Paul Morris is an avid Portland, Oregon record album collector who, in his words, will “share his enthusiasm for the artists who created album covers in the ‘40?s and ‘50?s.” In addition to being a collector of the art, he is a scholar of it. This edition features the “late Columbia” era of master designer Alex Steinweiss. […] Continue reading »
Three cars honked almost in union. Then successively, each a blare in order, one two three, then two three one three four with the line through, beat ripitum boom, ba, riptum boom, now hear it a little faster, just a little faster, lips to instrument, trumpet, three valves, infinite notes to jot to sing to blow, perched lips, fat cheeks, cosmic energy of the union, the intertwined with keys of ivory.
Marcus Breck was recalling stepping on stage the first time. Nervousness rising from toes to a tingling head. Dry mouth, the initial silence of the room that precedes the beginning of […] Continue reading »
In addition to being one of the greatest musicians of his generation, this Ohio native was an activist, leading “Jazz and People’s Movement,” a group who “adopted the tactic of interrupting tapings and broadcasts of television and radio programs in protest of the small number of African-American musicians employed by networks and recording studios.” Who was he?
Sir Roland Hanna
Rahsaan Roland Kirk
Anthony Braxton […] Continue reading »
I awoke this morning to the sound of a Gene Ammons ballad, “Stella by Starlight.” As a disciple of the sound of Ben Webster and Lester Young, and having been in the forefront – along with Von Freeman — of the “Chicago school,” where a bluesy “expressiveness” was paramount to their style, his music has always moved me. His personal life had its challenges, having been incarcerated on a couple of occasions for narcotics possession, but his sound overcame that, evidenced by the contract he signed with Prestige Records following his 1969 release from prison, which at the time was the largest ever offered by the label.
While some critics questioned the relevance of his style, the pianist […] Continue reading »
“Cover Stories with Paul Morris” is a popular feature found on Jerry Jazz Musician that looks at the serious art – and serious comedy – of vintage album cover art. Paul is a dear friend of mine and fellow Portland resident who happens to be a music scholar and album cover collector. In most cases, it is not the music he seeks, it is the work of the artist who created the design.
Yesterday was a pretty typical late March Portland day – cool, gray and drizzly with an occasional dose of sunshine. It was “jacket weather” but no umbrella was necessary. It was a great day to hit a few record stores, of which there are many in this amazing town. Portland has more record stores (predominantly selling vinyl) than any other […] Continue reading »