“Jazz Cycle”…poems by deb Ewing
in jazz composition
everybody knows where the one is
even when nobody chooses to play it
if the space is quiet enough
you can hear blood racing
Search Results for: deb ewing
The Sunday Poem: “menage a trois” by debora Ewing
Antonio, steal me away from him
with a mango slice
on the tip of your knife
“Full Moon New Year” — a short story by Debora Ewing
This is one of those parties I’ve heard about, thrown by people with new money in a house they don’t own; like Hipster Gatsby. This is not to disparage our host: he is a sincere human. When one finds one’s self in a cliché, the moment should be chronicled. I’m sitting on a mausoleum chair in the foyer of an upscale Seattle home with my glass of vodka perched on a music stand, chronicling.
The jazz musicians in the living room are playing “Some Day My Prince Will Come.”
“Oh, good, it’s the Disney segment,” I say to nobody in particular. The drunk woman who earlier complimented my
...“Coloring Outside the Lines” — a short story by Debora Ewing
I like the jazz because it plays in different colors: deep green and blue, translucent purple, ivory black; city storefronts, magenta sunsets; watercolor splashes here and there like a yellow crocus on snow or an orange goldfish tail — sudden, surprising, but always carefully placed.
Like the way people come in different colors — they just don’t know it. People walk along in darkness daily, ignorant of the color that’s surrounding them or the beat their music plays. That’s what I’m lying here thinking about, in my dark bedroom between the folds of cotton sheets. Africans, Asians, Seminoles they all come in different colors — not their skins, but their insides. Each person glows from deep within, from a well that springs out of
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Short Fiction Contest-winning story #1: “Coloring Outside the Lines,” by Debora Ewing
I like the jazz because it plays in different colors: deep green and blue, translucent purple, ivory black; city storefronts, magenta sunsets; watercolor splashes here and there like a yellow crocus on snow or an orange goldfish tail — sudden, surprising, but always carefully placed.
Like the way people come in different colors — they just don’t know it. People walk along in darkness daily, ignorant of the color that’s surrounding them or the beat their music plays. That’s what I’m lying here thinking about, in my dark bedroom between the folds of cotton sheets. Africans, Asians, Seminoles they all come in different colors — not their skins, but their insides.
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Book Excerpt from In the Brewing Luminous: The Life and Music of Cecil Taylor, by Philip Freeman
In anticipation of my soon-to-be-published interview with Philip Freeman, who authored the first full-length biography of Cecil Taylor, In the Brewing Luminous, the author has provided readers the opportunity to read his book’s introduction.
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“New York City Sax Heist” – a short story by Debbie Burke
The story – a finalist in the recently concluded 65th Short Fiction Contest – is about a woman who finds a rare saxophone in a New York City cab, and refuses to hand it over
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21 jazz poems on the 21st of July, 2025
An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. This edition features a handful poets new to this publication, and in addition to a general reverence for the music, readers will find poems on the likes of Monk, Lester Young, Miles, and Oscar Peterson.
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A Collection of Jazz Poetry — Spring, 2023 Edition
This is the 14th extensive collection of jazz poetry published on Jerry Jazz Musician since the fall of 2019, when the concept was initiated. Like all previous volumes, the beauty of this edition is not solely evident in the general excellence of the published works; it also rests in the hearts of the individuals from diverse backgrounds who possess a mutual desire to reveal their life experiences and interactions with the music, its character, and its culture.
...Jerry Jazz Musician Short Fiction Contest — Winning Author Profiles, Group 1
On March 11, 2019, .Jerry Jazz Musician.will publish the 50th.winning story in our thrice-yearly Short Fiction Contest. To celebrate this landmark event, we have asked all the previous winners (dating to 2002) to reflect on their own winning story, and how their lives have since unfolded.
This week’s edition covers authors of winning stories #’s 1 – 6
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From the Interview Archive: Ornette Coleman biographer Maria Golia
In this April, 2020 interview, Ms. Golia discusses her book and the artist whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.
...“J.A. Rogers’ ‘Jazz at Home’: A Centennial Reflection on Jazz Representation Through the Lens of Stormy Weather and Everyday Life – an essay by Jasmine M. Taylor
The writer opines that jazz continues to survive – 100 years after J.A. Rogers’ own essay that highlighted the artistic freedom of jazz – and has “become a fundamental core in American culture and modern Americanism; not solely because of its artistic craftsmanship, but because of the spirit that jazz music embodies.”
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Excerpts from David Rife’s Jazz Fiction: Take Two – Vol. 14: World War II and Jazz
Jazz has produced an impressive number of gifted child musicians. In this edition, David J. Rife writes about stories whose theme is World War II and jazz
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From the Interview Archive: Paul Desmond biographer Doug Ramsey
In a 2005 Jerry Jazz Musician interview, Paul Desmond biographer Doug Ramsey discusses his subject – a jazz artist who transcended genres to establish one of the most immediately recognizable sounds in all of music.
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21 jazz poems on the 21st of May, 2025
. . An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician. Thanks to the poets…and enjoy! . . ___ . . “Diz with Bird” by Martel Chapman . ___ . Life is Jazz Life is jazz, always improvisational. Groovin’ and swingin’, low down and funky, stately … Continue reading “21 jazz poems on the 21st of May, 2025”
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21 jazz poems on the 21st of April, 2025
An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician.
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21 jazz poems on the 21st of March, 2025
An ongoing series designed to share the quality of jazz poetry continuously submitted to Jerry Jazz Musician.
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“What one song best represents your expectations for 2025?” Readers respond…
What are your hopes, anxieties, expectations for 2025? How do you see it playing out? 50 readers respond to the question, What one song best represents your expectations for 2025?
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“Hip Replacements” – a short story by William Torphy
The story – a short-listed entry in our recently concluded 66th Short Fiction contest – is a humorous take on a septuagenarian attempt to resurrect a revival band,
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Community Bookshelf #3
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share news about their recently authored books and/or recordings. This edition includes information about books published within the last six months or so (March – September, 2024)
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Spring/Summer 2024 Jerry Jazz Musician Newsletter
Jerry Jazz Musician – Spring/Summer, 2024 Newsletter Information about new content published on the website Jerry Jazz Musician In This Issue A Collection of Jazz Poetry — Spring/Summer 2024 Edition In this, the 17th major collection of jazz poetry published on Jerry Jazz Musician, 50 poets from all over the world again demonstrate the ongoing influence … Continue reading “Spring/Summer 2024 Jerry Jazz Musician Newsletter”
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If You Want to Go to Heaven, Follow a Songbird – Mary K O’Melveny’s album of poetry and music
While consuming Mary K O’Melveny’s remarkable work in this digital album of poetry, readings and music, readers will discover that she is moved by the mastery of legendary musicians, the wings of a monarch butterfly, the climate and political crisis, the mysteries of space exploration, and by the freedom of jazz music that can lead to what she calls “the magic of the unknown.”
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Interview with Laura Flam and Emily Sieu Liebowitz, authors of But Will You Love Me Tomorrow?: An Oral History of the 60’s Girl Groups
Little is known of the lives of many of the young Black women who – in the Girl Groups of the ‘60’s – sang, wrote, created, and popularized their generation-defining music, and even less about the challenges they faced while performing during such a complex era, one rife with racism, sexism, and music industry corruption. The authors discuss their book’s endeavor at giving them an opportunity to voice their meaningful experiences.
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Interview with Tad Richards, author of Jazz With a Beat: Small Group Swing, 1940 – 1960
While small group swing was shunned by the jazz critical establishment for being too flamboyant and too close a cousin to the emerging (and despised) rock and roll, Richards makes the case that small group swing players like Illinois Jacquet, Louis Jordan, Big Jay McNeely, Joe Liggins, Red Prysock, T-Bone Walker and Ray Charles played a legitimate jazz that was a more pleasing listening experience to the Black community than the bebop of Parker, Dizzy, Bud Powell and Monk. It is a fascinating era, filled with major figures and events, and centered on a rigorous debate that continues to this day – is small group swing “real jazz?”
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Community Bookshelf #2
“Community Bookshelf” is a twice-yearly space where writers who have been published on Jerry Jazz Musician can share information about their recently authored books.
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A Black History Month Profile: Civil Rights Leader Bayard Rustin
In a 2003 Jerry Jazz Musician interview, John D’Emilio, author of Lost Prophet: The Life and Times of Bayard Rustin, talks about one of the most important figures of the American civil rights movement, and a mentor of Dr. Martin Luther King.
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A Collection of Jazz Poetry — Winter, 2024 Edition
One-third of the Winter, 2024 collection of jazz poetry is made up of poets who have only come to my attention since the publication of the Summer, 2023 collection. What this says about jazz music and jazz poetry – and this community – is that the connection between the two art forms is inspirational and enduring, and that poets are finding a place for their voice within these virtual pages.
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“The Sound Barrier” – a short story by Bex Hansen
When a marketing writer gets a new neighbor, she finds herself dreading the 2:00 practice sessions of The Musician. In Rear Window fashion, The Writer is kept apprised of The Musician’s life happenings through a combination of watching out the window and listening to the story told through her music. When a crisis entangles the two women, they form a bond that penetrates the wall that stands between them – despite never having met.
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Interview with Brent Hayes Edwards, co-author (with Henry Threadgill) of Easily Slip Into Another World: A Life in Music
Co-author Mr. Edwards discusses his work with Henry Threadgill, widely recognized as one of the most original and innovative voices in contemporary music, and the winner of the 2016 Pulitzer Prize for Music.
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Book Excerpt from Victory is Assured: Uncollected Writings of Stanley Crouch
In two complete essays from the collection “Victory is Assured,” Crouch takes up two topics he had considerable opinions about – Miles Davis and Billie Holiday.
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Interview with Aidan Levy, author of Saxophone Colossus: The Life and Music of Sonny Rollins
The author discusses the iconic tenor saxophonist who is one of the greatest jazz improvisers of all time, a lasting link to the golden age of jazz
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A Collection of Jazz Poetry — Fall/Winter, 2022-23 Edition
.This collection of jazz poetry – the largest yet assembled on Jerry Jazz Musician – demonstrates how poets who are also listeners of jazz music experience and interact with the spontaneous art that arises from jazz improvisation, which often shows up in the soul and rhythm of their poetic language.
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A Collection of Jazz Poetry — Summer, 2022 Edition
A broad collection of jazz poetry authored by an impressive assemblage of regular contributors and established poets new to this publication – all of whom open their imagination and hearts to the abundant creative experience they derive from this art.
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“‘N’ — the Elephant That Won’t Leave the Room” – a book review by John Kendall Hawkins
John Kendall Hawkins reviews the book N: My Encounter with Racism and the Forbidden Word in an American Classic by James Henry Harris
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A Black History Month Profile: Louis Armstrong
In a November 16, 2020 interview with Jerry Jazz Musician, Ricky Riccardi, author of Heart Full of Rhythm: The Big Band Years of Louis Armstrong, discusses his vital book and Armstrong’s enormous and underappreciated achievements during the era he led his big band.
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A Collection of Jazz Poetry — Fall/Winter, 2021-22 Edition
Molly Larson Cook’s abstract-expressionist paintings accompany the 50 poets contributing to this collection. Her art has much in common with the poetry and music found within it; all three art forms can be described as “landscapes of the imagination,” created by artists from all over the world who are inspired in a meaningful way by jazz music, and whose work can be uniquely interpreted and appreciated (or not!) by those who consume it.
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Interview with Kevin Whitehead, author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film
Kevin Whitehead, the longtime jazz critic for NPR’s Fresh Air, discusses jazz music and the movies – the “natural allies” that both grew out of existing creative traditions, and, since the mid-1920’s have told stories about “child prodigies, naturals who pick up the music the first time they hear it, hard workers with a painstaking practice regimen, talented players diverted into soul-killing commercial work, and even non-improvisers taught to fake it.”
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Book Excerpt: Play the Way You Feel: The Essential Guide to Jazz Stories on Film, by Kevin Whitehead
. . . . …..Sure, Queen’s Gambit, The Crown, and Fargo are pretty compelling programs to watch while under quarantine, but have you seen Young Man With a Horn? How about The Connection? Syncopation, maybe? …..No, these are not contemporary Netflix productions, they are examples of the more than 100 movies produced since … Continue reading “Book Excerpt: Play the Way You Feel: The Essential Guide to Jazz Stories on Film, by Kevin Whitehead”
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Interview with Ricky Riccardi, author of Heart Full of Rhythm: The Big Band Years of Louis Armstrong
In a November 16, 2020 interview with Jerry Jazz Musician, Riccardi discusses his vital book and Armstrong’s enormous and underappreciated achievements during the era he led his big band.
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Interview with Will Friedwald, author of Straighten Up and Fly Right: The Life and Music of Nat King Cole
In an exclusive interview, Will Friedwald, author of Straighten Up and Fly Right: The Life and Music of Nat King Cole, discusses Cole and his book.
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Veryl Oakland’s “Jazz in Available Light” — photos (and stories) of Thelonious Monk, Paul Bley and Cecil Taylor
In this edition of photographs and stories from Mr. Oakland’s book, Thelonious Monk, Paul Bley and Cecil Taylor are featured.
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A Collection of Jazz Poetry — Summer, 2020 Edition
. . “Clifford Brown” is a painting by Warren Goodson, a Saxapahaw, North Carolina artist whose work is driven by his appreciation for Black culture. With his gracious consent, Mr. Goodson’s art is featured throughout this collection. . . _____ . . “Poetry is eternal graffiti written in the heart of everyone.” -Lawrence Ferlinghetti … Continue reading “A Collection of Jazz Poetry — Summer, 2020 Edition”
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A road trip during the time of COVID
…..I recently went on a two week road trip.
…..A few months ago such a casual bit of news would have aroused only the slightest interest. Select friends would display a polite enthusiasm, a question or two about the destination or accommodations would be raised, and perhaps a handful of pictures would even be endured.
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Interview with Maria Golia, author of Ornette Coleman: The Territory And The Adventure
Ms. Golia discusses her book and the artists whose philosophy and the astounding, adventurous music he created served to continually challenge the skeptical status quo, and made him a guiding light of the artistic avant-garde throughout a career spanning seven decades.
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Book Excerpt: Dave Brubeck: A Life in Time, by Philip Clark
The introduction to Philip Clark’s book “Dave Brubeck: A Life in Time” is excerpted here in its entirety.
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Book Excerpt: The Music of Time: Poetry in the Twentieth Century, by John Burnside
In the introduction to The Music of Time: Poetry in the Twentieth Century, the T.S. Eliot prize-winning poet, novelist and memoirist John Burnside writes; “Can poetry save the world, as [poet Lawrence] Ferlinghetti suggests? This will sound quixotic, but I have to say, not only that it can, but that it does.” The introduction to the book – excerpted here in its entirety – is Burnside’s fascinating conversation concerning the idea of how poets respond to what the Russian poet Osip Mandelstam called “the noise of time,” weaving it into a kind of music.
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Interview with Dominic McHugh, co-author of The Letters of Cole Porter
In a Jerry Jazz Musician interview with The Letters of Cole Porter co-author Dominic McHugh, he explains that “several of the big biographical tropes that we associate with Porter are either modified or contested by the letters,” and that “when you put together these letters, and add our quite extensive commentary between the letters, it creates a different picture of him.” Mr. McHugh discusses his book, and what the letters reveal about the life – in-and-out of music – of Cole Porter.
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A Collection of Jazz Poetry — Winter, 2020 Edition
The winter collection of poetry offers readers a look at the culture of jazz music through the imaginative writings of its 32 contributors. Within these 41 poems, writers express their deep connection to the music – and those who play it – in their own inventive and often philosophical language that communicates much, but especially love, sentiment, struggle, loss, and joy.
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A collection of jazz poetry — June, 2019 edition
In this month’s collection, with great jazz artists at the core of their work, 16 poets remember, revere, ponder, laugh, dream, and listen
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Reminiscing in Tempo: “What are some of your all-time favorite record album covers?”
Gary Giddins, Jimmy Heath, Fred Hersch, Joe Hagan, Maxine Gordon, Tim Page, Veronica Swift and Marcus Strickland are among the 25 writers, musicians, poets, educators, and photographers who responded to our question, “What are some of your favorite record album covers of all time?”
...Jerry Jazz Musician Short Fiction Contest — Winning Author Profiles, Group 7
On March 11, 2019, .Jerry Jazz Musician.will publish the 50th.winning story in our thrice-yearly Short Fiction Contest. To celebrate this landmark event, we have asked all the previous winners (dating to 2002) to reflect on their own winning story, and how their lives have since unfolded.
This week’s edition covers authors of winning stories #’s 35 – 38
...“No Hiding Place” — a short story by Chris LaMay-West
Seen from above, the motion probably exhibited some coherence. Like how the particles on the surface of a liquid jiggled around each other. What did they call it? Brownian motion. Seen from a distance, the mass of people no doubt also swirled in patterns that had a great deal of regularity. Was there perhaps even a meaning in the group activity, a secret swaying cadence that couldn’t be discerned just from watching the constituent parts?
Carl found how he engaged in metaphysical speculations when in these situations distressing.
But God, you had to do something.
Or else this dance club, The Edge of The World, the apotheosis of all that he had come to hate during this year and a half spent in
...Joey Alexander — “Little Jazz Man”
Viewers of 60 Minutes this past Sunday were treated to “Little Jazz Man,” a segment devoted to 12-year-old jazz pianist Joey Alexander, whose career is being closely followed by devotees of the music. The two-time Grammy nominee (including Best Jazz Album for his 2015 debut, My Favorite Things) has already performed on the main stages of Jazz at Lincoln Center and the Newport Jazz Festival, and has been described by Wynton Marsalis as “my hero.”
Is he the best pianist in the world? Not a chance. Not now. But with the appropriate
...“Woman Plays Horn” — a short story by Arya Jenkins
She was born into a family of musicians. Her father had played bass in a jazz band and traveled with Dizzy until an accident had cost him his arm and his career. Getting out of a limousine that had stalled on the highway en route to a gig in Chicago, he opened the car door to get out at the wrong time, just as a truck was passing.
“C’est la vie” he always said about that, as if it meant something. He had to go on, a musician without a limb, without his instrument, because he was a man and had children and a legacy to uphold through them, but inside, where nothing touched him, he felt as torn as his shoulder had been that night. Something had shifted. Only his wife, his gentle, meek and attendant wife who saw him sitting at the edge of their bed each night head bowed counting his blessings, all but one, only she knew what
...“Dizzy Moods” — a short story by Daniel Alvarado
Three cars honked almost in union. Then successively, each a blare in order, one two three, then two three one three four with the line through, beat ripitum boom, ba, riptum boom, now hear it a little faster, just a little faster, lips to instrument, trumpet, three valves, infinite notes to jot to sing to blow, perched lips, fat cheeks, cosmic energy of the union, the intertwined with keys of ivory.
Marcus Breck was recalling stepping on stage the first time. Nervousness rising from toes to a tingling head. Dry mouth, the initial silence of the room that precedes the beginning of
...The “Underrated” Kenny Dorham
December 5th marks the 41st anniversary of the bebop trumpeter Kenny Dorham’s death. Only 48 years old at the time of his passing from kidney disease, Dorham’s professional life enjoyed a great measure of respect from his fellow musicians, but, as Nat Hentoff pointed out in the liner notes to Dorham’s 1963 Blue Note recording Una Mas, “he has yet to break through to the kind of wide public acceptance which has occasionally seemed imminent.” His recordings are timeless – each and every one packed with delicious passion and brilliant playing that still sounds fresh — but Dorham never did “break through” in his lifetime, and continues to be classified by important jazz historians as “underrated.” In a Jerry Jazz Musician-hosted conversation on underrated jazz musicians, the most eminent jazz writer Gary Giddins said “when anybody wrote about [Dorham]
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Poetry by Roger Singer
THE PATH
Real time straight jazz
curved the room.
Its ribbons of play formed justice
to notes,
releasing streams of fever.
Interview with Doug Ramsey, author of Take Five: The Public and Private Lives of Paul Desmond
Take Five: The Public and Private Lives of Paul Desmond is the story of a jazz artist who transcended genres to establish one of the most immediately recognizable sounds in all of music. Long before his success as the alto saxophonist with the Dave Brubeck Quartet, decades before he wrote “Take Five ,” Desmond determined that he would be himself, never a disciple or an imitator, whatever the cost.
...Short Fiction Contest-winner #24: “Alone: A Love Story,” by Abby Cummins
When I was ten, I was in a movie. It was a very famous movie. It ran in theaters for over a month, bringing in more and more revenue for the production company. When it finally came out on VHS (it was old enough that it was a tape, with reels inside it), the film grossed in the millions. The director was hailed as “visionary”, the actors as “superb”. The film itself became famous for having been one of the best horror movies of the year (1992). Critics said that it had “truly ushered in a new era of horror, one in which the innocent and benign murder recklessly”. The review that held these words was taped to my wall, for I’d been mentioned by name, praised, and it was a very well known newspaper, indeed. “Sharon Ellis, a real child actor who will no doubt amount to something great, gives a phenomenal debut performance. Her emotion and sensual expression are truly remarkable for such a young girl so new to the scene.” I used to read those words, over and over again, and imagine the critic who had written them watching me on the big screen before them.
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Conversations with Gary Giddins: On his books Jazz and Warning Shadows
Giddins has been a frequent contributor to Jerry Jazz Musician. This is the 15th interview in our “Conversations with Gary Giddins” series. He joins us in a June 1, 2010 discussion about his two new books.
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David Robertson, author of W.C. Handy: The Life and Times of the Man Who Made the Blues
Before there was Elvis, there was W.C. Handy, the man who made the blues. Here is the first major biography in decades of the man who gave us such iconic songs as St. Louis Blues, The Memphis Blues, and Beale Street Blues, and who was responsible, more than any other musician, for bringing the blues into the American mainstream.
David Robertson charts W.C. Handys rise from a rural Alabama childhood in the last decades of the nineteenth century to become one of the most celebrated songwriters of the twentieth century. The child of former slaves, Handy was first inspired by spirituals and folk songs, and his passion for music pushed him to leave home as a teenager, despite opposition from his preacher father.
...Short Fiction Contest-winning story #20: “Maybe Marrying Margaret,” by Jocelyn Crawley
There’s this painting she keeps staring at.
She imbibes it, absorbs everything it has to offer. A lilting shade of lavender, it features fourteen flawless flowers arranged with a meandering dissonance that flies in the face of the frame’s four square corners. They make its math seem maddening, symmetry superfluous.
“I like it,” she says quietly, tucking long brown strands of slightly curly hair behind her ears. She turns towards me slowly then, notes the slight adversarial something in my eyes. Intimately familiar with my proclivity for irreverent mocking, she now offers a slight smirk that seems just one shade shy of sly. Aware of my antagonism,
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Marybeth Hamilton, author of In Search of the Blues
Leadbelly, Robert Johnson, Charley Patton — we are all familiar with the story of the Delta blues. Fierce, raw voices; tormented drifters; deals with the devil at the crossroads at midnight.
In an extraordinary reconstruction of the origins of the Delta blues, historian Marybeth Hamilton demonstrates that the story as we know it is largely a myth. The idea of something called Delta blues only emerged in the mid-twentieth century, the culmination of a longstanding white fascination with the exotic mysteries of black music.
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William Kenney, author of Jazz on the River
Just after World War I, the musical style called jazz began a waterborne journey outward from that quintessential haven of romance and decadence, New Orleans. For the first time in any organized way, steam-driven boats left town during the summer months to tramp the Mississippi River, bringing an exotic new music to the rest of the nation. For entrepreneurs promoting jazz, this seemed a promising way to spread northward the exciting sounds of the Crescent City. And the musicians no longer had to wait for folks upriver to make their way down to New Orleans to hear the vibrant rhythms, astonishing improvisations, and new harmonic idioms being created.
...“Remembering Dizzy Gillespie,” a conversation with Nat Hentoff and James Moody
Saxophonist James Moody, whose significant achievements include employment in a variety of Gillespie’s best groups, and journalist Nat Hentoff, whose chronicles on jazz during Gillespie’s era were the benchmarks of his craft, remember Dizzy and his remarkable life in a March 19, 2004 Jerry Jazz Musician hosted conversation.
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John D’Emilio, author of Lost Prophet: The Life and Times of Bayard Rustin
Bayard Rustin is one of the important figures in the history of the American civil rights movement. Before Martin Luther King, before Malcolm X, Rustin was working to bring the cause to the forefront of America’s consciousness. A teacher to King, an international apostle of peace, and the organizer of the famous 1963 March on Washington, he brought Gandhi’s philosophy of nonviolence to America and helped launch the civil rights movement.
Nonetheless, Rustin has been largely erased by history, in part because he was an African American homosexual.
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Conversations with Gary Giddins: on Jazz Criticism
Village Voice writer Gary Giddins, who was prominently featured in Ken Burns’ documentary Jazz, and who is the country’s preeminent jazz critic, joins us in a conversation recorded on June 20, 2003 — and then slightly revised in October — about the profession of jazz criticism.
The conversation is an autobiographical look at the writer’s ascension in his field, and includes candid observations of other prominent critics. It concludes with a unique “Blindfold Test” that asks Giddins to name the jazz writer responsible for the essay excerpt he is spontaneously shown.
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Conversations with Gary Giddins: on Sonny Rollins
Village Voice writer Gary Giddins, winner of the National Book Critics Circle Award, and who is the country’s preeminent jazz critic, joins us in an October 21, 2002 conversation about jazz legend Sonny Rollins.
...The Ralph Ellison Project: Albert Murray, author of Trading Twelves: The Selected Letters of Ralph Ellison and Albert Murray
When Albert Murray arrived at Tuskeegee Institute in 1935, Ralph Ellison was an upperclassman who was, in Murray’s words, “dressed like a ‘Joe College’ right out of Esquire magazine.” According to Murray, Ellison “represented the type of aspirations that I had been expecting for myself.”
While their paths split geographically, the two kindled an emotional and intellectual friendship that gained momentum during the era of Ellison’s creative peak, when his timeless novel of identity Invisible Man was being written, distributed, reviewed, and rewards reaped upon. They honored successes, encouraged intellectual growth, and shared a deep love of music. They were best friends.
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In This Issue
Poetry
Poetry
Publisher’s Notes
The Sunday Poem
”Beyond Scale” by Pamela Nocerino
The Sunday Poem is published weekly, and strives to include the poet reading their work.... Pamela Nocerino reads her poem at its conclusion
Click here to read previous editions of The Sunday Poem
A Letter from the Publisher
The High Price of Authoritarianism– by editor/publisher Joe Maita...An essay inspired by my recent experiences witnessing the ceremonies commemorating the 80th anniversary of liberation of several World War II concentration camps in Germany.
Interview
Poetry
Short Fiction
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Essay
Poetry
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Publisher’s Notes
Community
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Interview
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