• LeRoi Jones’ (Amiri Baraka) poetic, politically exuberant album liner notes to the 1965 album, New Wave in Jazz

  • On the recording Frank Sinatra Conducts Tone Poems of Color

  • She stood in a room at The Met glancing at the painting on the wall, which was of two women kissing. From her vantage point, standing slightly away and to the side, the two women lying together interlocked in bed appeared cushioned awkwardly in space, free-floating yet connected.

  • In this edition, Paul looks at the art of London Records

  • Liner Notes: The New Wave in Jazz, by LeRoi Jones
  • A Moment in Time — Capitol Records’ Studio A, 1956
  • "The Blue Kiss" -- a short story by Arya Jenkins
  • Cover Stories with Paul Morris, Vol. 15
hurd3 Quiz Show » Jazz History Quiz

Jazz History Quiz #76

Long admired by the likes of Tom Waits, John Mayall, and the Rolling Stones, and having had his songs recorded by Bonnie Raitt (“Everybody’s Cryin’ Mercy”), Leon Russell (“I’m Smashed”), and The Who (“Young Man Blues”), this pianist/vocalist has long suffered from a “category” problem, once even saying; “There’s a lot of places I don’t work because they’re confused about what I do.” Who is he?

Bob Dorough
Mose Allison
Paul Bley
Bob Dorough
Dave Frishberg
Ben Sidran
Dave McKenna
Monty Alexander

Go to the next page for the answer!

[…] Continue reading »

jelly1937a Features » Great Encounters

Great Encounters #43: When Billy Taylor saw Jelly Roll Morton play

Back in 1937, Jelly Roll Morton was part owner of a sleazy night club upstairs from a U Street hamburger stand in Washington, D.C. At the time, I was finishing high school and playing gigs around the city as often as they came my way. I was a good, proud, seventeen years old then, and quite naturally very little remained which I did not know about life and music. I used to hang around with […] Continue reading »

gockel1 Literature » Short Fiction

“Songs for Sometime Losers: A Bebop Suite” — by Beth Spencer

Slow slow slooooooooooooooow; the river was practically dry, a river in name only, a few puddles on the mudflats where standing water reflected the cottony clouds that moved perpetually east, dropping nothing anymore but empty promises. Unsettling in the most literal sense. Many people sold their houses or just abandoned them, heading north, and those who stayed finally got serious about […] Continue reading »

garner Art

Cover Stories with Paul Morris, Vol. 14

Paul Morris is a graphic designer and writer who collects album art of the 1940’s and 1950’s. He finds his examples of influential mid-century design in the used record stores of Portland, Oregon.

Continue reading »