushered in a new harmony-rich jazz style in contrast to the music played in urban markets. It is a great read!

What follows is part conversation/part history class about Myers’ fascinating cultural study of why, in his opinion, “jazz happened.”

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Book Excerpt from “Mingus Speaks,” by John Goodman

Charles Mingus is among jazz’s greatest composers and perhaps its most talented bass player. He was blunt and outspoken about the place of jazz in music history and American culture, about which performers were the real thing (or not), and much more. These in-depth interviews, conducted several years before Mingus died, capture the composer’s spirit and voice, revealing how he saw himself as composer and performer, how he viewed his peers and predecessors, how he created his extraordinary music, and how he looked at race.

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Interview with Doug Ramsey, author of Take Five: The Public and Private Lives of Paul Desmond

Take Five: The Public and Private Lives of Paul Desmond is the story of a jazz artist who transcended genres to establish one of the most immediately recognizable sounds in all of music. Long before his success as the alto saxophonist with the Dave Brubeck Quartet, decades before he wrote “Take Five ,” Desmond determined that he would be himself, never a disciple or an imitator, whatever the cost.

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Conversations with Gary Giddins: On his books Jazz and Warning Shadows

Giddins has been a frequent contributor to Jerry Jazz Musician. This is the 15th interview in our “Conversations with Gary Giddins” series. He joins us in a June 1, 2010 discussion about his two new books.

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Graham Lock and David Murray, editors of Thriving on a Riff: Jazz & Blues Influences in African American Literature and Film

The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music’s importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive — and elusive — references to jazz and blues in a wide range of mostly contemporary visual artists.

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Short Fiction Contest-winning story #18: “The Notes,” by Brian Greene

The first of my notes read I’M IN A STATE OF DISBELIEF. I left this one on top of a counter at a place where many of the thousands of people who worked in the same building as I did went to get their coffees and pastries in the morning.

The second note went AN ANGEL GOT IN BED WITH ME LAST NIGHT — OR MAYBE IT WASN’T AN ANGEL. I taped this one to the inside of the door of one of the stalls in the public bathroom of the same building.

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The Ralph Ellison Project — Arnold Rampersad, author of Ralph Ellison: A Biography

Ralph Ellison is justly celebrated for his epochal novel Invisible Man, which won the National Book Award in 1953 and has become a classic of American literature. But Ellison’s strange inability to finish a second novel, despite his dogged efforts and soaring prestige, made him a supremely enigmatic figure. In Ralph Ellison: A Biography, Arnold Rampersad skillfully tells the story of a writer whose thunderous novel and astute, courageous essays on race, literature, and culture assure him of a permanent place in our literary heritage.

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Conversations with Gary Giddins: on his book, Natural Selection

Long recognized as America’s most brilliant jazz writer, the winner of many major awards — including the prestigious National Book Critics Circle Award — and author of a highly popular biography of Bing Crosby, Gary Giddins has also produced a wide range of stimulating and original cultural criticism in other fields. With Natural Selection, he brings together the best of these previously uncollected essays, including a few written expressly for this volume.

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Stanley Crouch, author of Considering Genius: Writings on Jazz

Stanley Crouch — MacArthur “genius” award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia — has been writing about jazz and jazz artists for over thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddins notes: “Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back.”

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John Gennari, author of Blowin’ Hot and Cool: Jazz and its Critics

In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled — often both — but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, until now, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. In Blowin’ Hot and Cool: Jazz and its Critics, John Gennari provides a definitive history of jazz criticism from the 1920s to the present.

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Reminiscing in Tempo: Memories and Opinion/Volume Five: What are five books that mean a lot to you?

“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.

What are five books that mean a lot to you?

Featuring Ben Ratliff, David Maraniss, Diane McWhorter, Don Byron, Gary Giddins, James Gavin, Kevin Boyle and others…

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Book Review/”Weatherbird,” by Gary Giddins

The world of jazz criticism is enriched every time Gary Giddins brings out a new book, and Weather Bird: Jazz at the Dawn of its Second Century, bulges with riches. The collection is mostly drawn from his recently-ended Village Voice column (also called “Weather Bird”), with the addition of significant essays published elsewhere. Even faithful readers of the Voice will find ample new Giddins material here.

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Nick Salvatore, author of Singing in a Strange Land: C.L. Franklin, the Black Church, and the Transformation of America

There are few American lives more powerful or more moving than that of C. L. Franklin. Born in rural Mississippi, he would go on to become the most famous African American preacher in America. His style of preaching revolutionized the art, and his call for his fellow African Americans to proclaim both their faith and their rights helped usher in the civil rights movement. Booming, soaring, flashy, and intense, C.L. was one of a kind. And yet Franklin was, like many great public figures, immensely complicated. A beacon of faith and light, he also knew the shadows. He knew the power of the Lord, yet he was no saint. In Singing in a Strange Land, Bancroft Prize-winning historian Nick Salvatore tells Franklin’s story for the first time.

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Interview with jazz historian Dan Morgenstern, author of Living with Jazz

Buying a vinyl long playing jazz album in the format’s heyday — from the 1950s through the 1980s — was a three-step sensual process that stirred an almost irrational enthusiasm for the entire culture the music ignited. The record industry’s flair for creating passionate cover art seduced the imagination, the sounds etched into the grooves promised diversion and surprise, and the densely-typed liner notes on the back cover fired up an eagerness for enlightenment. The process continued at the turntable, where the cut of a stylus transformed the listener into an aural witness to the performer’s character and improvisational skills. It was, quite simply, a bonding experience.

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Conversations with Gary Giddins: on Jazz Vocalists

In the final column of his thirty year career as jazz critic of the Village Voice, Gary Giddins wrote, “I’m as besotted with jazz as ever, and expect to write about it till last call, albeit in other formats. Indeed, much in the way being hanged is said to focus the mind, this finale has made me conscious of the columns I never wrote.”

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Ishmael Reed, author of Blues City: A Walk in Oakland

Often overshadowed by San Francisco, its twinkling sister city across the Bay, Oakland is itself an American wonder. The city is surrounded by and filled with natural beauty — mountains and hills and lakes and a bay — and architecture that mirrors its history as a Spanish mission, Gold Rush outpost, and home of the West’s most devious robber barons.

Oakland is also a city of artists and blue-collar workers, the birthplace of the Black Panthers, neighbor to Berkeley, and home to a vibrant and volatile stew of immigrants and refugees.

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Gerald Nachman, author of Seriously Funny: The Rebel Comedians of the 1950’s and 1960’s

The comedians of the 1950’s and 1960’s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences.

“The new post-Korean War comedy poked and prodded and observed, demolishing fond shibboleths left and right; it didn’t just pulverize with a volley of joke-book gags,” critic Gerald Nachman writes in Seriously Funny; The Rebel Comedians of the 1950’s and 1960’s.

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Conversations with Gary Giddins: on Jazz Criticism

Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a conversation recorded on June 20, 2003 — and then slightly revised in October — about the profession of jazz criticism.

The conversation is an autobiographical look at the writer’s ascension in his field, and includes candid observations of other prominent critics. It concludes with a unique “Blindfold Test” that asks Giddins to name the jazz writer responsible for the essay excerpt he is spontaneously shown.

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Sam Hamill, editor of The Complete Poems of Kenneth Rexroth

Kenneth Rexroth was a central figure in the San Francisco Renaissance and influenced generations of readers with his essays and consummate translations of Japanese and Chinese poetry.

Born in 1905, Rexroth’s career spans almost the entire century. Although forty of his seventy-seven years as poet, translator, essayist, playwright, and revolutionary activist were spent in San Francisco, his intellectual and artistic formative years occurred in the Midwest, mainly in Chicago, where he associated with artists, writers, and theorists of radical politics and philosophies.

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“Blues for Clement Greenberg,” a Jerry Jazz Musician hosted roundtable on jazz criticism, with Stanley Crouch, Martha Bayles and Loren Schoenberg

The fact that writer Stanley Crouch is willing to speak his mind has been known to readers of cultural criticism for three decades. Depending on one’s outlook, his views on jazz, politics, and race often spark outrage, applause, or provoke debate. In April, 2003, Jazz Times magazine, host to Crouch’s monthly column “Jazz Alone,” published “Putting the White Man in Charge,” a provocative essay covering topics familiar to Crouch readers, most notably his aggressive defense of the jazz idiom and its African American heritage. In the essay he wrote that critics like respected Atlantic Monthly writer Francis Davis see “jazz that is based on swing and blues as the enemy and, therefore, lifts up someone like, say, Dave Douglas as an antidote to too much authority from the dark side of the tracks.”

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Conversations with Gary Giddins: on pianist Cecil Taylor

Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a March 13, 2003 conversation about pianist Cecil Taylor.

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Ben Ratliff, author of Jazz: A Critics Guide to the 100 Most Important Recordings

In the preface to his book Jazz: A Critics Guide to the 100 Most Important Recordings, New York Times jazz critic Ben Ratliff writes, “You oughtn’t look at jazz only by its corners, its Hot Fives and Seven’s, its Kind of Blue’s and Love Supreme’s. You have to look at what the corners surround.”

In this spirit, his book is an exploration of jazz in its many varied forms, and opens the reader’s ears to quite surprising recordings comfortably overlooked by other guides.

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Carla Kaplan, editor of Zora Neale Hurston: A Life in Letters

Alice Walker’s 1975 Ms. magazine article “Looking for Zora” and Robert Hemenway’s 1977 biography reintroduced Zora Neale Hurston to the American landscape and ushered in a renaissance for a writer who was a bestselling author at her peak in the 1930’s, but died penniless and in obscurity some three decades later.

Since that rediscovery of novelist, anthropologist, playwright, folklorist, essayist and poet Hurston, her books — from the classic love story Their Eyes Were Watching God to her controversial autobiography, Dust Tracks on a Road — have sold millions of copies. Hurston is now taught in American, African American, and Women’s Studies courses in high schools and universities from coast to coast.

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The Ralph Ellison Project: Robert O’Meally, editor of Living With Music, discusses Invisible Man author Ralph Ellison

While Ralph Ellison will forever be best remembered as author of the classic American novel of identity, Invisible Man, he also contributed significant essays on jazz that stand as compelling testaments to his era. His work included an homage to Duke Ellington, stinging critiques of Charlie Parker and Miles Davis, and recognition of the changing-of-the-guard taking place at Harlem’s Minton’s in the 1940’s. He wrote on musical topics from flamenco to Charlie Christian, and from Jimmy Rushing to Mahalia Jackson.

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Richard Sudhalter, author of Stardust Melody: The Life and Music of Hoagy Carmichael

Hoagy Carmichael remains, for millions, the enduring voice of heartland America, a beloved counterpoint to the urban sensibility of Cole Porter and George Gershwin. The author William Zinsser said of Carmichael ,”Play me a Hoagy Carmichael song and I hear the banging of a screen door and the whine of an outboard motor on a lake — sounds of summer in a small-town America that is long gone but still longed for.”

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The Ralph Ellison Project: interview with Lawrence Jackson, author of Ralph Ellison: Emergence of Genius

Author, intellectual and social critic, Ralph Ellison was a pivotal figure in American literature and history, and arguably the father of African-American modernism. Universally acclaimed for Invisible Man, a masterpiece of modern fiction, and more recently for the posthumously edited and published Juneteenth, Ellison was recognized with a succession of honors, including the 1953 National Book Award.

Lawrence Jackson’s Ralph Ellison: Emergence of Genius is the first thoroughly researched biography of Ellison.

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Conversations with Gary Giddins: on Ralph Ellison

Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in a June 21, 2002 conversation about Invisible Man author Ralph Ellison.

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The Ralph Ellison Project: Horace Porter, author of Jazz Country: Ralph Ellison in America

The first book to reassess Ralph Ellison after his death and the posthumous publication of Juneteenth, his second novel, Jazz Country: Ralph Ellison in America explores Ellison’s writings and views on American culture through the lens of jazz music.

In Jazz Country, Porter addresses Ellison’s jazz background, including his essays and comments about jazz musicians such as Louis Armstrong, Duke Ellington, and Charlie Parker. Porter further examines the influences of Ellington and Armstrong as sources of the writer’s personal and artistic inspiration and highlights the significance of Ellison’s camaraderie with two African American friends and fellow jazz fans — the writer Albert Murray and the painter Romare Bearden.

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The Ralph Ellison Project: filmmaker Avon Kirkland discusses the author of Invisible Man

Filmmaker Avon Kirkland’s career as a chemist was cut short by his desire to create social change. The path he chose led to filmmaking, and along the way he has profiled great men, among them Booker T. Washington and Thurgood Marshall.

His latest film is on Ralph Ellison, the great American writer whose classic book of identity, Invisible Man, stands as a monument in literature. Ellison’s wide range of intellectual breadth and profundity surprised even Kirkland, and is documented in Ralph Ellison: An American Journey, the Sundance Film Festival nominated film that has found an audience via PBS.

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Francis Davis on his career as a critic, and on John Coltrane

Philadelphian Francis Davis is the author of several books, including The History of the Blues, Bebop and Nothingness and a forthcoming biography of John Coltrane. A contributing editor of The Atlantic Monthly, he also writes regularly about music for the New York Times, among others.

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Gerald Early, author of Miles Davis and American Culture

Gerald Early is Merle Kling Professor of Modern Letters at Washington University in St. Louis, and is one of America’s most respected essayists. His work on American and African American culture is collected in Tuxedo Junction, The Culture of Bruising (National Book Award), and One Nation Under a Groove, a book on Motown.

He has edited collections on African American rhetoric, black consciousness, sports, Muhammad Ali, and African American writing about St. Louis.

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The Ralph Ellison Project: Stanley Crouch discusses Invisible Man author Ralph Ellison

Stanley Crouch is an essayist, poet, former musician, jazz critic and author of the novel Don’t the Moon Look Lonesome. He is outspoken, controversial, clever, and right more often than many seem willing to admit. He is also a very thoughtful admirer of Invisible Man author Ralph Ellison, whose work and friendship touched Crouch enough that, when asked if he considered Ellison a mentor, without hesitation answered “Yes!” Crouch takes part in a very lively conversation about Ellison and a variety of associated topics, including Charlie Parker, and music’s place in American ritual.

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The Ralph Ellison Project: Albert Murray, author of Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray

When Albert Murray arrived at Tuskeegee Institute in 1935, Ralph Ellison was an upperclassman who was, in Murray’s words, “dressed like a ‘Joe College’ right out of Esquire magazine.” According to Murray, Ellison “represented the type of aspirations that I had been expecting for myself.”

While their paths split geographically, the two kindled an emotional and intellectual friendship that gained momentum during the era of Ellison’s creative peak, when his timeless novel of identity Invisible Man was being written, distributed, reviewed, and rewards reaped upon. They honored successes, encouraged intellectual growth, and shared a deep love of music. They were best friends.

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The Ralph Ellison Project: Literary Executor John Callahan is interviewed about the author of Invisible Man

Being named literary executor of any writer’s estate would be quite an honor, let alone if the writer whose works you now caretake is Ralph Ellison, author of one of the 20th century’s greatest novels, Invisible Man. For long time Ellison friend John Callahan, “It was a challenge, and it was intimidating, exhilirating…”

Among the work left for Callahan was editing Ellison’s long awaited second novel, released as Juneteenth in 1999.

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Jazz Poet Sascha Feinstein

Jazz and poetry seem intertwined somehow, not just because of its historical union, but because of their immense opportunity for self-expression. Sascha Feinstein has written extensively about jazz poetry, and most recently he has published Misterioso , a collection of his own work which won the Hayden Carruth Award. Sascha was kind enough to share his thoughts with Jerry Jazz Musician during a July, 2000 interview.

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In this Issue

Announcing the publication of Volume II of Kinds of Cool: An Interactive Collection of Jazz Poetry...The second edition of Kinds of Cool, an Interactive Collection of Jazz Poetry has just been published, and is now available for sale on Amazon.com. This edition is dedicated to publishing women poets from all over the world who share their personal passion for and relationship with jazz music, and the culture it interacts with. With a foreword by Allison Miller, one of the world’s most eminent jazz drummers, and photography and design by Rhonda R. Dorsett

Poetry

photo by William Gottlieb/adapted by Rhonda R. Dorsett
21 jazz poems on the 21st of April, 2026...An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. In this edition…Mix in poems on the blues with some Coltrane, Monk, Bix, Mingus, Miles, Art Farmer, King Oliver, Desmond, and Brubeck, and you have one hell-of-a lively and entertaining collection to take in. Enjoy!

Community

A collection of poetic responses to the events of 2025...Forty poets describe their experiences with the tumultuous events of 2025, resulting in a remarkable collection of work made up of writers who may differ on what inspired them to participate, but who universally share a desire for their voice to be heard amid a changing America.

The Sunday Poem

photo by Duncan Light/via Pexels

The Sunday Poem: Three poems on Mother’s Day

The Sunday Poem is published weekly, and strives to include the poet reading their work...

Readings of the poems by Daniel Warren Brown, Erren Kelly, and Michael L. Newell can be heard at their conclusion.


Click here to read previous editions of The Sunday Poem

Short Fiction

Photo by Johannes Schröter, via Pexels
Short Fiction Contest-winning story #71 – “Where the Music Wasn’t Allowed,” by Jane McCarthy....The award-winning story is about a young immigrant growing up in Southern California to the sound of music seeping into his family’s home from an upstairs neighbor’s piano, shaping the boy’s understanding of memory, family, belonging, and the improvisational ethics of music.

Interview

photo by Warren Fowler
Interview with John Gennari, author of The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life...The author discusses how in the 1950s the Berkshires – historic home to the likes of Hawthorne, Melville, Wharton, Rockwell, and Tanglewood – became a crucial space for the performance, study, and mainstreaming of jazz, and eventually an epicenter of the genre’s avant-garde.

Poetry

photo by Tsutumu Takasu/via Flicker/CC BY 2.0
“Cajun Glory” – a prose poem by Robert Alan Felt

Community

Ricky Esquivel/Pexels.com
Community Bookshelf #6...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2025 – March, 2026)

Poetry

Six poets write eight poems (in the midst of our times)...Poets within this community of writers are feeling this moment in time, and writing about it. This collection is another example.

Feature

photo by Laura Stanley via Pexels.com.
Trading Fours, with Douglas Cole, No. 28: “Little Samba”...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.

Short Fiction

photo J. & L. Caswall Smith
“Bitty’s Last Request” – a short story by Jill Bronfman...In the story – a finalist in the recently concluded 71st Short Fiction Contest – a very old dancer visits her young relative with stories to tell about the old days in the clubs.

Poetry

art by Marsha Hammel
“Learning the Alphabet of the Blues” – a poem by Mary K O’Melveny...A poem from Kinds of Cool: An Interactive Collection of Jazz Poetry, Vol. II

Feature

photo via Wikimedia Commons
Memorable Quotes: Two, by Edward R. Murrow…

Feature

photo via Wikipedia
“Two Famous Johns” – a true jazz story by Bob Hecht...The writer remembers an evening in New York’s Half Note in 1964 when he witnessed a John Coltrane performance that was also attended by the pop singer Johnny Mathis

Poetry

Haiku: Musings – by Connie Johnson...Exploring segments of the world of jazz – in three suites of vivid haiku poetry…

Jazz History Quiz

photo of "Hot Lips" Page by William Gottlieb
Jazz History Quiz #187...This trumpeter began his career in California, where he organized a big band that had a residency in China in 1934, and, during a trip through Kansas City in 1936, was invited to join Count Basie’s orchestra, replacing “Hot Lips” Page (pictured). Who is he?

Feature

“Bohemian Spirit” – A Remembrance of 1970’s Venice Beach, by Daniel Miltz...The writer recalls 1970’s Venice Beach, where creatives chased a kind of freedom that didn’t fit inside four walls…

Poetry

Linnaea Mallette/publicdomainpictures.net
A 2026 jazz poetry calendar...12 individual poets contribute a jazz-themed poem dedicated to a particular month, resulting in a 2026 calendar of jazz poetry that winds through the year with a variety of poetic styles and voices who share their journeys with the music, tying it into the month they were tasked to interpret. Along the way you will encounter the likes of Sonny Stitt, Charles Mingus, Jaco Pastorius, Wynton Kelly, John Coltrane, and Nina Simone.

Feature

Boris Yaro, CC BY 4.0, via Wikimedia Commons
“The Bowie Summer” – a personal memory, and how art can fundamentally reshape identity, by G.D. Newton-Wade

Short Fiction

photo by Iryna Olar/pexels.com 
“The Fading” – a short story by Noah Wilson...The story – a finalist in the recently concluded 70th Short Fiction Contest – examines the impact of genetic illness on a family of musicians and artists.

Poetry

Poems on Charlie “Bird” Parker (inspired by a painting by Al Summ) – an ekphrastic poetry collection...A collection of 25 poems inspired by the painting of Charlie Parker by the artist Al Summ.

Short Fiction

Los Angeles Daily News, CC BY 4.0 , via Wikimedia Commons
“The Pet Shop” – a short story by Sherry Shahan...The story – a finalist in the recently concluded 70th Short Fiction Contest, – is about an octogenarian couple who accept a part-time caretaker position at Crazy Goose Burlesque when the theater is temporarily shuttered due to archaic public indecency laws.

Feature

Albert Ayler’s Spiritual Unity – A Classic of Our Time, and for All Time – an essay by Peter Valente...On the essence of Albert Ayler’s now classic 1964 album…

Poetry

Laura Manchinu (aka La Manchù), CC BY 2.0 , via Wikimedia Commons
“Ron Carter Apple Sauce” – a prose poem by Martin Durkin

A Letter from the Publisher

The gate at Buchenwald. Photo by Rhonda R Dorsett
War. Remembrance. Walls.
The High Price of Authoritarianism– by editor/publisher Joe Maita
...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.

Playlist

photo by Robert Hecht
“Spring is Here!” – a playlist by Bob Hecht...With perhaps Lorenz Hart’s most sardonic lyric — which is saying something! — this song remains one of the greats, and has been interpreted in many ways, from the plaintive and melancholy to the upbeat and hard swinging, such as John Coltrane’s version. Check out this bouquet of ten tracks to celebrate this great season!

Poetry

Wikimedia Commons
“Dorothy Parker, an Icon of the Jazz Age” – a poem by Jane McCarthy

Community

Nominations for the Pushcart Prize L (50)...Announcing the six writers nominated for the Pushcart Prize v. L (50), whose work appeared on the web pages of Jerry Jazz Musician or within print anthologies I edited during 2025.

Interview

Interview with Tad Richards, author of Listening to Prestige: Chronicling its Classic Jazz Recordings, 1949 – 1972...Richards discusses his book – a long overdue history of Prestige Records that draws readers into stories involving its visionary founder Bob Weinstock, the classic recording sessions he assembled, and the brilliant jazz musicians whose work on Prestige helped shape the direction of post-war music.

Contributing Writers

Click the image to view the writers, poets and artists whose work has been published on Jerry Jazz Musician, and find links to their work

Coming Soon

An interview with Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year; New poetry collections, Jazz History Quiz, and lots of short fiction; poetry; photography; interviews; playlists; and much more in the works...

Interview Archive

Ella Fitzgerald/IISG, CC BY-SA 2.0 , via Wikimedia Commons
Click to view the complete 25-year archive of Jerry Jazz Musician interviews, including those recently published with Judith Tick on Ella Fitzgerald (pictured),; Laura Flam and Emily Sieu Liebowitz on the Girl Groups of the 60's; Tad Richards on Small Group Swing; Stephanie Stein Crease on Chick Webb; Brent Hayes Edwards on Henry Threadgill; Richard Koloda on Albert Ayler; Glenn Mott on Stanley Crouch; Richard Carlin and Ken Bloom on Eubie Blake; Richard Brent Turner on jazz and Islam; Alyn Shipton on the art of jazz; Shawn Levy on the original queens of standup comedy; Travis Atria on the expatriate trumpeter Arthur Briggs; Kitt Shapiro on her life with her mother, Eartha Kitt; Will Friedwald on Nat King Cole; Wayne Enstice on the drummer Dottie Dodgion; the drummer Joe La Barbera on Bill Evans; Philip Clark on Dave Brubeck; Nicholas Buccola on James Baldwin and William F. Buckley; Ricky Riccardi on Louis Armstrong; Dan Morgenstern and Christian Sands on Erroll Garner; Maria Golia on Ornette Coleman.