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TODAY'S ARTISTS


Winard Harper


Winard Harper

___

Drummer Winard Harper is passionate about jazz. "This music is powerful," he says. "It can do a lot of good for people. If they'd spend some time each day listening to it, we would see many changes in the world."



Come Into the Light

Come Into the Light





The EDGE


In Memory Of

Lena Horne,

1917 - 2010

Stormy Weather



Hank Jones,

1918 - 2010

Willow Weep For Me, a 1994 Carnegie Hall performance



Benjamin Hooks,

1925 - 2010



Gene Lees,

1928 - 2010



Dorothy Height,

1912 - 2010



_________

Think About It


"To some will come a time when change itself is beauty, if not heaven."

- Edwin Arlington Robinson, 1869 - 1935



_________


Today's Gift Idea

Lithographs and Giclees by Barbara Freeman

Chet Baker

 


_________


Recently Published


*

James Gavin, author of Stormy Weather: The Life of Lena Horne

Lena Horne

Stormy Weather, by Lena Horne


*

Larry Tye, author of Satchel: The Life and Times of an American Legend


*

David Robertson, author of W.C. Handy: The Life and Times of the Man Who Made the Blues

W.C. Handy

St. Louis Blues, by W.C. Handy's Memphis Blues Band


*

If you could have dinner with three people, who would they be?

Among those participating in the twelfth edition of Reminiscing in Tempo: Memories and Opinion are Gary Bartz, John Scofield, Billy Cobham and Esperanza Spalding

Gary Bartz


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Graham Lock and David Murray, co-editors of Thriving on a Riff: Jazz and Blues Influences in African American Literature and Film and The Hearing Eye: Jazz and Blues Influences in African American Visual Art

The Death of Bessie Smith, by Rose Piper


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In the twenty-seventh edition of Great Encounters, David Robertson, author of W.C. Handy: The Life and Times of the Man Who Made the Blues, tells the story of Handy's first recording session, and his meeting with James Reese Europe

W.C. Handy
*

Marybeth Hamilton, author of In Search of the Blues

Leadbelly


*

Trudy Carpenter is the winner of the Jerry Jazz Musician Short Fiction contest. Her story is called "Bumps Out Then Bumps Back "


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Jazz: Through the Life and Lens of Milt Hinton: An online photo exhibit



Milt Hinton

Laughing At Life, by Milt Hinton


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Ben Ratliff, author of Coltrane: The Story of a Sound

John Coltrane

Giant Steps


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Ralph Ellison biographer Arnold Rampersad, on the complex life of the author of Invisible Man

Ralph Ellison


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In cooperation with The Jazz Image author Lee Tanner, Jerry Jazz Musician presents "Masters of Jazz Photography," this month featuring the work of Jerry Stoll

photo of Pee Wee Russell and Gerry Mulligan by Jerry Stoll


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Up From New Orleans: Life Before, During and After Katrina -- A conversation with transplanted New Orleans musicians Devin Phillips and Mark DiFlorio

Devin Phillips


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An Online Story of Jazz in New Orleans, with an introduction by Nat Hentoff

Jelly Roll Morton

New Orleans was a free and easy place, comments by Jelly Roll Morton


*



Now in the Art Gallery

The Art of James Allen



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Test your wits! Subscribe to Quiz Show, which is delivered to your desktop every other Friday .



Play Quiz Show

_________


Heroes...We all had them. For years, we have been asking the guests we interview to talk about theirs. You can read them at our Heroes page. Now, we invite you to write about the person you recall being your own childhood hero. All submissions are published...



Willie Mays


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Coming Soon

Interviews with Stormy Weather: The Life of Lena Horne author James Gavin, and Robin D.G. Kelley, author of Thelonious Monk: The Life and Times of an American Genius



...ensure you won't miss any of this (and much more in the works) by subscribing to our newsletter.

_________



"The political and commercial morals of the United States are not merely food for laughter, they are an entire banquet."

- Mark Twain




JJM

 



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Jerry Jazz Musician Home Page
Jazz/Jerry Jazz Musician/Accent on Youth, with Bunny M.

Print Friendly Version


"Bunny M." is an eighteen-year-old Dallas resident who plays drums, piano and clarinet.  Her passion for jazz and the challenges she faces as a youthful fan of it is the focus of her Jerry Jazz Musician column, "Accent on Youth."


Listen to Dinah Washington sing Accent on Youth


___________________________


Accent on Youth

by

Bunny M.





"Blue Wynton" by Theo Moore

   

     Until We Meet Again...



*



Tiger Rag, by Bix Beiderbecke


__________________________________________




     In my last column I wrote of the significance of change in jazz. From "playing the changes" to changing the face of art, shaping and surviving cultural change, jazz is well-versed in remembering the old, embracing the new, and adapting the two in a seamless chain of ontogeny. Bix Beiderbecke once said, "One of the things I like about jazz is [that] I don't know what's going to happen next"; and so, it is in the spirit of a jamming musician hopping chords from one tune to the next that I am retiring my stewardship of "Accent on Youth" in the pursuit of new creative endeavors.

     Being able to write my own column for Jerry Jazz Musician, and getting to know so many wonderful, interesting people as I have the past two years has been an experience of great joy and learning. My knowledge and love of music has grown exponentially as a result of all the research, listening, collaboration, and cultural observation that has gone into this creative process. Of course none of this would have been possible without the music; with its rich, far-reaching history, cast of characters, and complex emotional substance, jazz -- and the desire to see it propagate among today's young people -- has been my inspiration and drive for writing "Accent on Youth" from its inception.

     Many, many are the thanks I extend to Mr. Joe Maita for taking the chance and allowing me the opportunity to write for Jerry Jazz Musician. That he saw potential in my sixteen-year old jazz-loving self with no publication writing experience is, I think, a testament to his fine creative foresight. His direction and unflagging support and encouragement have been a valuable aid in my growth as a writer in particular, and a person in general, and I am honored to have worked and exchanged ideas with him.

     Much applause is due the musicians -- from major-label recording stars to neighborhood garage jammers -- for keeping the jazz tradition alive and defying the purveyors of modern mainstream entertainment by stirring young listeners with quiet boldness to find that cookie-cutter pop is not the only way. Especially commanding of a hand are the young players, hobbyists and paying-gig mavens alike. The repeated enjoyment of having come to know a number of you fellow musicians and listeners through "Accent on Youth" is a great renewal of my faith in our generation as the new heirs of a musical genre whose innovations have more than occasionally been the product of youthful minds. High-fives to all of you for surviving the nuclear fallout of the bubble gum, Britney Spears-and-company cultural takeover.

     And of course, I would like to express my deep appreciation to you, readers, for sharing in my work, and for the many kind words and ideas you have blessed me with. Hearing from all of you is always a spring of joy and encouragement to me that the great spirit of jazz truly is alive and continues to be nurtured by modern lovers of music. I cherish the friends and creative collaborators I have come to know among you, and can only hope your enjoyment of my words and ideas has been a worthy return on the time you have invested in reading and following my column. Since I am not a person of goodbyes, I'll simply say in the words of Count Basie: "To be continued, until we meet again. Meanwhile, keep on listening and tapping your feet."

__________________

 




"Unspoken Collaboration"

I rise on the
poetry of his powerhouse,
his fingertips wrapped
around my soul

               Another tryst
               finding solace in word-lust,
               unlocking the poetry
               within

And in seconds,
something great
is written
in unspoken collaboration




More poetry by Bunny M.


You can contact Bunny at: lotusflower1922@hotmail.com




Editor's Note:  

     Getting to know Bunny and working with her has been a great source of joy and pride.  While the publication of her work has been gratifying and helped attract new readers to Jerry Jazz Musician, the most rewarding aspect has been in witnessing Bunny's persona emerge and her writing mature.  I am fascinated by the sincerity of her interests, and grateful for her devotion to the column.  

     As Bunny suggests in her farewell column, "Until We Meet Again," her life is changing, and so will Accent on Youth.  The search for a new columnist has begun, details of which will be available soon.  

     

 


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