• Klein’s pupil in the studio seemed to be trying to erase his presence through sheer aggression. Had Mozart started that way? Till didn’t think so.

  • In 1961 Metro-Goldwyn-Mayer had purchased Verve Records from Norman Granz. Creed Taylor became the new executive director, and made a number of crucial policy decisions, including the sacking of the majority of Verve’s contract artists. One of a handful to survive was

  • Club Havana was known for hosting decent Afro-Cuban jazz bands. There was dancing Thursdays through Sundays, and Sunday afternoons, the management handed out free cigars. Hector became close to the house band, whose rhythm section inspired him.

  • This edition features a selection of “glamour girl” covers !

  • "Till's Piano Lesson" -- Short Fiction Contest-winning story
  • Great Encounters: In the studio with Bill Evans and Stan Getz
  • "A Man's Hands En Clave" -- a short story by Arya Jenkins
  • Cover Stories with Paul Morris, Vol. 11
waldron3 Quiz Show » Jazz History Quiz

Jazz History Quiz #65

This pianist was Billie Holiday’s regular accompanist during her last two years (1957 – 1959), and also played in the Eric Dolphy-Booker Little Quintet that recorded extensively at New York’s Five Spot in 1961. Who is he?

Mal Waldron

Al Haig

Duke Jordan

Hampton Hawes

Joe Albany

George Wallington

Go to the next page for the answer!
[…] Continue reading »

otis Features » Book Excerpts

Johnny Otis on Lester Young and the racism that territory bands encountered

In his 1993 book Upside Your Head! Rhythm and Blues on Central Avenue, the jazz and blues musician and impresario Johnny Otis writes primarily about the music scene in Los Angeles during the 40’s and 50’s. Otis — who discovered the likes of Big Mama Thornton, Jackie Wilson and Etta James, and who is considered one of the most prominent white figures in the history of R & B — also devotes substantial portions of his book to the toxic white racism so prevalent in American entertainment in the first half of the 20th Century.

The following excerpt — which begins and ends with an homage to Otis friend Lester Young — describes the experience of […] Continue reading »

milesb1 Features » Liner Notes

Liner Notes — Miles Davis In Person Friday and Saturday Nights at The Blackhawk, San Francisco

On the evenings of April 21 and 22, 1961, Miles Davis and his quintet recorded at San Francisco’s The Black Hawk nightclub, a longtime Tenderloin neighborhood establishment described by Bay area music writer Ralph J. Gleason as “gloomy, dirty and unattractive” -– a club kept proudly “repulsive” by its owner, Guido Caccienti, who claimed to have “worked and slaved for years to keep this place a sewer.”

Written by San Francisco Chronicle music critic (and eventual co-founding editor of Rolling Stone) Ralph J. Gleason in a typically witty and often derisible tone, the liner notes to Miles Davis In Person Friday and Saturday Nights at The Blackhhawk, San Francisco are compelling not only because they were authored by Gleason, but also because they are comprised of two distinct biographies -– Miles Davis as “social symbol” of the early 1960’s, and The Blackhawk as an “oblong, corner-saloon-with music” that attracted a “most incredible cross section of American society.”

The recording itself was […] Continue reading »

jacksonsquare1 Literature » Poetry

“Pillow Worship” — a poem by Roger Singer

Lazy humid Lake Pontchartrain
breezes slip sideways
through turquoise louvered doors
past a cat, on a stool with its legs hanging
like green tangled moss
as the man, deep with pillow worship
lays still, breathing soft, his hands open and flat
holds court with dreams of last night
the jazz holding tight
the band cutting through
[…] Continue reading »