50 years ago this week, Time magazine – at the time a critical weekly linking Americans to news and features of the world – had planned to run a cover story on jazz music, with the cover devoted to pianist Thelonious Monk. Instead, the events in Dallas on November 22 caused Time to shelve the story until February 28, 1964, and they ran a cover of Lyndon Johnson on November 29, 1963 instead. Reportedly, this decision, according to Monk biographer Robin D.G. Kelley, caused Time to destroy “the three million copies they had already printed bearing [Boris] Chaliapin’s portrait of Monk.”
The great improvisational American jazz musicians of the mid-20th century inspired a generation of photographers to develop a looser, moodier style of visual expression. That evocative approach is on striking display in The Jazz Image: Masters of Jazz Photography. Covering six decades of performers from Louis Armstrong and Duke Ellington to John Coltrane and Miles Davis this unique collection is as much a comprehensive catalogue of jazz greats as it is a salute to the photographers who captured them. […] Continue reading »
In a little town in Illinois, in a bar near the Wisconsin border, one man blew honey-dripping sounds from his saxophone. A woman’s body swayed in time with the sweetness emitting from that horn. She kept time with the beat and moved like melodic notes going up and down the scale. I imagined blowing musical sounds into her ear.
I crossed the wooden dance floor where she whirled, grabbed her hand and began to spin. Like musical notes, one black, one white, we danced all night. I softly sang into her ear, “Imagine how we’d dance in bed.”
She laughed in a low contralto voice, and changed it to a soprano when the high notes flowed. […] Continue reading »
Immortalized by Jack Kerouac in On the Road, this musician answered to the name of “Dark Gable.” Who was he?
“Jazz is the only music in which the same note can be played night after night, but differently each time.”
[…] Continue reading »