“Reminiscing in Tempo” is part of a continuing effort to provide Jerry Jazz Musician readers with unique forms of “edu-tainment.” As often as possible, we pose one question via e mail to a small number of prominent and diverse people. The question is designed to provoke a lively response that will potentially include the memories and/or opinion of those solicited.
What is the greatest saxophone solo in the history of jazz?
Featuring Dan Morgenstern, Ishmael Reed, James Carter, Jason Moran, Martha Bayles, Terry Teachout, Kitty Margolis and others…
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No musician evokes the time of the Big Band era more strikingly than Tommy Dorsey (1905 – 1956), whose towering trombone style and smash hits created legions of fans and influenced popular music for decades. Peter Levinson, the author of criticially acclaimed biographies of Harry James and Nelson Riddle, has now written the definitive account of this icon of jazz, drawing on exhaustive new research and scores of interviews with the musicians and others who knew him best. […] Continue reading »
My father died quickly and cleanly in the waning days of autumn, just two months before the arrival of the millennium. A massive neural hemorrhage took him — his brain, drowned in blood, was gone within hours. It was ironic that his own blood finally accomplished what years of alcoholism had not: heavy as his drinking was, he remained utterly lucid and sharp until the early morning hours of a late October Tuesday, when a tiny blood vessel in his head gave way, loosening the flood of fluid that killed him. Until then, his memory, both short and long-term, remained unimpaired. True, his body was falling apart; his liver and heart were bad, he suffered from diabetes, gout, macular degeneration — you name it, he had it — but his mind remained as sharp as the day he graduated with a PhD from Harvard. […] Continue reading »
This edition of “Conversation with Gary Giddins” is the first of three Jerry Jazz Musician features devoted to the importance of New Orleans culture. In an enlightening, passionate conversation, Giddins — for many years the country’s most eminent jazz critic — discusses the beginnings of jazz in the city of New Orleans, its prominent figures, and what needs to be done to properly market jazz in a city that has contributed so much toward shaping the soul of America. […] Continue reading »
The world of jazz criticism is enriched every time Gary Giddins brings out a new book, and Weather Bird: Jazz at the Dawn of its Second Century, bulges with riches. The collection is mostly drawn from his recently-ended Village Voice column (also called “Weather Bird”), with the addition of significant essays published elsewhere. Even faithful readers of the Voice will find ample new Giddins material here. […] Continue reading »