• Reflections on meeting B.B. King

  • This edition tells the story of the importance Miles Davis placed on his friendship with boxer Sugar Ray Robinson in 1954, when he was trying to kick his drug addiction.

  •  A look at Rahsaan Roland Kirk’s mission to “rescue black classical music from certain oblivion and thrust it into the consciousness of the unwitting public.”

  • This edition focuses on Everest Records, the last of several new labels that Alex Steinweiss helped launch

  • My B. B. King Story
  • Great Encounters: Miles Davis and Sugar Ray Robinson
  • The Jazz and People's Movement
  • Cover Stories with Paul Morris
dinah1 Quiz Show » Jazz History Quiz

Jazz History Quiz #68

This trumpeter played on almost all of Dinah Washington’s recordings, even if he had to do so under the pseudonym of “Dobbie Hicks.” Who is he?

Clark Terry

Freddie Hubbard

Blue Mitchell

Woody Shaw

Kenny Wheeler

Donald Byrd

Go to the next page for the answer!

[…] Continue reading »

belden1 Uncategorized

The Jazz Ambassador plays Tehran

During the Cold War era, America fought back with, among other “weapons,” the Jazz Ambassadors. Led by Louis Armstrong, Dizzy Gillespie, Dave Brubeck, Duke Ellington, Benny Goodman and others, these artists, in the words of Penny Von Eschen, author of Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War, “were cultural translators who inspired the vision and shaped its contours, constituting themselves as international ambassadors by taking on the contradictions of Cold War internationalism.” In a February 23 New York Times piece by Thomas Erdbrink called “Rebirth of the Cool: American Music Makes a Return to Iran,” the effect of a modern day jazz ambassadorship – this one led by saxophonist […] Continue reading »

clark2 Features » In Memoriam

Clark Terry’s greatest aspiration

“I’d always thought that the most important thing was to play my horn — to get into this band or that band or Duke’s band, to have my own band, to perform, record. And I did enjoy these things. Worked hard to achieve them. But later on, I had a new dream: helping […] Continue reading »

lincoln-3a Uncategorized

Results of the “Jazz in the Schools” project

As a Board member of PDX Jazz, the organization that produces the Portland Jazz Festival, I get to do a lot of very cool things. I wrote recently about my opportunity to present a program, “Jazz in the Schools,” to local high school students that combined a short history of jazz with its influence on art, photography, and graphic design.

After seeing classic film of Louis Armstrong and viewing a variety of album and jazz festival photography, art and graphic design, participating photography students went into the Portland community and took original photographs of any subject, person, object or setting that demonstrated their personal vision for jazz. They then collaborated with students from the graphic design class and combined their artistic visions, with each team creating a poster for the Jazz Festival.

The result is 39 outstanding contributions – all created by students who knew little (or nothing) about jazz music, but now do, and who now have an appreciation for its art and history, which is all we can ask for.

The four winning entries (as chosen by a panel of distinguished Board members and artists) are pictured on this page. To see all the entries, […] Continue reading »

edwards-coltrane2 Art » Masters of Jazz Photography

Masters of Jazz Photography — Esmond Edwards

In honor of the late jazz photographer Lee Tanner, Jerry Jazz Musician presents a number of editions of “Master of Jazz Photography,” featuring a work by one of the photographers featured in Tanner’s book The Jazz Image.



This edition: Esmond Edwards […] Continue reading »