• In this edition, Paul writes about album covers picturing designer furniture

  • “Playing for Tips” is the winning entry in our 42nd Short Fiction Contest

     

  • A powerful poem on race

  • “Intergalactic Language,” a short story by James E. Guin, was a finalist in our recently concluded 42nd Short Fiction Contest.

  • Cover Stories with Paul Morris, Vol. 18
  • "Playing for Tips" -- a short story by Kevin Bennett
  • "Color Blind (For Real)" - a poem by Quincy Hull and Marc Livanos
  • "Intergalactic Language" - a short story by James Guin
duke1 Quiz Show » Jazz History Quiz

Jazz History Quiz #87

This lifelong friend of Duke Ellington co-wrote “Sophisticated Lady,” played clarinet, violin, baritone and alto saxophone during his first stint in Ellington’s band (prior to leaving in 1928), and, following time in a band that also included Fats Waller and Chu Berry, returned to Duke’s orchestra, where he would play alto until 1946. Who was he?

Don Redman

Johnny Hodges

Otto Hardwicke

Marshall Royal

Hilton Jefferson

Russell Procope

Go to the next page for the answer!

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monk1 Features » Great Encounters

Great Encounters #45: Miles and Monk at Newport, 1955

“Great Encounters” are book excerpts that chronicle famous encounters among twentieth-century cultural icons. This edition offers two accounts of the events surrounding Miles Davis and Thelonious Monk’s performance at the 1955 Newport Jazz Festival — a story that is, according to Thelonious Monk biographer Robin D.G. Kelley, “shrouded in myth.”

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giddins1 Interviews » Conversations with Gary Giddins

Gary Giddins on jazz criticism

Jazz history is filled with great moments and musicians, reported on over the years by critics whose work influenced the music’s path. Rudi Blesh, Martin Williams, Albert Murray, Dan Morgenstern, Nat Hentoff, Gene Lees, Leonard Feather, Whitney Balliett, and Stanley Crouch are just a handful of the critics whose liner notes, columns, opinions and histories we read while deepening our desires to grow with the music. The writer whose work is perhaps most renown is Gary Giddins, the award-winning writer who for years wrote about jazz for the Village Voice, and who I was privileged to interview several times about a variety of interesting topics in our Conversations with Gary Giddins series.

In June, 2003, Giddins and I talked about his ascension as a jazz writer, and included his candid observations of other prominent critics. The discussion concluded with a unique “Blindfold Test” that asked Giddins to name the jazz writer responsible for the essay excerpt he is spontaneously shown. It is a timeless view of

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alice2 Uncategorized

Universal Consciousness: The Spiritual Awakening of Alice Coltrane

In a brilliant piece titled “Universal Consciousness: The Spiritual Awakening of Alice Coltrane,” Britt Robson writes that “the closer one examines the genuinely phenomenal life, music and spirit of Alice Coltrane, the more inevitable it seems that she will also someday receive her proper due. The most striking aspect of her biography is that she became a master musician and a spiritual guru in the same way, by carrying forth all her accumulated wisdom in a welcoming synthesis, rather than shedding, judging and discriminating her way to ‘growth’ and ‘maturity.'”

This extensive biography focuses on Alice’s musical path, her marriage to John Coltrane, her ensuing spiritual awakening, and her influence on

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