• Klein’s pupil in the studio seemed to be trying to erase his presence through sheer aggression. Had Mozart started that way? Till didn’t think so.

  • In 1961 Metro-Goldwyn-Mayer had purchased Verve Records from Norman Granz. Creed Taylor became the new executive director, and made a number of crucial policy decisions, including the sacking of the majority of Verve’s contract artists. One of a handful to survive was

  • Club Havana was known for hosting decent Afro-Cuban jazz bands. There was dancing Thursdays through Sundays, and Sunday afternoons, the management handed out free cigars. Hector became close to the house band, whose rhythm section inspired him.

  • This edition features a selection of “glamour girl” covers !

  • "Till's Piano Lesson" -- Short Fiction Contest-winning story
  • Great Encounters: In the studio with Bill Evans and Stan Getz
  • "A Man's Hands En Clave" -- a short story by Arya Jenkins
  • Cover Stories with Paul Morris, Vol. 11
hamptonfeb2 Quiz Show » Jazz History Quiz

Jazz History Quiz #66

This Texas tenor player – whose style straddled the boundaries between swing and R&B – succeeded Illinois Jacquet in Lionel Hampton’s orchestra in 1942. Who is he?

Ike Quebec

James Moody

Gene Ammons

Eddie “Lockjaw” Davis

Arnett Cobb

Jimmy Forrest

Go to the next page for the answer!
[…] Continue reading »

parks Interviews

Celebrating African American History Month — Exclusive Jerry Jazz Musician interviews with and about prominent African Americans

Historian Douglas Brinkley discusses the life of Rosa Parks_____For years, we have published exclusive interviews with prominent historians on a variety of figures and topics essential to American history that can also be put into the “American American History” category. Some examples:Musicians:Biographers discuss John Coltrane, Miles Davis, Charlie Parker, Louis Armstrong, Fletcher Henderson, Thelonious Monk, […] Continue reading »

superbowl Uncategorized

The last Super Bowl halftime show featuring jazz music

I could make the argument that jazz being marketed as a “popular music” officially died on January 12, 1975. Why? Because that was the date of the last Super Bowl halftime show that featured jazz music, in this case a “Tribute to Duke Ellington” performed by the Grambling State University Marching Band and Mercer Ellington. Sure, in subsequent years there was the occasional Pete Fountain/Al Hirt exhibition to pump local tourism when the game was held in New Orleans, but Madison Avenue officially ended all attempts at presenting jazz to a mass audience at the conclusion of the halftime show for the ’75 Steelers/Vikings game. What followed was an era of musical malaise for halftime shows (Up With People performed in four of the next 10 shows, for chrissakes!) and then Michael Jackson’s 1993 show opened the eyes of big business to the value of that time, and things were never the same.

Hard to believe, but I found a clip on YouTube of the 1975 halftime show. It is very raw and the sound makes early recordings made in the Gennett Studio sound pristine in comparison, but it is a remarkable piece of history. The introduction by NBC’s veteran (and very square) sports reporter Charlie Jones of the “Tribute to Duke Ellington” is shortly followed by […] Continue reading »

roye Features » In Memoriam

A Roy Eldridge story

Happy Birthday #104 to Roy Eldridge, who in addition to being one of the great trumpet players of his time, is known as the “bridge” between Armstrong and Dizzy. I loved the brightness of his playing, and for contributing to one of the great moments in jazz — his vocal duet with Anita O’Day, leading into a seldom-in-a-generation trumpet solo on “Let Me Off Uptown.”

When I was a kid, my dad used to tell me stories about his friendship with “Eldridge,” and in particular one eventful experience he had while he was traveling with his band in Pennsylvania. In 1998, two years before his passing, my father wrote this piece for Jerry Jazz Musician about this very special experience in his life. I hope you enjoy his telling of it… […] Continue reading »

getz2 Features » Great Encounters

Great Encounters #40: In the studio with Bill Evans and Stan Getz

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition tells the star-crossed story of the 1964 recording session featuring Verve saxophonist Stan Getz and pianist Bill Evans, issued as Stan Getz and Bill Evans.

Excerpted from Bill Evans: How My Heart Sings by Peter Pettinger

__________

In 1961 Metro-Goldwyn-Mayer had purchased Verve Records from Norman Granz. Creed Taylor became the new executive director, and made a number of crucial policy decisions, including the sacking of the majority of Verve’s contract artists. One of a handful to survive was Stan Getz, who had been recording for the company since […] Continue reading »