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Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is based largely on a documentary – They Shot the Piano Player – about Tenório Junior, a Latin jazz musician who only produced one album (1964) before he “disappeared” in 1976.
...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is dedicated to saxophone players and the mood scenes that instrument creates.
...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, his inspiration comes from the guitarist John Scofield’s 2013 EmArcy album Uberjam Deux, and specifically the track titled “Scotown.”
...In this edition, due to a current and ongoing obsession with drummer Matt Wilson’s 2006 album The Scenic Route, Douglas Cole writes another poem in response to his experience listening to the track “Feel the Sway.”
...I had an old car
with a fender rusted out
on the back left side
and it was just another spot
of decay and breakdown
on that old machine
In this edition, Douglas’ poem is written partly as a reference to the Antonio Carlos Jobin song “Wave,” but mostly to get in the famed Japanese artist Hokusai’s idea of the wave as being a huge, threatening thing. (The poem initially sprang from listening to Cal Tjader’s “Along Came Mary”).
...Art Tatum plays fast
fast as Sundays
fast as sunset in November
fast as a hurry up offense
fast as a 20 dollar bill flying down the street
This edition of the writer’s poetic interpretations of jazz recordings and film is written in response to Oliver Nelson’s 1961 recording The Blues and the Abstract Truth
...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is written in response to the music of Wayne Shorter.
...Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This edition is influenced by Stillpoint, the 2021 album by Zen practitioner Barrett Martin
...Hammers in a construction site
sound like a band warming up,
weird solos by a bunch of drummers.
Jimmy Smith comes down draped in groove,
sermonizing your stride,
clouds chest-out like they know something.
A man standing in front of a house,
shouting, I got nothing from you!
I don’t know where it starts, he said, but can you imagine
watching They Cloned Tyrone and the music playing,
almost the whole dance club version of Love Hangover,
I can’t even watch anything, my mind looks through the settings,
the dialogue is like a crowd talking in a club and I want to listen in,
go into that Diana Ross whisper singing love voice
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. In this edition, the poet connects the recordings of Jessica Williams’ “Little Waltz” and Gene Harris’ “Summertime.”
...Vivaldi, especially “The Four Seasons,”
keeps showing up in forms of jazz:
a hint, a structure—but try unraveling
any musical DNA you go straight back
to singing and to drum, voice and poetry—
Two poems devoted to Steely Dan’s 1977 recording of “Aja”
...The poet writes about the significance of Miles Davis’s “Kind of Blue”, and why it is the “it” jazz recording…
...In this edition, the poet writes about attending a McCoy Tyner performance (or “ceremony”), and hearing the musician’s one word philosophy of music.
...“Blow by Blow” is a portrait of Berkeley, California in the 1970’s, and the fusion jazz that was finding its way onto the scene at that time.
...“The Weeping Tree” arises from the poet listening to (and watching) Sinne Eeg & Thomas Fonnesbæk perform “Willow Weep For Me”
...“Fire From Heaven” arises from the poet Douglas Cole listening to John Coltrane’s 1964 album A Love Supreme
...“The Ghost Note” arises from the poet listening to “From Paris With Love” from Melody Gardot’s 2020 album Sunset in the Blue
...He’s a-stagger the patrilineous
hillside grove wonder tunnels
street black ribbons going bower-deep
with sunlight glitter punctuations
feeling the great payoff on the way
The poem “Convergence” rises from listening to the 1960 album, “Stan Getz Quartet at Large”
...Mr. Cole’s suite consists of eight poems, all interpretations from songs on pianist Tommy Flanagan’s album Sunset and the Mockingbird Suite
...Set forth beautiful one
open sea and open sky
as far as your eye can see
full wind filling the sails
pushing those hesitant steps
three at a time before
the cymbal crash of wave
Horace Silver’s got a grove. Just listen to that left hand,
like a heart skipping a beat or jumping up to a double-beat,
like beholding something so beautiful you can hardly believe it.
Trading Fours with Douglas Cole is an occasional series of the writer’s poetic interpretations of jazz recordings and film. This poem is written to the 1957 Coleman Hawkins recording of “Juicy Fruit.”
...I had a little radio up on top of the refrigerator, and I turned it on as the sunlight went and the world filled up with darkness. I listened to a jazz station and smoked a cigarette and blew the smoke out the window.
...Excerpted from Lester Leaps In: The Life and Times of Lester “Pres” Young, by Douglas Henry Daniels
(Lester) Young earned recognition for being not only a stylist but a saxophone “freak” – not a pejorative term at all but rather a comment on his unparalleled virtuosity. He “could make a note anywhere” on his instrument. Certain notes were usually produced by depressing specific keys or combinations of keys on the saxophone (or valves on the trumpet and cornet), but “freaks” found ways to defy convention and orthodoxy by means of “false fingerings” and adjustments of the mouth and lips, or embouchure. The trombonist-guitarist Eddie Durham explained that “Coleman Hawkins and Chu Berry and those guys, they fingered it correctly with what they were doing.
...ester Young was jazz music’s first hipster. He performed onstage in sunglasses and coined and popularized the enigmatic slang “that’s cool” and “you dig?” He was a snazzy dresser who always wore a suit and his trademark porkpie hat. He influenced everyone from B. B. King to Stan Getz to Allen Ginsberg. When he died, he was the subject of musical tributes by Charles Mingus (“Goodbye Pork Pie Hat”) and Wayne Shorter (“Lester Left Town”), and incidents from his life were featured in the movie ‘Round Midnight.
....“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March, 2025 – September, 2025)
...Jerry Jazz Musician – Summer, 2025 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue Monk, as seen by Gottlieb, Dorsett and 16 poets – an ekphrastic poetry collection Dear Readers: …..I recently invited interested poets to take part in an ekphrastic poem exercise that involved … Continue reading “Summer 2025 Jerry Jazz Musician newsletter”
...Jerry Jazz Musician – Spring, 2025 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue Interview with Ricky Riccardi, author of Stomp Off, Let’s Go: The Early Years of Louis Armstrong It’s safe to assume we can agree that Louis Armstrong deserved this – a comprehensive biography (now … Continue reading “Spring 2025 Jerry Jazz Musician Newsletter”
...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (September, 2024 – March, 2025)
...Jerry Jazz Musician – Winter, 2025 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue Announcing the book publication of Kinds of Cool: An Interactive Collection of Jazz Poetry Dear Readers: For several years I have published major jazz poetry collections that were solely available on the Jerry Jazz … Continue reading “Winter 2025 Jerry Jazz Musician Newsletter”
...Announcing the six writers nominated for the Pushcart Prize v. XLIX, whose work was published in Jerry Jazz Musician during 2024.
...Jerry Jazz Musician – Fall, 2024 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue Jazz Poetry…Collected! With a major collection of jazz poetry soon to be published in book form, this edition of Jerry Jazz Musician features poets from all over the world whose work … Continue reading “Fall 2024 Jerry Jazz Musician Newsletter”
...Jerry Jazz Musician – Spring/Summer, 2024 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue A Collection of Jazz Poetry — Spring/Summer 2024 Edition In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence … Continue reading “Spring/Summer 2024 Jerry Jazz Musician Newsletter”
.... . This space on Sunday is generally reserved for a single poet to read one of their works, but this week’s issue -Father’s Day – features 23 poets who weigh in on the complexity of their relationship with their father, revealing love, warmth, regret, sorrow – and in many cases a strong connection … Continue reading “The Sunday Poem(s): 23 Poets remember their father…”
...An excerpt from the author’s debut MONARCH: Stories, which has been described by Kirkus as “a gutsy, grungy collection centering troubled souls,” and “more than a collection of stories, Tobias’ debut is a selection of gritty, emotional character studies…brimming with pure Americana.”
...Jerry Jazz Musician – Winter, 2024 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue A Collection of Jazz Poetry — Winter, 2024 Edition While earlier editions of jazz poetry collections have included many voices previously unknown to readers of these anthologies, what is striking about … Continue reading “Fall/Winter 2024 Jerry Jazz Musician Newsletter”
...Announcing the six writers nominated for the Pushcart Prize v. XLVIII, whose work was published in Jerry Jazz Musician during 2023.
...Jerry Jazz Musician – Summer, 2023 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue A Collection of Jazz Poetry — Summer, 2023 Edition This edition features poetry chosen from hundreds of recent submissions, and from a wide range of voices known – and unknown … Continue reading “Summer 2023 Jerry Jazz Musician Newsletter”
...Jerry Jazz Musician – Spring, 2023 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue A Collection of Jazz Poetry — Spring, 2023 Edition This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. … Continue reading “Spring 2023 Jerry Jazz Musician Newsletter”
...This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. Like all previous volumes, the beauty of this edition is not solely evident in the general excellence of the published works; it also rests in the hearts of the individuals from diverse backgrounds who possess a mutual desire to reveal their life experiences and interactions with the music, its character, and its culture.
...Writers talk about influential life experiences with writing, literary figures who inspired their work, overcoming creative and economic challenges, and where they fit in today’s publishing model.
...Jerry Jazz Musician – Winter 2022/23 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue A Collection of Jazz Poetry — Fall/Winter, 2022-23 Edition While poetry may never again be a major part of popular American culture, it can still effectively impact a subset of … Continue reading “Winter 2022/2023 Jerry Jazz Musician Newsletter”
...Jerry Jazz Musician – Summer 2022 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue A Collection of Jazz Poetry – Summer, 2022 Edition “Reading poetry is a way of connecting – through the medium of language – more deeply with yourself even as you connect more … Continue reading “Summer 2022 Jerry Jazz Musician Newsletter”
...A broad collection of jazz poetry authored by an impressive assemblage of regular contributors and established poets new to this publication – all of whom open their imagination and hearts to the abundant creative experience they derive from this art.
...Jerry Jazz Musician — Spring 2022 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue A Collection of Jazz Poetry – Spring, 2022 Edition This broad collection is comprised of work by a fascinating assemblage of writers from all over the world – many of whom are regular contributors, … Continue reading “Spring 2022 Jerry Jazz Musician Newsletter”
...Over 60 poets from all over the world celebrate their love of jazz…in poetry.
...Jerry Jazz Musician — Fall/Winter 2021-22 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue A Collection of Jazz Poetry — Fall/Winter, 2021-22 Edition “Night and Day” is a painting by Molly Larson Cook, whose abstract-expressionist paintings accompany the work of the 50 poets contributing to the Fall/Winter … Continue reading “Fall/Winter 2021 – 2022 Jerry Jazz Musician Newsletter”
...Molly Larson Cook’s abstract-expressionist paintings accompany the 50 poets contributing to this collection. Her art has much in common with the poetry and music found within it; all three art forms can be described as “landscapes of the imagination,” created by artists from all over the world who are inspired in a meaningful way by jazz music, and whose work can be uniquely interpreted and appreciated (or not!) by those who consume it.
...In a 2005 Jerry Jazz Musician interview, Paul Desmond biographer Doug Ramsey discusses his subject – a jazz artist who transcended genres to establish one of the most immediately recognizable sounds in all of music.
...I will soon be publishing an interview with Jonathon about this outstanding book on Dolphy, who was not only a groundbreaking artist, but a man who is also widely remembered by those who knew him as a kind, gracious human being. Meanwhile, he has generously consented to allow readers of Jerry Jazz Musician the opportunity to read the book’s introduction, which I present here.
...For over 60 years, the legendary recording engineer Rudy Van Gelder devoted himself to the language of sound. And although he recorded everything from glee clubs to classical music, he was best known for recording jazz – specifically the musicians associated with Blue Note and Prestige records. Joel Lewis writes about his impact on the sound of jazz, and what has become of his Englewood Cliffs, New Jersey studio.
...An extensive playlist built around examples of prominent pianoless modern jazz.
...This bassist played with (among others) Charlie Parker, Erroll Garner, Nat King Cole and Dexter Gordon, was one of the earliest modern jazz tuba soloists, and was the only player to turn down offers to join both Duke Ellington’s Orchestra and the Louis Armstrong All-Stars. Who is he?
...Tad Richards is a prolific visual artist, poet, novelist, and nonfiction writer who has been active for over four decades. ..He frequently writes about poetry, and the following piece about the history of the connection of jazz and American poetry first appeared in the Greenwood Encyclopedia of American Poetry (2005). It is published with the permission of the author.
...In this interview, Alyn Shipton discusses Cab Calloway, whose vocal theatrics and flamboyant stage presence made him one of the country’s most beloved entertainers.
...“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share information about their recently authored books.
...This edition features poetry chosen from hundreds of recent submissions, and from a wide range of voices known – and unknown – to readers of these collections. The work is unified by the poets’ ability to capture the abundance of jazz music, and their experience with consuming it.
...A collection in which over 30 poets communicate their appreciation for jazz music in poems no longer than seven lines.
...A 2003 interview with jazz impresario George Wein, the founder of the Newport Jazz Festival who died last week at the age of 95
.... . photo by William Gottlieb/Library of Congress Nat “King” Cole, Paramount Theater, New York, N.Y., ca. Nov. 1946 . ___ . This bassist played with (among others) Charlie Parker, Erroll Garner, Art Tatum, Nat “King” Cole (pictured), Dexter Gordon, James Taylor and Rickie Lee Jones, and was one of the earliest modern … Continue reading “Jazz History Quiz #139”
...Charles Ingham’s “Jazz Narratives” connect time, place, and subject in a way that ultimately allows the viewer a unique way of experiencing jazz history. This edition’s narratives are “Torn from Its Moorings”, “Watching the Sea” and “Plantations”
...Jazz music — complex, ground breaking and brilliant from its early 20th century beginnings — would eventually become America’s popular music. That it did so in the face of the severe obstacles of blatant racism and sexism, organized crime and corrupt labor exploitation so prevalent in America at the time is at the heart of historian Gerald Horne’s new book, Jazz and Justice: Racism and the Political Economy of the Music.
...Take Five: The Public and Private Lives of Paul Desmond is the story of a jazz artist who transcended genres to establish one of the most immediately recognizable sounds in all of music. Long before his success as the alto saxophonist with the Dave Brubeck Quartet, decades before he wrote “Take Five ,” Desmond determined that he would be himself, never a disciple or an imitator, whatever the cost.
...Clad in white tie and tails, dancing and scatting his way through the “Hi-de-ho” chorus of “Minnie the Moocher,” Cab Calloway exuded a sly charm and sophistication that endeared him to legions of fans.
In Hi-de-ho, author Alyn Shipton offers the first full-length biography of Cab Calloway, whose vocal theatrics and flamboyant stage presence made him one of the highest-earning African American bandleaders. Shipton sheds new light on Calloway’s life and career, explaining how he traversed racial and social boundaries to become one of the country’s most beloved entertainers.
...The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music’s importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive — and elusive — references to jazz and blues in a wide range of mostly contemporary visual artists.
...McCoy Tyner: When I was growing up, Bud Powell, Thelonious Monk were basically the people who inspired me on the piano. Later on, I found out about Art Tatum and others. Bud and Thelonious were the main people who inspired me.
...“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
When you were growing up, what were three or four of your parents’ favorite recordings?
Featuring Dee Dee Bridgewater, Hubert Laws, Jacky Terrasson, Jimmy Owens, Kurt Elling and others…
...The world of jazz criticism is enriched every time Gary Giddins brings out a new book, and Weather Bird: Jazz at the Dawn of its Second Century, bulges with riches. The collection is mostly drawn from his recently-ended Village Voice column (also called “Weather Bird”), with the addition of significant essays published elsewhere. Even faithful readers of the Voice will find ample new Giddins material here.
...No one has had a better seat in the house than George Wein. The legendary impresario has known some of the most celebrated figures of jazz — from Duke Ellington to Count Basie, and from Thelonious Monk to Miles Davis. As a founder of the Newport Jazz Festival and countless other festivals around the world, Wein has brought a broad spectrum of musical artists to millions, forever changing the country’s cultural landscape.
...The fact that writer Stanley Crouch is willing to speak his mind has been known to readers of cultural criticism for three decades. Depending on one’s outlook, his views on jazz, politics, and race often spark outrage, applause, or provoke debate. In April, 2003, Jazz Times magazine, host to Crouch’s monthly column “Jazz Alone,” published “Putting the White Man in Charge,” a provocative essay covering topics familiar to Crouch readers, most notably his aggressive defense of the jazz idiom and its African American heritage. In the essay he wrote that critics like respected Atlantic Monthly writer Francis Davis see “jazz that is based on swing and blues as the enemy and, therefore, lifts up someone like, say, Dave Douglas as an antidote to too much authority from the dark side of the tracks.”
...While Ralph Ellison will forever be best remembered as author of the classic American novel of identity, Invisible Man, he also contributed significant essays on jazz that stand as compelling testaments to his era. His work included an homage to Duke Ellington, stinging critiques of Charlie Parker and Miles Davis, and recognition of the changing-of-the-guard taking place at Harlem’s Minton’s in the 1940’s. He wrote on musical topics from flamenco to Charlie Christian, and from Jimmy Rushing to Mahalia Jackson.
...Hoagy Carmichael remains, for millions, the enduring voice of heartland America, a beloved counterpoint to the urban sensibility of Cole Porter and George Gershwin. The author William Zinsser said of Carmichael ,”Play me a Hoagy Carmichael song and I hear the banging of a screen door and the whine of an outboard motor on a lake — sounds of summer in a small-town America that is long gone but still longed for.”
...When Ferdinand “Jelly Roll” Morton sat at the piano in the Library of Congress in May of 1938 to begin his monumental series of interviews with Alan Lomax, he spoke of his years on the West Coast with the nostalgia of a man recalling a golden age, a lost Eden. He had arrived in Los Angeles more than twenty years earlier, but he recounted his losses as vividly as though they had occurred just recently. The greatest loss was his separation from Anita Gonzales, by his own account “the only woman I ever loved,” to whom he left almost all of his royalties in his will.
...Nat Hentoff was born in Boston in 1925 and lived there until he moved to New York City at the age of twenty-eight. For many years he has written a weekly column for the Village Voice. His column for the Washington Times is syndicated nationally, and he writes regularly about music for the Wall Street Journal. His numerous books cover subjects ranging from jazz to civil rights and civil liberties to First Amendment issues.
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”Six String Sizzle” by Ian Mullins
The Sunday Poem is published weekly, and strives to include the poet reading their work...
Jerry Jazz Musician editor Joe Maita reads Ian Mullins’ poem at its conclusion
Click here to read previous editions of The Sunday Poem
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