Dizzy Gillespie, with Yugoslav composer Nikica Kaogjera in tow, cycle the streets of Zagreb during a State Department tour designed to counter Soviet propaganda.
During the peak of the Cold War, propaganda was king, and was especially played out in the non-aligned, emerging nation regions of the Middle East, Africa and Asia. Responding to what was termed by the U.S. State Department as the Soviet Union’s “gigantic propaganda offensive,” in 1954 President Eisenhower created the Emergency Fund for International Affairs, whose role would be to present American culture abroad for the purpose of demonstrating the benefits of freedom (and capitalism) on artistic expression. According to Penny Von Eschen, author of Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War, “Eisenhower resented Europeans’ depiction of the country as a ‘race of materialists’ and was distressed that ‘our successes are described in terms of automobiles and not in terms of worthwhile culture of any kind.’” […] Continue reading »
Show me a clarinet, teacher,
one from a distant continent’s wood
that has suckled nourishment
from a heated, morning sun
then show me the reed,
the dried, shallow, vibrating stick,
that will tickle sound
through many dark nights
when those with flicking tongues
articulate their passion
between panted breaths.
Show me the silver,
flailing fingers have mined
with a synchronized motion
[…] Continue reading »
In 1959, this bandleader toured Europe with a group originally put together to play for Harold Arlen’s show Free and Easy. Who is he?
[…] Continue reading »
How to keep up with all that is published on Jerry Jazz Musician? Subscribe to our newsletter. Our February edition was mailed yesterday, and can be viewed […] Continue reading »
So many great songs to choose from for marking Valentine’s Day…The standard that most immediately comes to mind is an obvious choice, Richard Rodgers and Lorenz Hart’s “My Funny Valentine.” Written for their 1937 Broadway musical Babes in Arms, the piece was overshadowed on Broadway (and in the film version starring Mickey Rooney and Judy Garland) by “Where or When,” “I Wish I Were in Love Again,” and “The Lady is a Tramp,” and was not made relevant until Frank Sinatra’s recording of it in 1953. It was eventually recorded by more than 600 artists on countless albums, and became synonymous with Chet Baker, who recorded it over 100 times. Will Friedwald, author of Stardust Melodies: The Biography of Twelve of America’s Most Popular Songs — an entertaining and essential work of popular music history — wrote that “the tune could be said to follow Baker from the grave, since it’s usually included in memorial tributes to him.”
Friedwald writes, “What makes the whole [song] so remarkable is the happy/sad nature of the lyric, brilliantly mirroring the major/minor nature of the music. It’s a love song, but far from those ‘I love you and everything’s rosy’ tunes so popular in the twenties (vis-a-vis Iriving Berlin’s ‘Blue Skies’). It’s vaguely optimistic, but it couldn’t […] Continue reading »